Walk Away Renée/ Pretty Ballerina
by The Left Banke
[Music CD]
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Fans of The Zombies, The Free Design or The Hollies will most likely enjoy the soft, baroque sounds of The Left Banke. Though the two hits that divide up the album’s title are the obvious stand outs, the entire recording is a strong set of 1960’s magic. The arrangements throughout are harmonically sophisticated and borrow heavily from classical music.
This New York quintet sounds decidedly British and I’d liken Steve Martin Caro’s voice to The Zombies frontman, Colin Blunstone. Both singers have a perfect, gentle tenor with unbelievable range. Martin Caro and many members of the group share songwriting and lead vocal duties. Michael Brown, then a teenager, is responsible for the hits on the record. He managed to compose music that blends youthful angst and longing with haunting melodies.
Other highlights include “I’ve Got Something On My Mind” and “Shadows Breaking Over My Head”, which come close to rivaling the title tracks.
I give this Left Banke album an A+++, eighteen stars, two thumbs up and three golden tickets.
Reviewed by Jason
Tagged: 1960s rock music
Snockgrass
by Michael Hurley
[Music CD]
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Fact: Michael Hurley (a.k.a. “Snock”) is a drastically, under-appreciated American folk singer. With a voice reminiscent of Hank Williams and a songwriting style rooted in country & western, bluegrass and the blues, Hurley has been issuing stellar material since the early 1960’s. Recent years have seen a new appreciation for the musician. Artists such as Vetiver, Lucinda Williams, Cat Power and Matloaf have cited Hurley as an influence.
1980’s Snockgrass (album not pictured here due to singer’s risque cover painting) is classic Michael Hurley. There’s plenty of swinging numbers, reflective waltzes, weirdo lyrics and country-fried boogies with the mood volleying from serious to sardonic to silly. “The Midnight Rounder”, “O My Stars” and “Watchin’ the Show” are excellent starting places for someone just beginning their Snock obsession.
Reviewed by Jason
Tagged: Blues music, Country music, Folk music
Nilsson Sings Newman
by Harry Nilsson
[Music CD]
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1970’s Nilsson Sings Newman is an example of the potential for beauty in popular music. Randy Newman, not then a household name, was approached by tenor extraordinaire Harry Nilsson about making an album. Nilsson was a fan of Newman’s effortless melodies, thoughtful chord structures and clever lyrical ability.
Nilsson Sings Newman features only the two artists in question. Newman composes the songs and handles the piano playing duties; Nilsson sings. The simplicity of this set up lends itself to display dynamics and emotive arrangements which do not seem to exist in most contemporary recordings.
Nilsson took great care in recording his vocals on the album. It is rumored that on some songs, pieces of 100 or so takes were spliced together (and remember this was using multitrack tape). He also layered his voice to produce heavenly, Beach Boys-esque harmonies in appropriate places. The refrain of the opener “Vine St.” or the sublime “Caroline” perfectly exemplify the richness of his harmony singing.
The album is full of story songs that in some places are nostalgic for the past. Lyrically, Nilsson Sings Newman feels like a truly American experience. Songs about cowboys, the Midwest and leaving home fill the record. As expected from Randy Newman, humor plays a large part as well. Nilsson, always a fan of silliness and inside jokes, contributes to the humor by insisting that certain off mic instructions by Newman be left on the final version.
Nilsson Sings Newman is an album that is graceful, funny and technologically impressive. It’s great on headphones and it’s one of those albums that I’ll never tire of listening.
Reviewed by Jason
Tagged: Pop music, Vocals
Hindugrass
by John Heitzenrater, Carolyn Balfe, Yunior Terr, Evan Fraser, and Austin Wrinkle
[Music CD]
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What could you find in common between the classical and folk music of Northern India, and old time and bluegrass music of the Southeastern United States? Quite a lot actually, and Hindugrass does an excellent job exploring and exploiting those similarities. Headed by John Heitzenrater on sarod, Hindugrass is alternatively haunting and driving, lyrical and percussive, familiar and strange. In addition to sarod we hear, fiddle (played in American style), bass, tabla, kanjira, bones, and other percussive instruments. The melodies comfortably shifts back and forth between a more eastern and a more western sound, but the rhythms show a primarily Indian influence, with the melodic and percussive instruments alike taking part in the polyrhythm, tihai, and other rhythmic devices that are responsible for much of the excitement of Indian music. This is an exciting recording for lovers of Appalachian and Indian music alike. You can get a preview of their music at http://www.hindugrass.net/, or borrow the CD from the library to hear the whole thing!
Reviewed by Ben
Tagged: Folk music, Indian music, World music
Collaborations
by Ravi Shankar & George Harrison
[Music CD]
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George Harrison was first wowed by the sitar, a traditional Indian stringed instrument, on the set of the Beatles film Help!. The young pop star was intrigued and transfixed by the music he heard. He later went out and bought his own sitar at a shop in London and found his way round the neck enough to dub a part onto “Norwegian Wood” on the Rubber Soul album. Harrison then wanted to go beyond his rudimentary plucking on the instrument and properly learn. Well, why not get lessons from the master Ravi Shankar?
The two studied together in Los Angeles, California and later in India. Though the Beatle did not pursue a career with the sitar after discovering the amount of years, intense training and discipline it takes to play classical Indian music, he and Shankar became life long friends. This boxed set Collaborations celebrates the two musicians’ friendship, spiritual connection and recorded musical partnerships. Harrison was involved as a producer (and sometimes a musician) on three of Shankar’s albums ranging from 1974-1997 and they all appear here along with a live concert dvd and a beautiful hardcover book.
Reviewed by Jason
Tagged: Indian music, Pop music
Rags & tangos
by Ernesto Nazareth, James Scott, Joseph F. Lamb performed by Joshua Rifkin, piano
[Music CD]
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Put this in the CD player, close your eyes (assuming you’re not driving) and be transported to turn-of-the-20th-century piano heaven. Ernesto Nazareth is the greatest composer you’ve never heard of. His music is descended from Brazilian choro, Frédéric Chopin, and the soul of dance hall piano. In between the Nazareth “tangos” –which aren’t really tangos in any conventional sense– are works by my two favorite ragtime composers: James Scott, the bridge from Joplin to jazz, and Joseph Lamb, who can make the romantic tradition sound like striptease music and fill your heart with nostalgia for places and times that never were. One listen is worth ten thousand words.
Reviewed by Faith
Tagged: Dancehall music, Music, Ragtime music
Wild Flag
by Wild Flag
[Music CD]
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Dear Reader,
I would never lie to you. And when I say to you that I like to rock, I hope you understand that what I am saying is an absolute truth. Wild Flag’s self-titled debut album is what rock n’ roll ought to be: loud, fast, played live and without a lot of fuss. This supergroup features ex-members of Sleater-Kinney, The Minders and Helium. What stands out most to me musically is Carrie Brownstein’s (of Portlandia fame) blistering riffs, the spirited drums fills of Janet Weiss and the harmony sound the four vocalists create. The stellar musicianship of this bassless, garage rock quartet often propels these excellent songs into uncharted territory.
Just a couple examples for you… The lead off track “Romance” has some reverbed out surf overtones and a chorus that can’t help getting stuck in your head. On “Glass Tambourine”, the group certainly draws from the Nuggets archives, but then moves into a spaced out heavy jam that the late Jimi Hendrix would certainly appreciate.
I love this album and that’s a fact!
Sincerely,
-JSM
P.S. Please enjoy this music video directed by Tom Scharpling.
Reviewed by Jason
Tagged: Music, Pop music, Rock music
Talking Tabla
by Bikram Ghosh
[Music CD]
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Talking Tabla is an exciting recording showing off the work of a masterful tabla player. The tabla is a popular Indian percussion instrument, and is ubiquitous in the classical music of Northern India. The tabla consists of two hand drums of contrasting designs: on the left is a kettle drum with a deep sound and variable pitch; on the right is smaller conical drum with a high, fixed pitch. The drums are struck with the fingers and palms of the hands to create the sounds known as bols, these are the syllables of North Indian drumming and can be spoken as well as played; well performed, they sound very much like language, hence the title of this album, Talking Tabla.
On Talking Tabla Bikram Ghosh plays a variety of compositions, fixed and improvised, in a variety of styles, including a piece in the less familiar Carnatic style of South India. Although Bikram Ghosh’s tabla is the focus of these recordings we are not deprived of melody—Ramesh Mishra does a beautiful job playing the sarangi (a kind of elaborate fiddle) on several tracks and on the third track Ghosh accompanies Tarun Bhattacharya’s santoor (hammered dulcimer). In addition, Ghosh’s beautiful baya (left hand drum) application creates a kind of melody of its own. (To fully appreciate this a pair of good speakers or headphones are recommended—don’t listen to this one through your laptop speakers!) Even those who are bored by the idea of an album devoted to the drums should consider listening to Talking Tabla.
Reviewed by Ben
Tagged: Drums, Folk music, Indian music
The Glasgow School
by Orange Juice
[Music CD]
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File this one under “neglected”.
Due to odd sizes of items, value, age, et cetera, we sometimes have material here at Forbes that lacks a certain “browseability” or just isn’t given an ideal sight line. The Glasgow School certainly falls somewher under this category. This cd, filed with our boxed sets because of its book bound style case, may be a little off the radar for our casual music browser.
Orange Juice, fronted by Edwyn Collins, was a group that successfully meshed clever, highly literary lyrics with danceable musical accompaniment. The songs on The Glasgow School collects the band’s first singles and outtakes. These sessions sound more rough around the edges than the slicker produced records that followed. Collins’ romantic, baritone voice handles the majority of the lead singing with James Kirk interjecting some gems here and there (Kirk would leave OJ after the release of the classic full length debut You Can’t Hide Your Love Forever).
Here we have inspired music from Scotland at the start of the 80’s representing the lighter side of the post-punk era. Lyrically, they match wits with the best. Collins laments in Blue Boy “Oh curse and bless him with the gabardine which surrounds him/See him writhe at the sight of your eyes which repel him”. Their lasting influence is easily heard throughout the catalogs of the Smiths, Belle & Sebastian, Franz Ferdinand and hopefully, if people can find Orange Juice, many more musicians to come.
Reviewed by Jason
Tagged: Music, Post punk, Rock music
Blood on the Tracks
by Bob Dylan
[Music CD]
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Once this guy I knew split up with his girlfriend and then he was gone for a while. I think he went to his uncle’s farm out in Kentucky or somewhere. When he came back, he had a beard and seemed a bit more serious. I asked him how he was feeling and he softly replied, “I’ve been listening to a lot of Blood on the Tracks, man.”
Blood on the Tracks? I had heard of that, but I was in the twilight of my teenage years: I was still thinking of and enjoying Dylan with the big curly hair, polka dot shirt, pointy shoes and Al Kooper playing groovy organ riffs. Still, I sought out this folky record.
Dylan at that time was going through the break up of a marriage and though the author denies any trace of autobiographic tendencies, the songs appear to reflect this time of his life. The album opens with “Tangled Up in Blue”, a lyrical bombast about two lives crossing. Other highlights include “Idiot Wind”, the eight minutes and change “Lily, Rosemary and the Jack of Hearts” and “Shelter From the Storm”.
Like the majority of his work, the lyrics read like poetry on Blood on the Tracks and here we find Dylan with his heart on his sleeve and at his most tender and delicate state. When I went through break-ups as a younger lad, I tended to go with early Beach Boy albums. They had those beautiful harmonies that are underlined with melancholy. It’s easy to wallow and hold onto sadness like a serpent to the neck with this sort of music. On Blood on the Tracks, Dylan is presenting a more mature and grown up outlet for heartbreak, man.
Reviewed by Jason
Tagged: Country music, Folk music, Pop music
New Morning
by Bob Dylan
[Music CD]
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The late 1960’s early/ 70’s happens to be a great period for Bob Dylan, thank you for asking. Nashville Skyline, the Basement Tapes, Self Portrait (though many have said I’m crazy for admitting I like this one), Pat Garret & Billy the Kid are the albums I return to the most within this artist’s prolific catalog. 1970’s New Morning may be the most enjoyable listen from this period.
The album kicks off with the pining romance gesture that is “If Not For You”. The song has an almost Velvet Underground pulse juxtaposed with bouncy organ and country guitar picking. George Harrison would record his version the following year on his album All Things Must Pass. The bluesy and rock n’ roll sounds predictably find their way onto this record. There’s also lighthearted moments in “Winterlude” where Bob croons “this dude thinks your fine” and in the silly jazz rap “If Dogs Run Free” featuring a barrelhouse piano send up at the top of the song.
Dylan’s voice and delivery began to shift around 1968. He lost a bit of the raspy quality that his earlier recordings possessed and started leaning a bit on the softer side in his vocals. This is not to say he’s taking a casual approach to his singing; Dylan is most noticeably passionate on the title track, “Day of the Locusts” and “the Man in Me” (featured in the soundtrack of the Big Lebowski).
New Morning is just another one of those perfect Bob Dylan records.
Reviewed by Jason
Tagged: Blues music, Folk music, Pop music, Rock music
Henning Goes to the Movies
by Henning Ohlenbusch
[Music CD]
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Please excuse the following burst of textual immodesty… Ahem. As founder and president (not to mention CEO, secretary, vice president & mascot) of the Forbes Film Club, I can safely say that I know a thing or two about the cinema. In addition, it was in college where I studied video and film, wrote lengthy ramblings dealing with issues within the worlds of documentary film and German cinema, composed pretentious screenplays and starred in some student produced shorts that feature poor lighting (often typecast as a chat show host, bud did sport a tricorne hat once for a period piece). I later found myself in Texas working in a video library/archive and spent most evenings devouring the collection and attending curated film festivals. To this day, little gives me greater pleasure than sitting in the theater, munching on popcorn and seeing something unfold on the big screen.
I have very personal connections to a handful of films and I believe movies we love can have a great impact on how we define ourselves. This is why Henning Goes to the Movies is so appealing.
Nine movies. Nine songs. Henning Ohlenbusch, lyricist extraordinaire/singer/songwriter of the group School For the Dead, is the architect (perhaps I should use director in this instance?) behind this wonderful album. He sings about the hilariously raunchy Super Bad, David Lynch’s quiet drama the Straight Story, the horror classic Poltergeist, the coming of age classic the Year My Voice Broke and more. His approach to these pieces is not a highlight of important plot points; rather he shares his personal experience with each film. Through introducing a specific character’s perspective or providing an overall sentiment of a movie, Ohlenbusch invites the listener to go on a cinematic journey.
His folksy pop songs are simply arranged to bring us close to the stories. He also tastefully sets the scene with appropriate backing. We find ourselves somewhere in the distant future in Logan’s Run with weaving backward electric guitar and at an old time carnival in Joe Vs. the Volcano. Though voice and acoustic guitar tend to be in the forefront throughout, keyboards, glockenspiel, subtle effects, electric bass, harmony vocals and percussion expand the mix.
This a great collection of songs, even without the movie theme. And I should mention that you really don’t need to have seen the films to appreciate the record. It is, however, even more of a gratifying listen for those of us who find that films are an important fabric of our lives.
Reviewed by Jason
Tagged: Film, Folk music, Pop music, Rock music
