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Staff Picks Reviewer: Jason

Starstruck: Photographs From a Fan by Gary Lee Boas []

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I’ve spent a considerable amount of time with the square amateur photo book that is know as Starstruck. I first discovered it in the little library of my friend’s basement/record studio. Often when someone is trying to get the tambourine part just right or the bass amplifier needs adjusting, I pick up a good book to browse… with pictures.

Starstruck is a collection of candid celebrity photos by Gary Lee Boas. The time frame ranges from 1966 (when the photographer was 15) until 1980. Boas was essentially an obsessed fan who would wait around Manhattan to catch stars going in and out of theaters, restaurants, clubs, etc. Although some shots are fairly washed out or rather out of focus, they’re all completely fascinating. There’s a charm to these shots and one can’t help but admire Boas’s obsession. Well, maybe “admire” isn’t the right word!

Even with images of massive celebrities like Katherine Hepburn, Michael Jackson, Jimmy Stewart or Jack Nicholson, the real star of this book is New York City. Accidentally, Gary Lee Boas gives us an excellent overall snapshot of the world’s greatest city at an electric time.

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Nilsson: The Life of a Singer-Songwriter by Alyn Shipton []

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John Lennon once stated “Nilsson’s my favorite group.”

Harry Nilsson, the tenor with the golden, three and a half octave  vocal range/the brilliant songwriter/the ultimate interpreter of songs/the boozer/the raconteur/the sometimes screenwriter, lived the most of his 52 years. His life was a colorful one that began with much sadness. Despite his setbacks and despair, Nilsson managed to keep his spirits high and he chose the path of adventure. He sang the theme song to Midnight Cowboy, released a brilliant run of albums from 1966-1980 (with music ranging from ballads to Beatlesy pop to country send-ups to wild rockers to standards from the Great American Songbook to Calypso to rude comedy numbers), conceived the animated children’s classic The Point!, collected a couple Grammy’s, raised hell with Ringo Starr and other music royalty, started a film production company and eventually settled as a family man.

Using a myriad of resources, interviews and quotes from Nilsson’s unfinished autobiography, Alyn Shipton writes a loving biography without sensationalizing the life of this sensational artist.

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Evocateur: The Morton Downey Jr. Movie []

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Saying Morton Downey Jr. was a complex man would be the understatement of the century. Son of a famous singer, Jr. began his career in show business as a vocalist himself. He had a small hit with in 1958 with the haunting tune “Boulevard Of Broken Dreams”. He later worked in radio and eventually became involved with the world of sports by first buying an American Basketball Association team and later co-founding the World Baseball League.

What brought Morton Downey Jr. national attention was his short run on the syndicated Morton Downey Jr. Show based out of New Jersey. The host who grew up hanging around the Kennedy family, became a loudmouth, conservative screamer on his late 80’s program. The documentary pulled many clips that made the air where Downey Jr. gets in audience members faces and says some of the most horrific and offensive things you will ever hear in your life. His show seems to be pure theater and unfortunately it paved the way for future trash television such as the Jerry Springer Show.

Like him or not, Evocateur is a massively entertaining film. It’s an excellent documentary of the strange life and quick rise and fall of a man whose life was filled with controversy.

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The We and The I []

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Director Michel Gondry is mostly know for his heady, comedic films with cunning in-camera effects such as Eternal Sunshine of the Spotless Mind &The Science of Sleep and innovative music videos from Björk, Beck and the White Stripes. In The We and the I, Gondry scales back and tells a story via a bus ride through the Bronx. The French director workshopped this script with a group of teens over the course of three years and the result is this wonderful film.

We see the complex dynamics of high school relationships as we join a group of students after their last day of classes. There’s bullying, gossip, swagger, flirting, fighting, some genuinely funny conversations and many heartfelt moments, too. Throughout, the dialog is natural; we almost feel as though we’re watching a a documentary at times.

Despite this austere approach to filmmaking, Gondry’s presence is still felt with the occasional use of non-digital effects. A small boombox shaped bus rides around town at the intro. Later, we see an interesting scene where he superimposes a pizza shop directly through the window of the city bus. These moments perfectly interject surrealism and introduce lightness into this very realistic movie.

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Made In California by The Beach Boys []

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Wow.

New paragraph: this Beach Boys box is something to behold. Set up like a high school yearbook with large glossy photographs, interviews, articles and fake advertisements, Made In California is a thing of beauty. We flip to the last page and we see six cds filled to the max with hits, album cuts, rarities, outtakes and live versions. The set commemorates 50 years of Beach Boysdom from Brian’s “Surfin’” demo right up to their 2012 single “That’s Why God Made the Radio”.

Made In California has enough newly unearthed material for completests, music scholars and other varying degrees of nerd. It is also consistent in high standards so it doesn’t feel too overwhelming for someone who is just discovering that this group isn’t a band that only sings about surfing and cars. You need not have to comb through sub-par tracks.

Obviously, the genius Brian Wilson is at the forefront of the productions here. We truly realize how special the body of work he had produced and see the heights of creative genius and musical innovation. Wilson can safely be put alongside Gershwin, Copland and Ellington in the Hall of Great American Composers (this building does not exist). His baby brothers shine as well; Dennis, the drummer/rebellious middle child, is represented with a multitude of brilliant heart-aching ballads (mostly unreleased until now) and Carl, the finest singer of the lot, is clearly the soul of the Beach Boys. The latter comment becomes evident as you make your way through the recordings… trust me on this.

If you’re familiar with their catalog, look out these newly issued gems “Sail Plane Song”, “Sound of Free”, “California Feelin’”, “You’re Still A Mystery” and “Where Is She?”. For those unfamiliar to the Beach Boys, how I envy you to be able to experience hearing this wonderful music for the first time.

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Hombre []

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In this hardboiled Western, Elmore Leonard writes a short, gritty tale where a group travels via stagecoach through the Arizona desert. Our trusty narrator, who is conversational with the reader and serves as a moral compass, is under the employ of the stagecoach/horses owner. Bickering begins at the outset and when the stagecoach comes under attack by a group of outlaws, these early differences of opinion result in chaos. A mysterious Apache, John Russell, is their only hope in making it out of the desert alive.

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Simon & Garkfunkel: The Columbia Studio Recordings 1964-1970 by Simon & Garfunkel []

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Simon & Garfunkel never felt like a singles band to me. Sure, there’s the massive, mega-hits: “Mrs. Robinson”, “The Sound of Silence”, “The Boxer”, “Bridge Over Troubled Water”, “Cecelia”, etc., but Paul Simon’s songwriting abilities were never simply tunnel visioned to the radio dial. All five of Paul & Artie’s studio albums are classics that are meant to be heard front to back and then back to front again. With the Columbia Studio Recordings boxed set, we can hear every song, every angelic harmony, every sweet acoustic guitar move and every perfect arrangement.

Six or seven years is not a whole lot time in the grand scheme of things, but Simon & Garfunkel made it count with their prolific run as Columbia Records recording artists.

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The Third Eye Centre by Belle & Sebastian []

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The Scottish pop group Belle & Sebastian are rather prolific. Along with releasing several albums over the course of their nearly two decade career, the band has also put out several ep’s (i.e. short albums) and non-album track singles. The compilation The Third Eye Centre gathers up interesting ep tracks and b-sides spanning 2003 to 2010.

In this collection, we see the wide range of influence and also the musical versatility Belle & Sebastian possesses. They bounce from perfect pop song to ballad to Bossa Nova to disco to country & western and then back to perfect pop song again.

Singer/songwriters Stuart Murdoch, Stevie Jackson and Sarah Martin provide backstory forall of the tracks in the beautiful attached booklet with this small boxed set. It’s baffling that songs such as “Last Trip”, “Long Black Scarf” or “Blues Eyes of a Millionaire” were cast aside and not included on the band’s albums from the 2000’s. The Third Eye Centre is a really fun, diverse collection that has also enough consistency to make it work as a proper album.

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A Glimpse Inside the Mind of Charles Swan III []

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Charlie Sheen, Jason Schwartzman, Katherine Winnick, Patricia Arquette, Aubrey Plaza and Bill Murray star in this dark comedy about a graphic artist going through a painful breakup and life crisis. Charles Swan (played by Charlie Sheen) is a Brandy Alexander drinkin’ guy who has eggs and bacon decals on his old roadster, but also dreams up wild visions of soft shoeing at his own funeral, singing a duet in Portuguese on television and being attacked by models wearing Native American garb. He simply can’t distinguish reality from fantasy.

Roman Coppola, yes son of Francis Ford and brother of Sofia, is the writer/director. The film is a homemade affair with Coppola using his house and office as key locations. He also worked as the director of photography on the picture. A Glimpse Inside, though never stating such, seems to be set during a groovy time in 1970’s: airbrush, velvet suits, cool hair, shades, snazzy record album jackets, etc. In addition, the character of Charles Swan is loosely based on a few airbrush wizards from the L.A. art scene and fittingly, Swan’s studio features the work of several of these artists (including Charles White III).

The film blends off beat comedy, staged fantasy and drama. Also, be sure to listen for Liam Hayes’s brilliant score.

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Paul F. Tompkins: Laboring Under Delusions []

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Paul F. Tompkins, comedian-actor-podcaster-improvisational wizard, performs a thematic stand-up set recalling his life as an employed person in Laboring Under Delusions. The long form jokes are delivered in a story setting highlighting the perils of working as a video clerk, a hat salesman (on multiple occasions, he was asked to retrieve a “king hat”) and as a minor character in the film There Will Be Blood. Tompkins is immensely charming and equally hilarious. This is very funny stuff!

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Pootie Tang by Louis C.K. []

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A case for Pootie Tang, a micro-essay.

Genius comic Louis C.K. had written a script based on a character from the Chris Rock Show and brought it to the big screen in 2001. It has been well documented that the author was extremely unhappy with the final product and the experience caused him a great deal of pain. You see, the film was snatched away in the editing stages and the cut we see now is not Louie’s vision.

This much maligned film stars Lance Crouther, Chris Rock (in several roles), J.B. Smoove and Wanda Sykes and also features several cameos (I’m not going to spoil them here). We follow the life of Pootie Tang, a hero to the people with a magical belt and an unintelligible language. Things go awry when an evil corporate villain, through a series of underhanded schemes, attempts to attach Pootie’s likeness to unhealthy fast food, malt liquor and cigarette smoking.

Despite the critical wrath and lampooning from late night talk shows, Pootie Tang still delivers plenty of laughs in its crazy, surreal music video-esque style. Though many cite the film as a “so bad it’s good” romp, I enjoyed the picture in the most genuine way possible. I found myself laughing loudly throughout and having to catch my breath.

I suppose this off the wall mockumentary was a little ahead of its time at the beginning of the 2000’s. Needless to say, fans would love to one day see Louis C.K.’s director’s cut to view the real Pootie Tang.

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Longtime Companion by Sonny & the Sunsets []

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Step one after a break up is to write and record a country album. San Francisco native Sonny Smith has followed this guide, only he’s unexpectedly added a little bounce, shuffle and humor. I saw Sonny & the Sunsets on the Longtime Companion tour at Flywheel in Easthampton, MA and he played a number of songs from this record alongside his usual catchy, sometimes surfy, melodic fair. He also took off his pants.

Smith’s deadpan delivery over the groovy “I See the Void” had me sold on his version of country music. He and the Sunsets played a mini set of their hip take of twang with nods to Buck Owens, The Flying Burrito Brothers (the self-titled number takes me to that “Hot Burrito no. 2″ place with steady soul bass over a simple chord change) and even a little Beachwood Sparks.

For a record dealing with heartbreak and separation, Sonny & the Sunsets offer the listener an enjoyable experience and while forging new ground within a classic genre.

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