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Staff Picks Category: Fiction

Submarine by Richard Ayoade []

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Olivier Tate (played by young actor Craig Roberts), the protagonist in Richard Adoaye’s quiet, quirky, charming, dark and thoroughly enjoyable film Submarine is a likeable precocious Welsh boy searching for an identity and direction in the stifling climate of small town coastal Southern Wales. He tries on affectations:”I’ve tried smoking a pipe, flipping coins – listening exclusively to French crooners, I’ve even had a hat phase”. This quote is immediately followed of course, with a shot of him at the family dinner table, wearing a Blue Stetson, looking fairly ridiculous. His teenage flailing about for identity finds its focus when he discovers the dark and indifferent charms of classmate Jordana (Yasmin Paige), who lures him into more and more morally reprehensible schoolyard acts. She is outwardly resistant to his charms except when he is misbehaving, and seems most allured by his taking part in the bullying of a fellow school girl. The cast is fantastic, both Paige and Roberts inhabit their roles fully and believably, while the adult characters (Sally Hawkins and Noah Taylor as Olivier’s parents), are comically stuck in their own lazy unspoken despair, too wrapped up in their own ridiculous melodramas to offer guidance to Olivier. Paddy Considine appears as an almost incongruously broad comic foil and rival to both Olivier Tate and his father. Adoaye, most famous for his work on the UK sitcom “The IT Crowd”, who adapted the script from a novel by Joe Dunthorne, directs the film with care and fills it with beautiful shots of the beaches, woods and amusement parks of the Welsh Coast. There are aspects of the film’s plot, details and cinematic style which will appeal to fans of many other refreshingly offbeat comic films (Wes Anderson’s films in particular) but the unique characters, acting performances and Welsh character give it a charm all its own.

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The Night Circus by Erin Morgenstern []

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Evocative. Descriptive. Atmospheric. The Night Circus is a good story, but its the atmosphere that will keep you turning the pages. Set in the late Victorian era, The Night Circus tells the story of two students, Celia and Marco, forced by their individual teachers to compete against each other in a game they don’t understand. Their playing field is an unusual circus, which becomes more and more fantastic as the two young magicians populate the circus with their increasingly elaborate creations. A carousel with strikingly realistic animals. A tree without leaves or flowers, but covered with candles which never go out or melt away. A hall in which hundreds of mirrors each show something unexpected. A garden made of perpetually unmelting of ice.

Everything about Le Cirque des Rêves is improbable, and much of the book is devoted to describing the circus and the experience of visiting it. The narrative shifts in time, place, and voice, but always describes the circus or the people connected to it. Some chapters are written in the second person, and while most of the book is written in the third person some chapters are completely without characters (unless you count the circus itself); these chapters especially create a feeling of immersion and they felt to me as if they were in the second person, even if they did not use the word “you”.

The level of detail is appropriately, but sometimes startlingly, varied. Morgenstern often writes at length about minutia such the smell of the popcorn, or the costume of a particular performer, only to gloss over the details of a conversation in the most general language. These glosses may, perhaps, represent some lost opportunities on Morgenstern’s part, where she could have further fleshed out her story, but on the whole I found them unobjectionable and even welcome; not only did they help keep the story focused, but they contributed to the tone of the novel, which I found unusual but very much enjoyed.

The Night Circus is a fantasy, and a romance of sorts, and will be enjoyed by many open-minded readers of both genres.

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The Lacuna by Barbara Kingsolver []

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Barbara Kingsolver reads her ambitious 2009 novel in a soft and expressive voice with deliberate pacing. The story unfolds over three decades in Mexico and the U.S., and each character has a particular voice within the author’s reading. It centers on the young man Harrison Shepherd whose parents (American father and Mexican mother) are marginal to the picture, and who keeps diaries in which he is a third-person narrator of his own life. Though he holds himself as a perpetual outsider, his life is in the middle of some serious action: as a teenager he gets a job as a plasterer and then a cook for Diego Rivera, living with the painter, his artist wife Frida Kahlo and the exiled Leon Trotsky for whom Shepherd does clerical work. Later, he moves to South Carolina on his own and becomes a successful novelist, until he is targeted by Joe McCarthy’s HUAC. The fictionalized descriptions of these larger-than-life figures and the historical events surrounding them are the focus of the novel, with the main character acting as quiet observer and chronicler, adding his own wry take on the proceedings. It’s an unusual device that creates an inside view of epic times through distant eyes that could be your own. Which is not to say there’s no emotion in it–there’s more than enough passion in the cast of characters, and plenty of historical context to arouse the reader’s.

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The absolutely true diary of a part-time Indian by Sherman Alexie; art by Ellen Forney []

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He is known as Junior on the Spokane Indian reservation he calls home, and Arnold at the all-white school Reardan in the nearby farm-town. Arnold/Junior Spirit leads a split existence once he decides that he needs to change schools in order to give himself the chance of escaping the poverty and alcoholism that he is surrounded by on the reservation. A book filled with tragedy manages to be uplifting and funny, with cartoons drawn by Arnold interspersed throughout. This young adult novel tells a universal coming-of-age story. This was also one of the Top Ten Challenged Books in 2010 according to ALA’s Office for Intellectual Freedom – a great reason to read it!

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The Magicians by Lev Grossman []

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What if Harry Potter and his friends were older and lived in New York instead of England? Despite its references to Narnia and other fantasy classics, The Magicians is not a children’s book. The protagonist is neither hero nor anti-hero — he’s more like an actual human being (granted, with magical gifts) looking for meaning in the world and generally failing to find it. He and his classmates graduate from a secret, elite college for wizards and don’t know what to do with the rest of their lives. (Here’s where the existential literary fiction comes in.) Everything is open to question — was that a quest we were given, or are we just projecting? — and the lines between good and evil are often unclear, or beside the point. The plot is twisty enough and the prose captivating and spiced with humor. There are occasional disappointments, but The Magicians is still an adventure that’s hard to put down. It’s going to make a great movie someday.

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Wicked Autumn: A Max Tudor Novel by G. M. Mailliet []

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First in a new series, this book is an homage to the traditional English village mystery. Max Tudor is the village priest, settling into his peaceful existence in the peaceful village of Nether Monkslip – a far cry from his previous life as an MI5 agent. Wanda Batton-Smythe is the self-styled head of the village, and head of the Nether Monkslip Women’s Institute, organizing the fall Harvest Fayre, and creating ill-feelings and enemies in her wake. She had no close friends, but did anyone really hate her enough to kill her? Max Tudor finds himself in the middle of the investigation, and we can look forward to visiting the other villages that he is also responsible for in future books. I believe that this is the type of mystery that provides all the clues for you to be able to figure out the culprit, although I was just happy to go along for the ride.
Two things that endeared this book to me from the (near) beginning:
  1. Cast of Characters list (when I was writing my great mystery novel as a preteen, this was as far as I got)
  2. Wanda is reading a Booker-prize winner, and says, “In no year, in fact, had she enjoyed reading any of the Booker winners, but she felt honor-bound to read them, and to drop into conversation the fact that she was reading them.” I read this before the short list for the Booker prize came out this year, and was surprised that were actually several books that I am interested in reading, including The Sisters Brothers.

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Starting From Happy by Patricia Marx []

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Patricia Marx, a regular contributor to the New Yorker and a former Saturday Night Live writer, had me convulsing in fits of laughter on the sofa with her new book Starting From Happy. Fans of Woody Allen or Miranda July’s surreal, humorous short fiction and lovers of Demetri Martin’s use of pie charts will certainly enjoy.
Here we have the love story (sort of…) of Imogene and Wally. I suppose won’t divulge too much more about the principles for there are many twists and turns. The author appears as Patty. We don’t know where she fits into this narrative exactly, but she’s able to comment when necessary.
Graphs are exhibited, kumquats are drawn.
Marx divides her text in short “chaplettes” that are often composed with brief dialog, nonchalant time shifts or just plain quick bursts of deadpan humor. This storytelling device not only helps usher the plot along with vigor, it also gives the author the opportunity to deliver some sublimely meta moments. I’ll leave you with one of my favorite instances:
318.
“One more question,” said Wally. “Do you think we’ll be in this book long enough for them to hear me stop pleading with you?”
 
319.
Enough Horsing Around.

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Cutter’s Way []

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“These are just the facts, Rich. I mean, I haven’t even begun to let my imagination loose on this thing.”

A film about our first head librarian? Telling a tale of the creation of the Cutter System (the same system Forbes Library uses to this day)? I’m afraid not… though Dylan and I are working on the second draft of the Charles Ammi Cutter Story. In theaters 2039.

Rather, Cutter’s Way is a film directed by Czech New Wave pioneer Ivan Passer that stars Jeff Bridges and John Heard. Heard plays Alex Cutter, a one armed, one legged, eye patch wearing bitter Vietnam veteran who is on the verge of losing touch with reality. Side bar: I tend to get drawn to movies where a character wears an eye patch (True Grit, The American Friend (though Nicholas Ray really needed to wear one of those in real life), Kill Bill, Thunderball or any pirate film come to mind). Cutter lives his life with the feeling that he has nothing to lose and often exists in a drunken stupor without the will to live. Though his antics on some occasions are entertaining to his wife Mo and his closest friend Richard Bone (Jeff Bridges), most of the time he’s putting himself and others in danger.

Bone, a yacht salesman who doubles as some sort of refined-hippie-vagabond-couch-surfing dude, witnesses the disposing of a body after a murder. He decides to flee the scene and not get involved (not getting involved happens to be a central theme of Richard Bone), but winds up being questioned and finds himself on the front page of the paper. Cutter, in turn, becomes obsessed with this case and is convinced he knows who has committed the terrible act.

Cutter’s Way is an overlooked film that explores the limits of friendship and expertly combines the genres of drama, mystery, comedy, adventure and film noir.

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Wedding Season by Katie Fforde []

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Wedding Season is the story of wedding planner Sarah who secretly doesn’t believe in love. Her personal love life is non-existent as she plans the perfect nuptials of others. The book begins as she takes on two new clients who are getting married on the same day in just a few months–a celebrity and her own sister. Sarah’s friends, dress maker Elsa and hairdresser Bron have also not been lucky in love until now. This British romantic novels follows the 3 women as they meet new men and deal with demanding brides. While the story is somewhat predictable, anyone in the midst of wedding planning will enjoy the romance and comedy.

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Sing You Home by Jodie Picoult []

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Jody Picoult has always been a popular author with library patrons as evidenced by the number of requests I receive to place holds on her books. I had not read one of her books but decided that her most current novel which deals with some current “controversial” topics including gay rights, reproductive rights, the evangelical Christian movement among others would be one that would hold my attention. I enjoyed reading this book and it kept me interested through its fair treatment of the issues mentioned above. This book, whether you are on one side or the other of the issues or open to all viewpoints, will keep you wanting to read it because of its compelling story line and strong character development.

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Hell is Empty by Craig Johnson []

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Craig Johnson’s Walt Longmire series is one of my favorites. Part mystery, part western, set in the remote and mythical Absaroka County, Wyoming with a wonderful cast of characters, with sheriff Walt Longmire at the center. I was thrilled when I heard that A&E has been filming the new series Longmire based on these books.
Walt starts off on routine prisoner exchange, dreaming of lasagna and his daughter’s upcoming marriage. The prisoner exchange hits some complications and Walt heads off into the Bighorn Mountains after the prisoner Raynaud Shade, a Crow Indian and a sociopath who claims to hear voices and seems to know that the (same?) voices have also spoken to Walt when he has been in the mountains. Walt is led through the icy hell of the peaks of Wyoming by Virgil, coming across his own demons, and yes, carrying Dante’s Inferno to complete the metaphor. The latest in the Walt Longmire series; start with The Cold Dish.

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Welcome to the Monkey House []

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Selections from Kurt Vonnegut Jr.’s Welcome to the Monkey House, an anthology of shorter fiction, appeared on the Showtime channel in the early 1990’s. The series was on the air for a brief time, but all of the episodes exist on a dvd that we’ve just received from the Pleasant St. Video collection.

Welcome to the Monkey House is fascinating from the outset; the author makes an on camera introduction to the episodes. His opening dialog is the only instance of seeing him on film/tape that I can recall (until this moment, I’ve used my imagination to estimate his mannerisms via book jacket photographs!).

The stories and the overall feel of the series strike a kinship with David Lynch and Mark Frost’s Twin Peaks. Both idiosyncratic television programs were on the air around the same time, draw from 1950’s style and also deal with the abnormal. A mysterious double life, a sadistic battle of wits involving humans as chess pieces, a woman’s obsession with home design catalogs and a child’s eventful night without a babysitter all feature in Welcome to the Monkey House.

Vonnegut has always struck me as someone who has the ability of skillfully introducing science fiction elements or ideas into his writing without having them seem far removed from contemporary society. Though he often delves into the world of science fiction, I can’t classify him solely as a science fiction writer. His laconic central characters tend to ease us into strange, new worlds by having a dark sense of humor or an overall surly, sarcastic attitude toward the present state. For instance, a soap opera actor portraying a doctor is lead into mansion that houses an elderly woman whose only original body part is her head. The actor is initially surprised, but accepts the situation within moments after the orchestrator of this scientific achievement gives his explanation in the most blasé fashion possible.

Kurt Vonnegut’s stories are wonderfully captured in this series and feature performances by Madeline Kahn, Frank Langella, Jon Cryer and many more fine character actors. It was a short lived television program, but it managed to capture some of the author’s bizarrely brilliant concepts.

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