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Staff Picks Audience: Music & Movies

Judex []

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I tend to be someone who knows what he’s looking for in the stacks and will often go in with a list. We can’t always be a slave to structure though. Judex is a film I checked out based solely on the intriguing box cover. It also is a part of the Criterion Collection… so, I knew I was in for something interesting.

This 1963 French movie is an homage to a 1916 silent film of the same name. Set at the time of the original, Judex hits the ground running with a mysterious blackmail letter, a murder, strange sci-fi/occult touches and a stoic, caped man. Countless twists and turns, masks, hidden identities, a circus, knives and a lovable detective color this suspenseful caper. Furthermore, Judex is photographed in the most brilliant black and white with stylish camera angles that would make any film nerd’s heart have serious palpitations.

It pays to sometimes take chances with movies; going in blindly. However, I’ve done the work for you already on this one. So, go ahead and enjoy George Franju’s Judex!

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Sensation: The Story of Tommy []

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I first heard the Who’s Tommy as a teen or pre-teen after borrowing a copy from the Russell Library in Middletown, CT. That’s really the age to delve into both the angst and sensitivity of the Who… in fact, it’s the best time to explore music in general as that feeling of the world opening up to you begins. What followed this library trip was a huge Who obsession and, after the realization that Pete Townshend and I share a birthday, I was convinced there was some sort of connection between myself and the music. I’m sure I wasn’t the only teenager who felt this way.

Martin R. Smith’s documentary doesn’t focus on the stellar musicianship of the band (that coverage can be found anywhere… I mean, listen to a Who album!); rather, it leads the viewer through Tommy‘s high concepts and tells the story of a band in a state of transition. It is evident we have a “pre” & “post”-Tommy Who for the history books. Tommy, an album many consider as the first “rock opera”, legitimized Pete Townshend as a true composer, gave Roger Daltry the confidence to stand out front as the powerful lead singer (often in fringe), took the Who to opera houses around the world and turned the band into a stadium rock monster.

The film features interviews with Pete Townshend, Roger Daltry, John Entwhistle (archival), Keith Moon (archival), former Who manager Chris Stamp, Tommy album artist Mike McInnerney, Who biographers and a couple Rolling Stone Magazine nerds. It also has audio recordings of Townshend demos and several live performance clips.

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The Art of the Steal by Don Argott []

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The Art of the Steal is a documentary that addresses the issue of public ownership of artwork. Don Argott’s film focuses on a much heated conflict in the state of Pennsylvania concerning the Barnes Collection and Foundation. Albert Barnes, a wealthy chemist turned art collector, acquired one of the most stunning Impressionist and Post-Impressionist collections in the world. He housed this uniquely curated collection along with a school as the Barnes Foundation in Lower Merion, PA. After his death in 1951, it was made clear by his will that the collection would not move nor would any of the work be sold under any circumstances.

Here’s where it gets interesting… Barnes’s wishes were not shared with many of the powerful Philadelphia politicians and society members. As management changed hands, the film highlights political nonsense and a long spiral of undermining of the collection’s owner over a sixty plus year period. Many issues arise in the dealings with the collection of art (now worth an estimated twenty-five billion dollars) and we really don’t have a clear cut understanding of whose interests are actually being served.

The Art of the Steal is a fascinating look into both the political and art worlds.

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Bach Unaccompanied Cello Suites by J.S. Bach; performed on double bass by Edgar Meyer []

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This is one of the most amazing CDs I have ever heard.  Edgar Meyer is a musician’s musician who is in high demand in the classical, folk and bluegrass worlds.  He has partnered with the likes of Yo-Yo Ma, Joshua Bell,  Bela Fleck and Mark O’Connor, and he composed a violin concerto for Hilary Hahn.  Here he partners with Johann Sebastian Bach in a new interpretation of the suites for solo cello with a much deeper voice.  He solves the technical problems of the bass — larger reach and slower-speaking strings, for example — with a technical mastery that is just mind-boggling. But this is not just virtuosic fireworks.  The bass sings under his fingers.  And you can hear the 30 years of practice and love for the repertoire in this recording.  Meyer is right up there with Casals on my shelf.

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Evocateur: The Morton Downey Jr. Movie []

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Saying Morton Downey Jr. was a complex man would be the understatement of the century. Son of a famous singer, Jr. began his career in show business as a vocalist himself. He had a small hit with in 1958 with the haunting tune “Boulevard Of Broken Dreams”. He later worked in radio and eventually became involved with the world of sports by first buying an American Basketball Association team and later co-founding the World Baseball League.

What brought Morton Downey Jr. national attention was his short run on the syndicated Morton Downey Jr. Show based out of New Jersey. The host who grew up hanging around the Kennedy family, became a loudmouth, conservative screamer on his late 80’s program. The documentary pulled many clips that made the air where Downey Jr. gets in audience members faces and says some of the most horrific and offensive things you will ever hear in your life. His show seems to be pure theater and unfortunately it paved the way for future trash television such as the Jerry Springer Show.

Like him or not, Evocateur is a massively entertaining film. It’s an excellent documentary of the strange life and quick rise and fall of a man whose life was filled with controversy.

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The We and The I []

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Director Michel Gondry is mostly know for his heady, comedic films with cunning in-camera effects such as Eternal Sunshine of the Spotless Mind &The Science of Sleep and innovative music videos from Björk, Beck and the White Stripes. In The We and the I, Gondry scales back and tells a story via a bus ride through the Bronx. The French director workshopped this script with a group of teens over the course of three years and the result is this wonderful film.

We see the complex dynamics of high school relationships as we join a group of students after their last day of classes. There’s bullying, gossip, swagger, flirting, fighting, some genuinely funny conversations and many heartfelt moments, too. Throughout, the dialog is natural; we almost feel as though we’re watching a a documentary at times.

Despite this austere approach to filmmaking, Gondry’s presence is still felt with the occasional use of non-digital effects. A small boombox shaped bus rides around town at the intro. Later, we see an interesting scene where he superimposes a pizza shop directly through the window of the city bus. These moments perfectly interject surrealism and introduce lightness into this very realistic movie.

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Made In California by The Beach Boys []

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Wow.

New paragraph: this Beach Boys box is something to behold. Set up like a high school yearbook with large glossy photographs, interviews, articles and fake advertisements, Made In California is a thing of beauty. We flip to the last page and we see six cds filled to the max with hits, album cuts, rarities, outtakes and live versions. The set commemorates 50 years of Beach Boysdom from Brian’s “Surfin’” demo right up to their 2012 single “That’s Why God Made the Radio”.

Made In California has enough newly unearthed material for completests, music scholars and other varying degrees of nerd. It is also consistent in high standards so it doesn’t feel too overwhelming for someone who is just discovering that this group isn’t a band that only sings about surfing and cars. You need not have to comb through sub-par tracks.

Obviously, the genius Brian Wilson is at the forefront of the productions here. We truly realize how special the body of work he had produced and see the heights of creative genius and musical innovation. Wilson can safely be put alongside Gershwin, Copland and Ellington in the Hall of Great American Composers (this building does not exist). His baby brothers shine as well; Dennis, the drummer/rebellious middle child, is represented with a multitude of brilliant heart-aching ballads (mostly unreleased until now) and Carl, the finest singer of the lot, is clearly the soul of the Beach Boys. The latter comment becomes evident as you make your way through the recordings… trust me on this.

If you’re familiar with their catalog, look out these newly issued gems “Sail Plane Song”, “Sound of Free”, “California Feelin’”, “You’re Still A Mystery” and “Where Is She?”. For those unfamiliar to the Beach Boys, how I envy you to be able to experience hearing this wonderful music for the first time.

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Simon & Garkfunkel: The Columbia Studio Recordings 1964-1970 by Simon & Garfunkel []

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Simon & Garfunkel never felt like a singles band to me. Sure, there’s the massive, mega-hits: “Mrs. Robinson”, “The Sound of Silence”, “The Boxer”, “Bridge Over Troubled Water”, “Cecelia”, etc., but Paul Simon’s songwriting abilities were never simply tunnel visioned to the radio dial. All five of Paul & Artie’s studio albums are classics that are meant to be heard front to back and then back to front again. With the Columbia Studio Recordings boxed set, we can hear every song, every angelic harmony, every sweet acoustic guitar move and every perfect arrangement.

Six or seven years is not a whole lot time in the grand scheme of things, but Simon & Garfunkel made it count with their prolific run as Columbia Records recording artists.

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The Third Eye Centre by Belle & Sebastian []

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The Scottish pop group Belle & Sebastian are rather prolific. Along with releasing several albums over the course of their nearly two decade career, the band has also put out several ep’s (i.e. short albums) and non-album track singles. The compilation The Third Eye Centre gathers up interesting ep tracks and b-sides spanning 2003 to 2010.

In this collection, we see the wide range of influence and also the musical versatility Belle & Sebastian possesses. They bounce from perfect pop song to ballad to Bossa Nova to disco to country & western and then back to perfect pop song again.

Singer/songwriters Stuart Murdoch, Stevie Jackson and Sarah Martin provide backstory forall of the tracks in the beautiful attached booklet with this small boxed set. It’s baffling that songs such as “Last Trip”, “Long Black Scarf” or “Blues Eyes of a Millionaire” were cast aside and not included on the band’s albums from the 2000’s. The Third Eye Centre is a really fun, diverse collection that has also enough consistency to make it work as a proper album.

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A Glimpse Inside the Mind of Charles Swan III []

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Charlie Sheen, Jason Schwartzman, Katherine Winnick, Patricia Arquette, Aubrey Plaza and Bill Murray star in this dark comedy about a graphic artist going through a painful breakup and life crisis. Charles Swan (played by Charlie Sheen) is a Brandy Alexander drinkin’ guy who has eggs and bacon decals on his old roadster, but also dreams up wild visions of soft shoeing at his own funeral, singing a duet in Portuguese on television and being attacked by models wearing Native American garb. He simply can’t distinguish reality from fantasy.

Roman Coppola, yes son of Francis Ford and brother of Sofia, is the writer/director. The film is a homemade affair with Coppola using his house and office as key locations. He also worked as the director of photography on the picture. A Glimpse Inside, though never stating such, seems to be set during a groovy time in 1970’s: airbrush, velvet suits, cool hair, shades, snazzy record album jackets, etc. In addition, the character of Charles Swan is loosely based on a few airbrush wizards from the L.A. art scene and fittingly, Swan’s studio features the work of several of these artists (including Charles White III).

The film blends off beat comedy, staged fantasy and drama. Also, be sure to listen for Liam Hayes’s brilliant score.

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Paul F. Tompkins: Laboring Under Delusions []

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Paul F. Tompkins, comedian-actor-podcaster-improvisational wizard, performs a thematic stand-up set recalling his life as an employed person in Laboring Under Delusions. The long form jokes are delivered in a story setting highlighting the perils of working as a video clerk, a hat salesman (on multiple occasions, he was asked to retrieve a “king hat”) and as a minor character in the film There Will Be Blood. Tompkins is immensely charming and equally hilarious. This is very funny stuff!

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Pootie Tang by Louis C.K. []

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A case for Pootie Tang, a micro-essay.

Genius comic Louis C.K. had written a script based on a character from the Chris Rock Show and brought it to the big screen in 2001. It has been well documented that the author was extremely unhappy with the final product and the experience caused him a great deal of pain. You see, the film was snatched away in the editing stages and the cut we see now is not Louie’s vision.

This much maligned film stars Lance Crouther, Chris Rock (in several roles), J.B. Smoove and Wanda Sykes and also features several cameos (I’m not going to spoil them here). We follow the life of Pootie Tang, a hero to the people with a magical belt and an unintelligible language. Things go awry when an evil corporate villain, through a series of underhanded schemes, attempts to attach Pootie’s likeness to unhealthy fast food, malt liquor and cigarette smoking.

Despite the critical wrath and lampooning from late night talk shows, Pootie Tang still delivers plenty of laughs in its crazy, surreal music video-esque style. Though many cite the film as a “so bad it’s good” romp, I enjoyed the picture in the most genuine way possible. I found myself laughing loudly throughout and having to catch my breath.

I suppose this off the wall mockumentary was a little ahead of its time at the beginning of the 2000’s. Needless to say, fans would love to one day see Louis C.K.’s director’s cut to view the real Pootie Tang.

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