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Staff Picks Reviewer: Jason

Waking Sleeping Beauty []

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In Waking Sleeping Beauty, we go behind the doors of the Disney animation building and see an equal display of creative brilliance and management melodrama.  As the 1970’s drew to a close, the legendary animation studio was producing anemic box office returns (by Disney standards) and those in charge of the purse strings viewed its limping continuation simply as a tribute to Walt’s legacy.  Shifts in corporate leadership created new challenges to the once easy going, hippie-ish department and as a result, the company reached a range of highs and lows.

This film features interviews with animators, directors, composers and executives.  In addition, the curtain is lifted and we’re granted access to all sorts of behind the scenes footage.  We see the animators at work and goofing around, early film cuts and cells, actors recording voice-overs, corporate lectures, between take banter of Michael Eisner’s television introductions and even funeral speeches.  Waking Sleeping Beauty is a film for anyone who is interested in the history of the Disney empire and ever wondered how the magic is really created.

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California Split []

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George Segal and Elliott Gould star in California Split, my all time favorite Robert Altman film and one of the best from the 1970’s. This dark, buddy comedy is centered around Bill Denny & Charlie Waters, two men who get sucked into the world of gambling. After Bill falls deep in debt to his bookie, he sells off several possessions so he and Charlie can make an all-in trek to Reno.  They eventually find themselves in a tacky casino and in a dramatic, high stakes poker match.

Segal and Gould are the ultimate on screen duo with a perfect comedic volley and excellent chemistry. Additionally, this 1974 movie comes in when Altman was on top of his creative game. The director’s signature usage of wide range audio recording gives the picture an incredible depth and a real sense of place. The conversations from the extras and bit characters are always audible and usually rather interesting.

Ultimately, the story of California Split asks, does money really equal happiness?

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Kisses on the Bottom by Paul McCartney []

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It’s been an awfully long time since Macca has been discussed on the Forbes Library staff picks blog.  So, here I am to recommend a romantic offering from the melodious, ex-Beatle. Kisses on the Bottom, Paul’s tribute to the music he heard around the house as a boy, is a marvelous collection of standards with two originals tacked on for good measure.  Diana Krall, Stevie Wonder, Eric Clapton, Robert Hurst, John Pizzarelli and Karriem Riggins are among the many fine musicians who make up McCartney’s backing band.

The title comes from a lyric from the opening tune, “I’m Gonna Sit Right Down and Write Myself a Letter” by Fats Waller.  The introduction’s syncopated piano line, upright bass and brushes on the drum kit, set the tone for this swinging affair.  Recorded at the famed Capitol Studios on Hollywood and Vine, Paul, singing with Nat King Cole’s microphone, taps into the crooning spirit of yesteryear.

Highlights include “It’s Only a Paper Moon”, “Ac-Cent-Tchu-Ate the Positive”, “My Valentine” (a Paul original), “The Inchworm”… well, I recommend ’em all!

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How To Sharpen Pencils by David Rees []

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Humorist/artisanal pencil sharpener David Rees carefully guides us through the various #2 sharpening techniques and the history of the famed utilitarian instrument.  The book, half manual/ half comedic piece, is both instructional and hilarious.  Rees provides information on setting up a pencil sharpening workshop, pre-sharpening stretches, fancy pencil sharpening routines and of course, sharpening styles and techniques.

Note: this volume is not recommended for fans of mechanical pencils or electric sharpeners!

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F for Fake []

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Join Orson Welles in a one of a kind cinematic experience that examines many shades of the truth. 1973’s F for Fake is presented as an essay film; most definitely the first of its kind. Welles narrates the documentary often on camera with the appearance of a worldly travel host. While delivering literary quotations in a Brechtian style, interviewing subjects and delivering personal tales in his larger than life/life of the party personality, he incorporates a wide range of footage (including bit-lits from his recently abandoned projects) and edits various film formats in dramatic fashion.

At the heart of the movie, Welles discusses the parallels between notorious art forger Elmyr de Hory and the biographer Clifford Irving. Irving who settled in Ibiza working on the de Hory tale, later went on to create a fake of his own: a false biography of Hollywood tycoon Howard Hughes. The director weaves these and other scandals and also shines the light on his infamous War of the Worlds radio broadcast.

Though the content in F for Fake is presented as fact, the masterful Welles, a fan of the slight of hand, cannot resist the urge to play with his audience.

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Headquarters by the Monkees []

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To earn the Monkees the right to play on their own records, Michael Nesmith’s fist had punch a wall accompanied with the threat “that could’ve been your face”.  Thankfully the powers that be relented because Headquarters, the band’s third release, is possibly their  most unified, spirited effort.

And now a bit about the personnel… Nesmith handles much of the guitar duties, the classically trained Peter Tork plays keyboards, guitars, basses and banjos, Mickey Dolenz sits behind the drum kit and dabbles on the guitar and Davy Jones shakes a mean tambourine and maraca.  All four sing.  Producer Chip Talyor plays the occasional bass.

Michael Nesmith, asserting himself as the band’s most prolific songwriter, contributes the twangiest of tunes including “Sunny Girlfriend” and “You Just May Be the One”. Peter Tork writes “For Pete’s Sake”, the groovy number that became the track which rolled over the end credits of the band’s television program.  Davy tackles the Hildebrand/Keller number “Early Morning Blues and Green” replete with Wurlitzer electric piano and a wild, distorted organ.  Mickey Dolenz sings and writes the psychedelic “Randy Scouse Git” (included on most Monkees “best of” compilations), a song that was inspired by the band’s trip to London and hanging out with the original Fab Four.

Headquarters sounds like a band working together trying to find their sound.  It’s garage, it’s pop, it’s joyful.

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Bobby Charles by Bobby Charles []

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No album better represents the sound of a bunch of guys hanging out, having good times and recording music than Bobby Charles’s  self-titled album.  Charles, celebrated for writing “See You Later Alligator” for Bill Haley and “Walking To New Orleans” for Fats Domino, found himself relaxing with The Band in Woodstock, New York in ’71.  The circumstances for his east coast residence have something to do with a divorce and hiding out from a Nashville marijuana bust.
The Band (with Dr. John in tow) back Charles through a set of lazy melodies with New Orleans influence and a loose, country bounce.  With this all-star line-up, it’s really not a shocker that the backing is as cool as can be.  However, it’s Charles’s voice that shines brightest.  There is a exceptional fullness and soul in each word that Charles projects and yet he sometimes gives the listener the impression that he’s singing softly, almost narrating a local tale.
The feeling of living out in the country, slowing down and finding peace are intertwining themes throughout Bobby Charles.  On “Small Town Talk”, after a whistled intro, Charles croons “and it’s small town talk, you know how people are/they can’t stand to see someone else doing what they want to”.  “Tennessee Blues”, the album’s closer, is also no exception to this sensibility.  The song is so perfect and timeless, one might imagine Charles ripped it from a book of standards at least 25 years earlier.  With one of my all time favorite vocal performances (Doug Sahm’s version is definitely worth hearing as well), Charles sings:
Find me a spot on some mountain top
With lakes all around me
With valley and streams and birds in the trees
And lakes that surround me
A place I feel loose
A place I could lose these Tennessee Blues

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Maigret and the Yellow Dog by Georges Simenon []

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A wine dealer is shot and wounded via gunfire through a mail slot, traces of poison are found at the Admiral Hotel, a mysterious waitress keeps reintroducing herself as the plot thickens, the footsteps of a giant are discovered, a doctor is having a nervous breakdown behind bars, the mayor is acting rather suspicious, a customs official is shot in the leg and a large, wandering yellow dog is present at the crime scenes.  What does it all mean???

Fear not, international mystery fan.  The laconic, pipe smoking, French speaking inspector Maigret is on the case!

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Fifty Sides of the Beach Boys by Mark Dillon []

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Mark Dillon’s book is an entertaining look at fifty Beach Boys tunes.  The selections are listed chronologically and an admirer (most often a musician) shares a personal memory attached to each song.  Some contributors were colleagues and spent time with the guys, others grew up listening to the records.  The surviving Beach Boys are also among the fifty selected.  In addition to the recollections, Dillon provides historical recording notes, songwriting origins and wonderful Beach Boys factoids.

Memorable bits for me come from the Byrd’s Roger McGuinn on “Don’t Worry Baby”, Beach Boys session player Carol Kaye “California Girls”, actress/musician Zooey Deschanel on “Wouldn’t It Be Nice”, director Cameron Crowe on “Feel Flows” and brief-Beach Boy Blondie Chaplin’s take on “Sail on Sailor”.

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Walk Away Renée/ Pretty Ballerina by The Left Banke []

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Fans of The Zombies, The Free Design or The Hollies will most likely enjoy the soft, baroque sounds of The Left Banke.  Though the two hits that divide up the album’s title are the obvious stand outs, the entire recording is a strong set of 1960’s magic. The arrangements throughout are harmonically sophisticated and borrow heavily from classical music.
This New York quintet sounds decidedly British and I’d liken Steve Martin Caro’s voice to The Zombies frontman, Colin Blunstone.  Both singers have a perfect, gentle tenor with unbelievable range.  Martin Caro and many members of the group share songwriting and lead vocal duties.  Michael Brown, then a teenager, is responsible for the hits on the record.  He managed to compose music that blends youthful angst and longing with haunting melodies.
Other highlights include “I’ve Got Something On My Mind” and “Shadows Breaking Over My Head”, which come close to rivaling the title tracks.

I give this Left Banke album an A+++, eighteen stars, two thumbs up and three golden tickets.

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George Harrison: Living In The Material World by Olivia Harrison []

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The gorgeous and painstakingly assembled Living in the Material World book is a companion to the Martin Scorsese documentary of the same name.  It’s a thoughtful collection photographs and essays with the subject being the late George Harrison.

Not only do we have large color and black and white photographs of George from childhood up until his last years, the book features the musician’s handwritten letters and lyrics, personal photographs and collected ephemera.  His career as a musician, childhood, family life, friendships and spiritual life are recollected.  Scorsese, Paul Theroux, Eric Clapton and Dhani Harrison are among the many contributors.  Living in the Material World works both as a engrossing read and/or a picture flipper.

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Trippin’ with Terry Southern by Gail Gerber with Tom Lisanti []

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Gail Gerber’s memoir recalls her time spent with the famous novelist and screenwriter Terry Southern (Dr. Strangelove, the Magic Christian, Blue Movie, Candy, etc.).  Despite the title, the book is not filled with madcap, drug taking adventures.  Rather, we see an intimate portrait of a couple’s life together through a thirty year period.  It also focuses on Southern’s idiosyncrasies, humor and career highs and lows.

Gerber, a stage actress and ballet dancer, also shares several of her professional and personal experiences ranging from early 60’s appearances in Beach Ball, The Loved One and a couple of Elvis Presley films to life as a casual farmer.

Trippin’ with Terry Southern is an interesting memoir and is certainly essential read for Southern fans.  In addition, those who enjoy reading about 1960’s and 70’s escapades will be really enjoy the memoir… just peak at the back index to see a list of all of the exciting characters who will pop up (there’s Dennis Hopper, Rip Torn and Stanley Kubrick just to name a few)!

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