Staff Picks Category: Pop music

New Morning by Bob Dylan [Music CD]

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The late 1960’s early/ 70’s happens to be a great period for Bob Dylan, thank you for asking. Nashville Skyline, the Basement Tapes, Self Portrait (though many have said I’m crazy for admitting I like this one), Pat Garret & Billy the Kid are the albums I return to the most within this artist’s prolific catalog. 1970’s New Morning may be the most enjoyable listen from this period.

The album kicks off with the pining romance gesture that is “If Not For You”. The song has an almost Velvet Underground pulse juxtaposed with bouncy organ and country guitar picking. George Harrison would record his version the following year on his album All Things Must Pass. The bluesy and rock n’ roll sounds predictably find their way onto this record. There’s also lighthearted moments in “Winterlude” where Bob croons “this dude thinks your fine” and in the silly jazz rap “If Dogs Run Free” featuring a barrelhouse piano send up at the top of the song.

Dylan’s voice and delivery began to shift around 1968. He lost a bit of the raspy quality that his earlier recordings possessed and started leaning a bit on the softer side in his vocals. This is not to say he’s taking a casual approach to his singing; Dylan is most noticeably passionate on the title track, “Day of the Locusts” and “the Man in Me” (featured in the soundtrack of the Big Lebowski).

New Morning is just another one of those perfect Bob Dylan records.

Girl Groups [DVD]

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This rare, long out of print copy of Steve Alpert and Stephanie Bennett’s 1982 film provides a joyous glimpse into the history and development of the girl group sound. In addition to candid interviews with key figures like Darlene Love, Mary Wilson, Ronnie Spector, Arlene Smith and Ellie Greenwich, the film includes rare performance footage discovered by the filmmakers in the damp basement of a local TV affiliate in Windsor, Canada. These clips and performances by seminal groups of the era were originally aired on Teen Town, Detroit’s local version of American Bandstand. The film traces the history of the girl group sound from song writers in the Brill Building in New York to Motown and beyond, and includes clips of the Ronettes, Martha and the Vandellas, the Shangri-Las, the Marvelettes, the Angels, the Dixie Cups, the Shirelles, Dee Dee Sharp and a rare short color film of the Exciters bizarrely miming “Tell Her” in the general direction of lions and bears in a zoo. The film quality is certainly dated and shows it’s age in places, and a segment on the Supremes runs perhaps a bit too long (Motown required a minimum of ten songs to be featured for the rights to the Supremes) while other important groups are barely mentioned. All things considered, the interview segments and performances more than make up for these faults and the film stands as a valuable artifact of the times, and must viewing for fans of the Girl Group Sound.

Henning Goes to the Movies by Henning Ohlenbusch [Music CD]

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Please excuse the following burst of textual immodesty… Ahem. As founder and president (not to mention CEO, secretary, vice president & mascot) of the Forbes Film Club, I can safely say that I know a thing or two about the cinema. In addition, it was in college where I studied video and film, wrote lengthy ramblings dealing with issues within the worlds of documentary film and German cinema, composed pretentious screenplays and starred in some student produced shorts that feature poor lighting (often typecast as a chat show host, bud did sport a tricorne hat once for a period piece). I later found myself in Texas working in a video library/archive and spent most evenings devouring the collection and attending curated film festivals. To this day, little gives me greater pleasure than sitting in the theater, munching on popcorn and seeing something unfold on the big screen.

I have very personal connections to a handful of films and I believe movies we love can have a great impact on how we define ourselves. This is why Henning Goes to the Movies is so appealing.

Nine movies. Nine songs. Henning Ohlenbusch, lyricist extraordinaire/singer/songwriter of the group School For the Dead, is the architect (perhaps I should use director in this instance?) behind this wonderful album. He sings about the hilariously raunchy Super Bad, David Lynch’s quiet drama the Straight Story, the horror classic Poltergeist, the coming of age classic the Year My Voice Broke and more. His approach to these pieces is not a highlight of important plot points; rather he shares his personal experience with each film. Through introducing a specific character’s perspective or providing an overall sentiment of a movie, Ohlenbusch invites the listener to go on a cinematic journey.

His folksy pop songs are simply arranged to bring us close to the stories. He also tastefully sets the scene with appropriate backing. We find ourselves somewhere in the distant future in Logan’s Run with weaving backward electric guitar and at an old time carnival in Joe Vs. the Volcano. Though voice and acoustic guitar tend to be in the forefront throughout, keyboards, glockenspiel, subtle effects, electric bass, harmony vocals and percussion expand the mix.

This a great collection of songs, even without the movie theme. And I should mention that you really don’t need to have seen the films to appreciate the record. It is, however, even more of a gratifying listen for those of us who find that films are an important fabric of our lives.

The Union by Elton John & Leon Russell [Music CD]

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The Union exists as one of the finest statements of friendship that the recording industry has seen. The origins of this album began when Elton John was listening to a vintage Leon Russell recording and burst into tears. The two hadn’t spoken since they toured together in the early 1970’s when John first came to America. Russell, being an early hero of his, had also become a nearly forgotten footnote in the history of popular music.

Leon Russell, a member of Phil Spector’s infamous Wrecking Crew, the pianist and arranger for the Concert for Bangladesh and critically lauded solo artist of the 1970’s, had been releasing music with little distribution or fanfare from his website for the last couple of decades. Elton saw it as his mission to reintroduce audiences to Leon’s brilliant catalog and release him from obscurity. He approached his childhood idol to work on some material together and also selected T-Bone Burnett to handle the production.

The result is a stunning collaboration drawing influence from New Orleans jazz and blues, gospel, soul, country and the Jerry Lee Lewis brand of rock n’ roll. The two piano men trade licks like they are dueling at a honky-tonk and modestly share vocal duties as much as two legends can. Though Elton certainly hasn’t sounded this good since his classic years, it’s Leon who steals the show. Russell’s “In the Hands of Angels”, a song about dying sung in his withered drawl, is by far the standout track.
I believe the saying is “you can take the man from the Lion King, but you can’t take the Lion King from the man”. Yes, there are those moments where Elton is delivering the soaring power ballad chorus, but these occasions are few. The Union feels at home alongside Elton’s Tumbleweed Connection and Leon’s spectacular self-titled record. It’s the 70’s… just forty years later.

Chaos and Creation in the Backyard by Paul McCartney [Music CD]

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Upon George Martin’s suggestion, Sir Paul teamed up with producer Nigel Godrich (see his work with Beck & Radiohead) for this incredible 2005 studio album. Chaos and Creation… served as a return to form for McCartney. The album begins with “Fine Line”, a straight ahead piano driven, maraca laden rock number. He later weaves into “Jenny Wren” which recalls certain arrangement elements from the White Album’s “Black Bird”. Then, the word “peradventure” is plucked from his Charles Dickens readings on the airy “English Tea”. Essentially, what we are presented with is classic McCartney accompanied by interesting loops courtesy of the brain of Nigel Godrich: a recording both modern and vintage.

Under the Munka Moon by Alice Russell [Music CD]

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The 2004 debut album from the criminally overlooked UK singer with a lavishly soulful voice and sass to match. While British singers such as Duffy, Amy Winehouse, Estelle, Joss Stone and Lily Allen have sold millions, Alice has remained relatively unknown in the United States. With production fusing Latin, Girl Group, Hip-Hop, house, drum & bass, funk, gospel, jazz, rock and classic R&B sounds , Alice’s voice remains the core of her first release, which was largely a compilation of singles, remixes and collaborations. Known for her numerous side projects including Bah Samba, the Here Lies Love project with David Byrne and Fatboy Slim, the Bamboos, Quantic Soul Orchestra, her tours with diverse artists like De La Soul, Roy Ayers, the Roots and Lonnie Liston Smith and her collaborations with producer and co-writer TM Juke, the blue eyed, blonde haired lass from Brighton makes every song she performs unique and joyful.

Red Rose Speedway by Paul McCartney & Wings [Music CD]

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Sandwiched between the hastily recorded and yet magically off kilter Wild Life and the triumphant, triple platinum Band on the Run album lives a recording called Red Rose Speedway. This second Wings effort bridges the gap between freak outs and radio friendly hits. We find the number one smash “My Love” sitting side by side with the nonsensical jam “Big Barn Red” and the minor key piano ditty “Single Pigeon”. Mac and the gang also attempt a nod to the second side of the Beatles’ Abbey Road with a four song medley. As Alan Partridge once retorted to a person ignorant of McCartney’s second group, “Wings are the band the Beatles could have been.” So very true.

Next week we take a closer look at Ram.

T.A.M.I Show [DVD]

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Long overdue full release of a forgotten classic for the first time on DVD. Filmed just eight months after The Beatles appeared on The Ed Sullivan Show at the Santa Monica Civic Auditorium in October 1964, this spectacular concert film was mastered from a new High Definition transfer, and features the Beach Boys performances that were removed from previous versions following the films initial theatrical run. The list of performers is a veritable time capsule of the pop music scene of 1964 and includes the Rolling Stones, the Beach Boys, Marvin Gaye, the Supremes, Chuck Berry, Smokey Robinson and The Miracles, Lesley Gore and a riveting performance by James Brown and the Furious Flames. Thrown into the mix are a few British Invasion acts (Gerry & the Pacemakers, Billy J. Kramer and the Dakotas), surf legends Jan & Dean, and Cape Cod’s own The Barbarians. The bands perform in front of a bevy of enthusiastic young dancers (including a young Teri Garr), sometimes alternating songs and all the acts return to the stage at the end for one last number. A must see for fans of 60’s pop, rock, surf and soul music and a fascinating look back at the popular youth culture of the moment.

Nice Place To Be by The Fawns [Music CD]

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Catchy, easy to groove to pop with lots of gentle melodies and enchanting beats.

Garden State Soundtrack [Music CD]

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From the Shins to Simon and Garfunkel to Iron and Wine this soundtrack has lots of shining moments.

Gentleman Ruffin by David Ruffin [Music CD]

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Ex-Temptation David Ruffin was is in mighty fine form on this 1980 solo offering. Don’t be afraid of the disco production and don’t hesitate to dust off your dancing shoes.