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Staff Picks Category: Music

Sounds like Titanic by Jessica Chiccehitto Hindman []

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After a childhood spent driving over the mountains of West Virginia to take violin lessons, Jessica is now officially a music student at Columbia University and on track to achieve her dream of becoming a professional violinist. As her first semester wears on, however, something becomes abundantly, horribly clear: Jessica isn’t good enough to play the violin professionally. Not even close. And the cost of her education is slowly crushing her, forcing her to take any job she can to survive.
So when Jessica is unexpectedly hired to play the violin at craft fairs and art shows by a mysterious man (identified only as The Composer throughout the book), she jumps at the opportunity. The Composer has a large, dedicated fanbase who obsess over his inoffensive, pennywhistle-heavy instrumental music, but Jessica quickly realizes that something is amiss about his live performances: they’re not live at all. As Jessica gets more and more involved in her work with the Composer, eventually touring across America with his group, she has to reckon with her own ideas of success and authenticity—all while pretending to play the violin in front of concert halls full of people.
This quick-moving memoir is a story of coming to terms with one’s own inescapable mediocrity after a lifetime of being called “gifted.” It’s also a funny and brutal look into the experience of someone who kind of, but not really, got to live out a dream—as well as a peek at the strange and mercurial composer whose fame was primarily based on the fact that his music shamelessly mimicked the soundtrack of the 1997 movie Titanic. Fans of quirky, biting, beautifully-written memoirs will love this quick read.

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Stay On It by Julius Eastman []

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Composer Julius Eastman’s (1940 – 1990) music explores his identities as a gay man and Black American. Stay On It was composed in 1973 and combines minimalism with pop music. This new performance, which features musicains and dancers collaborating remotely, is dedicated to essential workers of color in the United States.

I found out about this performance through one of the many organizations involved in its production: The Dream Unfinished. The Dream Unfinished is an activist orchestra based out of New York which uses classical music as a platform to engage audiences in dialogues surrounding social and racial justice.

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Take Me to the World: A Sondheim 90th Birthday Celebration by Broadway.com []

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This video celebration of Stephen Sondheim’s music and influence was entirely created during quarantine and includes performances by Bernadette Peters, Michael Cerversis, Josh Groban, Patti LuPone, Neil Patrick Harris, and many other extremely talented people. We have solo performances, duets, and even large ensembles (these last come across surprisingly well given the difficulties of making music as an ensemble during quarantine). We also here from a few non-singers—Steven Spielberg being the most memorable in my mind—but it is, of course, the music that makes this two-and-a-half hour long celebration worthwhile. The performances are entertaining and moving and heartfelt, and of course the craftsmanship that went into the music and lyrics is superb—it’s all by Sondheim.

Because the celebration is made up of many short clips recorded by different artists, it is easy to did in and out, enjoying the celebration slowly over time. And if you want to jump straight to a favorite artist or revist a favorite clip, just view the full description for a table of contests with links to the starting point for each clip. (Some highlights include 1:28:04 – Michael Cerveris – “Finishing the Hat”, 1:58:47 – Christine Baranski, Meryl Streep & Audra McDonald – “The Ladies Who Lunch”, and 2:11:46 – Bernadette Peters – “No One Is Alone”.)

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A Passion for the Planet by Geoffrey Hudson []

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This live performance of Geoffrey Hudson A Passion for the Planet was recorded in Northampton, at Smith College’s Sweeney hall, and performed by the Illuminati Vocal Arts Ensemble with the Hampshire Young People’s Chorus and a 12-piece orchestra. A Passion for the Planet is an oratorio on the subject of climate change with words drawn from a number of sources. The work is moving and important, and the performance is exceptional. We can’t hear live music right now, but I am grateful to be able to experience this now, in my own home. And I take comfort in the words of Geoffrey Hudson, the composer, which seem applicable to so many of the crises we face:

Singing and listening to music won’t make the climate crisis go away. But perhaps, by forming an emotional connection with the topic, it can help us confront the stark realities. And when we see those realities—and truly take them in—maybe then, together, nourished by hope, we can work together to find a way forward.” – Geoffrey Hudson

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Amazing Grace by Sydney Pollack []

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I missed this film when it was showing at Amherst Cinema in the Before Times, so I was very excited to find it on Hulu. [It’s available on a variety of streaming services.] After a long, troubled production history, this film, which documents Aretha Franklin’s 1972 recording of her live gospel album, also called Amazing Grace. She recorded the album over two nights at the New Temple Missionary Baptist Church in Los Angeles with her own band as well as the Southern California Community Choir. All of this is just preamble to say it’s wall-to-wall heavy hitters! Feast your eyes on the choir’s costumes, the bands’ suits, the reactions of the audience, the animated choir direction from Alexander Hamilton, and, of course, feast your ears on the incredible music that is sincere, expert, and no-nonsense all at once.

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Bach’s Chaconne on nyckelharpa by performed by Torbjörn Näsbom []

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In these times of isolation and anxiety, here’s something gorgeous and sublime to help you reconnect with joy and remind everybody why the arts matter. Torbjörn Näsbom connects two of my favorite musical obsessions: the nyckelharpa and J.S. Bach. The nyckelharpa is a traditional Swedish instrument that has been played, in one form or another as it evolved, for more than 600 years. It’s used mostly for Swedish folk music, which I could do a dozen staff picks on, but many musicians are playing other repertoire on it. Listen and enjoy 13 minutes of 16-string deliciousness.

There’s more Bach and traditional Swedish nyckelharpa tunes on Torbjörn’s YouTube channel. It’s a delight from beginning to end (and I hope it never ends).

For information in English about the nyckelharpa and its musical traditions, visit The American Nyckelharpa Association.

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NPR’s Tiny Desk Concerts by NPR Music []

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I recently discovered this delightful corner of the internet and have treated myself to these eclectic short musical sets ever since. I’ve experienced some great new artists and some sets by beloved familiar ones. They are all recorded live at the desk of All Songs Considered by host Bob Boilen, except for the last few which are home editions. There is something for all musical tastes and will tide you over until you can get out to your next live performance.

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Nilsson: The Life of a Singer-Songwriter by Alyn Shipton []

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John Lennon once stated “Nilsson’s my favorite group.”

Harry Nilsson, the tenor with the golden, three and a half octave  vocal range/the brilliant songwriter/the ultimate interpreter of songs/the boozer/the raconteur/the sometimes screenwriter, lived the most of his 52 years. His life was a colorful one that began with much sadness. Despite his setbacks and despair, Nilsson managed to keep his spirits high and he chose the path of adventure. He sang the theme song to Midnight Cowboy, released a brilliant run of albums from 1966-1980 (with music ranging from ballads to Beatlesy pop to country send-ups to wild rockers to standards from the Great American Songbook to Calypso to rude comedy numbers), conceived the animated children’s classic The Point!, collected a couple Grammy’s, raised hell with Ringo Starr and other music royalty, started a film production company and eventually settled as a family man.

Using a myriad of resources, interviews and quotes from Nilsson’s unfinished autobiography, Alyn Shipton writes a loving biography without sensationalizing the life of this sensational artist.

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How Music Works by David Byrne []

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“I think I managed to give a sense that the world of music is wider than my personal experience, but my experience figures in here too”, David Byrne writes about his recent book How Music Works, and this statement gives you a very good idea of what you will find in this very enjoyable book. How Music Works explores the world of music through the experience of one musician’s experiences and wide ranging thoughts. As a result, it is neither a comprehensive book on the nature of music nor a complete biography of its author, though it combines elements of both. Byrne explores the history of music and musical thought, the influence of technology and economics on music, the role of music in society, and the future of the music industry. Along the way we learn much of Byrne’s career, his own approach to music, art, and performance in general.

Byrne is an excellent writer, and a man with wide ranging and interesting ideas. Reading How Music Works is a pleasure, and left me with an increased urge not only to explore more of his music and to read more of his writing (Forbes Library also owns his Bicylce Diaries), but most of all, to make more music of my own. It is, above all, David Byrne’s unending enthusiasm for everyday creativity and for the participation of everyday people in the world of music that will make the greatest impression on you. A great book which will be enjoyed by music lovers of all types.

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Dr. John Teaches New Orleans Piano []

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I didn’t learn to play New Orleans style piano watching this DVD. You might, if you are already a competent pianist, or simply more patient than I am, but this is a rewarding movie whether you intend to become rock and roll pianist or not. Dr. John is an amazing musician; when he plays it looks easy, but just try following along at the piano!

Dr. John looks relaxed (though often worried, as if something else is on his mind). At times he hardly seems to move—but the piano keys move, quickly, and in syncopation, and the music is wonderful. He plays Frankie and Johnnie, C. C. Rider, Blueberry Hill, and others, playing each in some flavor of the New Orleans Rock and Roll, Fats Domino inspired, playing for which he is known. We are given an overhead view of the piano keyboard, as well as a more conventional angle from the side, which lets you really appreciate the fluidity with which the Doctor plays, and is invaluable if you want to try playing his licks yourself. He breaks many of the tunes down, playing the left hand or right hand parts separately, slowing down the tempo, or demonstrating alternative turn around and improvisations. He discusses what riffs are easiest when accompanying your own voice, and briefly describes the interaction between the pianist and the other members of the band.

I really enjoyed this DVD. In fact, I think I’ll probably revisit it in a few months—after I’ve practiced the piano a bit more!

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George Harrison: Living In The Material World by Olivia Harrison []

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The gorgeous and painstakingly assembled Living in the Material World book is a companion to the Martin Scorsese documentary of the same name.  It’s a thoughtful collection photographs and essays with the subject being the late George Harrison.

Not only do we have large color and black and white photographs of George from childhood up until his last years, the book features the musician’s handwritten letters and lyrics, personal photographs and collected ephemera.  His career as a musician, childhood, family life, friendships and spiritual life are recollected.  Scorsese, Paul Theroux, Eric Clapton and Dhani Harrison are among the many contributors.  Living in the Material World works both as a engrossing read and/or a picture flipper.

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