Skip to Content
« Previous PageNext Page »

Staff Picks Audience: Music & Movies

Wild Flag by Wild Flag []

book-jacket

view/request

Dear Reader,
I would never lie to you.  And when I say to you that I like to rock, I hope you understand that what I am saying is an absolute truth.  Wild Flag’s self-titled debut album is what rock n’ roll ought to be: loud, fast, played live and without a lot of fuss.  This supergroup features ex-members of Sleater-Kinney, The Minders and Helium.  What stands out most to me musically is Carrie Brownstein’s (of Portlandia fame) blistering riffs, the spirited drums fills of Janet Weiss and the harmony sound the four vocalists create.  The stellar musicianship of this bassless, garage rock quartet often propels these excellent songs into uncharted territory.
Just a couple examples for you… The lead off track “Romance” has some reverbed out surf overtones and a chorus that can’t help getting stuck in your head.  On “Glass Tambourine”, the group certainly draws from the Nuggets archives, but then moves into a spaced out heavy jam that the late Jimi Hendrix would certainly appreciate.
I love this album and that’s a fact!
Sincerely,
-JSM
P.S. Please enjoy this music video directed by Tom Scharpling.

Tagged: , ,

Submarine by Richard Ayoade []

book-jacket

view/request

Olivier Tate (played by young actor Craig Roberts), the protagonist in Richard Adoaye’s quiet, quirky, charming, dark and thoroughly enjoyable film Submarine is a likeable precocious Welsh boy searching for an identity and direction in the stifling climate of small town coastal Southern Wales. He tries on affectations:”I’ve tried smoking a pipe, flipping coins – listening exclusively to French crooners, I’ve even had a hat phase”. This quote is immediately followed of course, with a shot of him at the family dinner table, wearing a Blue Stetson, looking fairly ridiculous. His teenage flailing about for identity finds its focus when he discovers the dark and indifferent charms of classmate Jordana (Yasmin Paige), who lures him into more and more morally reprehensible schoolyard acts. She is outwardly resistant to his charms except when he is misbehaving, and seems most allured by his taking part in the bullying of a fellow school girl. The cast is fantastic, both Paige and Roberts inhabit their roles fully and believably, while the adult characters (Sally Hawkins and Noah Taylor as Olivier’s parents), are comically stuck in their own lazy unspoken despair, too wrapped up in their own ridiculous melodramas to offer guidance to Olivier. Paddy Considine appears as an almost incongruously broad comic foil and rival to both Olivier Tate and his father. Adoaye, most famous for his work on the UK sitcom “The IT Crowd”, who adapted the script from a novel by Joe Dunthorne, directs the film with care and fills it with beautiful shots of the beaches, woods and amusement parks of the Welsh Coast. There are aspects of the film’s plot, details and cinematic style which will appeal to fans of many other refreshingly offbeat comic films (Wes Anderson’s films in particular) but the unique characters, acting performances and Welsh character give it a charm all its own.

Tagged: , , , ,

Winter in Wartime [, ]

book-jacket

view/request

This beautifully shot period film follows 13 year old Michiel, a small town boy in Nazi-occupied Holland in the Winter of 1945.  Michiel’s childhood innocence and restless desire for adventure lead him into increasingly dark and morally ambiguous territories when the realities of war,  resistance and adulthood collide and converge upon his small town life. He is apprehensive about his father’s uneasy cooperation with their German occupiers and looks up to his uncle Ben, a resistance fighter whose connections, gifts and attitude intrigue Michiel. When an allied fighter pilot crashes near the village, Michiel and his sister, a young nurse, are drawn into the search for the pilot and must debate whether to take action or remain silent, and question who they can truly trust. The film, while somewhat conventional in some of its WWII era plotlines, offers enough twists and intrigue to keep the viewer’s attention, but its real appeal is grounded heavily in the films setting. The scenes are filmed beautifully and the village, woods, snow, bicycles, knitwear and natural light combine to give the film an enchanting sense of place, and ground the viewer in Michiel’s conflicted world, caught between action and fear, occupation and resistance and childhood innocence and the risks of adult responsibilities. This film is one of several Forbes films now added in Blu-Ray and DVD (both discs are included in one case, so patrons will not mistakenly get home and find the film unplayable), and the Blu-Ray is especially recommended for its crisp picture, which captures the film’s setting wonderfully.

Tagged: , , , ,

Talking Tabla by Bikram Ghosh []

book-jacket

view/request

Talking Tabla is an exciting recording showing off the work of a masterful tabla player. The tabla is a popular Indian percussion instrument, and is ubiquitous in the classical music of Northern India. The tabla consists of two hand drums of contrasting designs: on the left is a kettle drum with a deep sound and variable pitch; on the right is smaller conical drum with a high, fixed pitch. The drums are struck with the fingers and palms of the hands to create the sounds known as bols, these are the syllables of North Indian drumming and can be spoken as well as played; well performed, they sound very much like language, hence the title of this album, Talking Tabla.

On Talking Tabla Bikram Ghosh plays a variety of compositions, fixed and improvised, in a variety of styles, including a piece in the less familiar Carnatic style of South India. Although Bikram Ghosh’s tabla is the focus of these recordings we are not deprived of melody—Ramesh Mishra does a beautiful job playing the sarangi (a kind of elaborate fiddle) on several tracks and on the third track Ghosh accompanies Tarun Bhattacharya’s santoor (hammered dulcimer). In addition, Ghosh’s beautiful baya (left hand drum) application creates a kind of melody of its own. (To fully appreciate this a pair of good speakers or headphones are recommended—don’t listen to this one through your laptop speakers!) Even those who are bored by the idea of an album devoted to the drums should consider listening to Talking Tabla.

Tagged: , ,

Doctor Who: The Awakening []

book-jacket

view/request

Peter Davison stars as the Doctor with the cricket inspired get up and celery stalk fastened to his lapel. You’ll have to wait until Davison’s last appearance however to learn the purpose of the mysterious vegetable! Regarding this particular shorter story, the Doctor promises to reunite his companion Tegan with her grandfather in her present time of 1984.

If it were only that simple…
When they arrive at the quaint village of Little Hodcombe, they are greeted by people with long flowing beards in suited armor on horseback. The Doctor and his companions are led to believe the townspeople are taking part in some sort of reenactment of a famous civil war battle from 1643.

We soon discover that they have actually landed in a time parallel between the years 1643 and 1984 due to an underground beast who is also warping the minds of Little Hodcombe’s citizens and projecting humans from the 17th century in their reality. Confused yet? Check it out for yourself and enjoy this entertaining two-part Doctor Who adventure.

Tagged: , ,

Let’s Spend the Night Together by Hal Ashby []

book-jacket

view/request

I remember watching the Rolling Stones in Let’s Spend the Night Together a few times on television when I was in high school.  I know this sounds unbelievable, but VH1 used to show concert films and was actually a music station back in the day.  Maybe I couldn’t get behind the 1981 renditions of the classic 60’s tunes at the time or was distracted by Mick Jagger’s football tights … truth is, I didn’t really dig the concert film when I first watched it.
Fast forward to last night.  I popped in this dvd for nostalgia sake and wound up really enjoying myself.  The performances are unbelievable!  In addition, I made the statement to my friend who was sitting next to me on the sofa that “this just might be the best Stones concert film ever.”
The boys barrel through 24 songs in under 90 minutes with the right blend of machismo and camp that we expect from the band.  Despite playing a huge stadium, they’re very, very loose with unexpected bendy guitar riffs distributed throughout by Ron and Keith , jazzy drum fills care of Mr. Watts and Mick’s wild singing.  If you look close enough, you may even see a smile on Bill Wyman’s face, too.  Some of the older songs appear to be unrehearsed to a certain extent while more recent cuts from Tattoo You, Emotional Rescue and Some Girls are played tight like a classic rhythm and blues review.  We’re also treated to a bonus keyboard section featuring Ian McLagan (of the Small Faces & Faces fame) sitting behind the organ and classic stones session man Ian Stewart on piano.
It’s also important to note that a serious filmmaker was on staff for Let’s Spend the Night Together.  Hal Ashby, whose credits include Harold & Maude, The Last Detail, Being There and many other fantastic titles, directed the film.  It’s always interesting to see the difference between a standard concert film and one that was overseen by a true artist.  Martin Scorsese’s work on the Last Waltz and D.A. Pennebaker’s Montery Pop are other excellent examples.  They tend to spend more time with the performers and not make pointless quick cuts.  There is something to be said in what these filmmakers find interesting and insist the audience see on stage.
The real lesson learned however is that it doesn’t hurt to revisit films you may not have enjoyed at one stage in your life.  You never know in what direction your taste may take you.

Tagged: , , , ,

Kansas City by Robert Altman []

book-jacket

view/request

It’s 1934 and on the eve of a local election in Kansas City, Missouri.

Jennifer Jason Leigh stars as Blondie, a comically fast talking wife of a petty thief. When her husband gets picked up by an intimidating local jazz and gambling club owner stroke gangster named Seldom Seen (played by the great musician and activist Harry Belafonte), Blondie hatches a kidnapping scheme of her own. At gunpoint she drags Carolyn Stilton, the opium addicted wife of a local senator, along through the city in an attempt to free her husband. Miranda Richardson and Altman mainstay Michael Murphy are cast as the seemingly loveless Stilton couple.

Tension enters the film only moments after it begins and it continues to build and build throughout. The backdrop of this chilling drama is the soulful and swinging jazz music that pulsates from Seldom Seen’s Hey Hey Club. In addition, Steve Buscemi, in a role that seems to have served as a warm up for his stint on Boardwalk Empire, is one of the many actors who appear in memorable smaller parts.

Kansas City, though not as loose and off the cuff as many classic Altman movies of the 1970’s, is possibly the director’s most suspenseful.

Tagged: , ,

Day For Night []

book-jacket

view/request

La Nuit Américaine, or Day for Night, is one of my favorite films. This 1973 film by French director François Truffaut shows the cast and crew of a dramatic film on and off the set. In addition to the obvious work necessarily to make a film—selecting costumes and props, learning lines, building sets, performing for the camera, adjusting lights, etc.—we also see these men and women as they make friends, suffer nervous breakdowns, fall in love, gossip, run away, return, and otherwise live rather complicated lives.

The film stars Jacqueline Bisset and Jean-Pierre Léaud as the film within the film’s young stars, but the film truly has an ensemble cast, with many talented actors portraying a wide array of interesting and memorable characters. Truffaut himself is part of the cast, as he not only directs the film, but also plays the director of film within the film. The music is by Georges Delerue, who also worked with Truffaut on a number of other films.

Tagged: , ,

Blood on the Tracks by Bob Dylan []

book-jacket

view/request

Once this guy I knew split up with his girlfriend and then he was gone for a while. I think he went to his uncle’s farm out in Kentucky or somewhere. When he came back, he had a beard and seemed a bit more serious. I asked him how he was feeling and he softly replied, “I’ve been listening to a lot of Blood on the Tracks, man.”
Blood on the Tracks? I had heard of that, but I was in the twilight of my teenage years: I was still thinking of and enjoying Dylan with the big curly hair, polka dot shirt, pointy shoes and Al Kooper playing groovy organ riffs. Still, I sought out this folky record.
Dylan at that time was going through the break up of a marriage and though the author denies any trace of autobiographic tendencies, the songs appear to reflect this time of his life. The album opens with “Tangled Up in Blue”, a lyrical bombast about two lives crossing. Other highlights include “Idiot Wind”, the eight minutes and change “Lily, Rosemary and the Jack of Hearts” and “Shelter From the Storm”.
Like the majority of his work, the lyrics read like poetry on Blood on the Tracks and here we find Dylan with his heart on his sleeve and at his most tender and delicate state. When I went through break-ups as a younger lad, I tended to go with early Beach Boy albums. They had those beautiful harmonies that are underlined with melancholy. It’s easy to wallow and hold onto sadness like a serpent to the neck with this sort of music. On Blood on the Tracks, Dylan is presenting a more mature and grown up outlet for heartbreak, man.

Tagged: , ,

Last Train Home []

book-jacket

view/request

There are 130 million migrant workers in China, many of whom only journey home to see their families once a year on Chinese New Year. Lixin Fan’s 2009 award winning documentary follows the journey, conflict and struggle of one such family and is a film of remarkable impact. To its western audiences, the film is an eye opening look into the arduous lives of the thousands of low wage workers who produce assemble and manufacture many of our imported goods. While the film exposes the insidious impact of globalization and the poor working conditions of Chinese low wage workers, it is equally successful in capturing universal family conflicts and generational differences. The ‘mass exodus’ of Chinese workers home for the Spring Festival is the world’s largest human migration. The arduous journey of the Zhang family from their urban factory and cramped living conditions back to their poor rural village vividly illustrates the dramatic changes Chinese society has undergone as a result of its economic role in the global marketplace. The film is shot in a cinema-verite, fly on the wall style and the viewer is confronted not only by our role and responsibility as the world’s largest consumers, but by our perspective as the viewer of this hauntingly intimate look into the lives of this family. The parents of the family have sacrificed being present to raise their children for the purpose of sending enough money home to allow their children to pursue their education and have a better life than they have. When their rebellious teenage daughter confronts them about their continual absence and the pressure they place on her to succeed, she addresses the camera directly and the viewer can’t help but feel connected to this extraordinarily personal, politically relevant and remarkably timely film.

Tagged: , ,

The Fifty Review Club: An Unconventional Post []

book-jacket

view/request

Fifty Films

I was glancing at the sidebar on the Forbes Staff Picks Blog and noticed that the number fifty was next to my initials. Fifty reviews. Moments later I was ushered into a secret room in the Forbes Library (of course it was revealed by pulling a book back in the stacks!) and was presented with a spread like no other, a Swedish massage and a gold plated computer mouse. Confetti spilled from the ceiling and Philadelphia’s own Todd Rundgren (he really liked my review of A Wizard, A True Star) performed a private concert.

This celebration got me thinking; perhaps I should do something “fifty” related now that I’m a member of the Fifty Review Club. A detailed synopsis of50 First Dates ? Haven’t seen it. An overview of 50 Cent’s discography? I’m unfamiliar. Then I thought perhaps I ought to make a list. People who work at libraries love lists! I’ve come up with fifty films that mean something to me that are in our collection (just click on the titles to see the record in the catalog) and have decided to quickly free associate. I’ve limited myself to stay under ten words and type the first thing that pops into my head. See you at the 100th party. -JSM

8 1/2 -I’ve had dreams like this
24 Hour Party People -the Manchester scene as told by Tony Wilson
2001: A Space Odyssey -the effects are still unrivaled
Arthur -a drunken love story
Atlantic City -lemons
After Hours -one of those really bad nights out
Badlands – “Love is Strange”
Blue Velvet -wha!!!????
The Blues Brothers -My first favorite film
Breathless -jump cuts
California Split -Gould & Segal roll the dice
Le Cercle Rouge -reds & blues
Claire’s Knee -yup, this has got to be French
Do The Right Thing -crazy thought provoking potboiler
Don’t Look Now -I still can’t believe that ending
Down By Law“I scream you scream, we all scream for ice cream!”
Duck Soup -comedy 101
F For Fake -magic tricks
The Fearless Vampire Killers -gory/funny
Gosford Park -Stephen Fry as Inspector Thompson in the third act
Hannah and Her Sisters -Woody at his best
A Hard Day’s Night -black & white Beatlemania
The Householder -a loving film about arranged marriage
The Jerk -“he hates cans!”
Joe Versus The Volcano -listen to this
Key Largo -Bogey & Bacall & Robinson
The Long Goodbye -the sleepy Philip Marlowe
The Lost Weekend -writer’s block anyone?
Meek’s Cutoff -remember “the Oregon Trail” video game?
Nosferatu the Vampyre -spooky Kinski
Opening Night -going off the script
Paper Moon -cute grifter’s tale
Playtime -Hulot tries to get a job
Rosemary’s Baby -“tannis anyone?”
Rushmore -a coming of age story like no other
The Rutles: All You Need is Cash -the best telling of the Beatles
The Science of Sleep -arts and crafts
A Serious Man -Jefferson Airplane
Simon of the Desert -the funniest religious film
Small Change -one of the few realistic portrayals of children
Smiles of a Summer Night -wait, Bergman’s funny??
The Squid and the Whale -Pink Floyd plagiarism
Straw Dogs -a violent film that strongly advocates nonviolence
Sullivan’s Travels -Sturges makes a road movie
They All Laughed -an ingredient in the Wes Anderson formula
The Thin Man -my favorite detective couple
Time Bandits -a must see for all young adults
The Two of Us -here come the waterworks
Vertigo -the old switcheroo
Walkabout -Roeg in the outback

Tagged: , , , , , , ,

New Morning by Bob Dylan []

book-jacket

view/request

The late 1960’s early/ 70’s happens to be a great period for Bob Dylan, thank you for asking. Nashville Skyline, the Basement Tapes, Self Portrait (though many have said I’m crazy for admitting I like this one), Pat Garret & Billy the Kid are the albums I return to the most within this artist’s prolific catalog. 1970’s New Morning may be the most enjoyable listen from this period.

The album kicks off with the pining romance gesture that is “If Not For You”. The song has an almost Velvet Underground pulse juxtaposed with bouncy organ and country guitar picking. George Harrison would record his version the following year on his album All Things Must Pass. The bluesy and rock n’ roll sounds predictably find their way onto this record. There’s also lighthearted moments in “Winterlude” where Bob croons “this dude thinks your fine” and in the silly jazz rap “If Dogs Run Free” featuring a barrelhouse piano send up at the top of the song.

Dylan’s voice and delivery began to shift around 1968. He lost a bit of the raspy quality that his earlier recordings possessed and started leaning a bit on the softer side in his vocals. This is not to say he’s taking a casual approach to his singing; Dylan is most noticeably passionate on the title track, “Day of the Locusts” and “the Man in Me” (featured in the soundtrack of the Big Lebowski).

New Morning is just another one of those perfect Bob Dylan records.

Tagged: , , ,

« Previous PageNext Page »