Staff Picks Category: Comedy

The Trip by Michael Winterbottom [DVD]

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The uncredited supporting role of this film are the beautiful hills and mountains and the elaborate dishes Rob and Steve are served.  Most importantly however, the friendship seen on screen, though obscured by Coogan’s condescension and bitterness, is rather touching at times.  Despite his best efforts to isolate himself, this is possibly a story about meaningful human relationships.

Old Jews Telling Jokes by Sam Hoffman ; with Eric Spiegelman [Audiobook]

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This project started as a website, still going strong at www.oldjewstellingjokes.com. A couple of guys and their dads started rounding up all their “aunts and uncles, wise-cracking attorneys and periodontists,” as the web site says. Each clip is a couple of minutes of one person telling a joke. These are not professional comedians, they are ordinary people from the culture that created the Marx Brothers, the Catskill circuit, and Mel Brooks. Some of the stories have been around a long time, but nearly all of them land between amusing and hilarious on the laugh-o-meter. You’ll find ironic, raunchy, and self-deprecating bits as well as some marvelous timing and delivery. The narrator I could do without. Still, it beats therapy.

That is All by John Hodgman [Book]

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Submarine by Richard Ayoade [DVD]

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Olivier Tate (played by young actor Craig Roberts), the protagonist in Richard Adoaye’s quiet, quirky, charming, dark and thoroughly enjoyable film Submarine is a likeable precocious Welsh boy searching for an identity and direction in the stifling climate of small town coastal Southern Wales. He tries on affectations:”I’ve tried smoking a pipe, flipping coins – listening exclusively to French crooners, I’ve even had a hat phase”. This quote is immediately followed of course, with a shot of him at the family dinner table, wearing a Blue Stetson, looking fairly ridiculous. His teenage flailing about for identity finds its focus when he discovers the dark and indifferent charms of classmate Jordana (Yasmin Paige), who lures him into more and more morally reprehensible schoolyard acts. She is outwardly resistant to his charms except when he is misbehaving, and seems most allured by his taking part in the bullying of a fellow school girl. The cast is fantastic, both Paige and Roberts inhabit their roles fully and believably, while the adult characters (Sally Hawkins and Noah Taylor as Olivier’s parents), are comically stuck in their own lazy unspoken despair, too wrapped up in their own ridiculous melodramas to offer guidance to Olivier. Paddy Considine appears as an almost incongruously broad comic foil and rival to both Olivier Tate and his father. Adoaye, most famous for his work on the UK sitcom “The IT Crowd”, who adapted the script from a novel by Joe Dunthorne, directs the film with care and fills it with beautiful shots of the beaches, woods and amusement parks of the Welsh Coast. There are aspects of the film’s plot, details and cinematic style which will appeal to fans of many other refreshingly offbeat comic films (Wes Anderson’s films in particular) but the unique characters, acting performances and Welsh character give it a charm all its own.

The Fifty Review Club: An Unconventional Post [DVD]

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Fifty Films

I was glancing at the sidebar on the Forbes Staff Picks Blog and noticed that the number fifty was next to my initials. Fifty reviews. Moments later I was ushered into a secret room in the Forbes Library (of course it was revealed by pulling a book back in the stacks!) and was presented with a spread like no other, a Swedish massage and a gold plated computer mouse. Confetti spilled from the ceiling and Philadelphia’s own Todd Rundgren (he really liked my review of A Wizard, A True Star) performed a private concert.

This celebration got me thinking; perhaps I should do something “fifty” related now that I’m a member of the Fifty Review Club. A detailed synopsis of50 First Dates ? Haven’t seen it. An overview of 50 Cent’s discography? I’m unfamiliar. Then I thought perhaps I ought to make a list. People who work at libraries love lists! I’ve come up with fifty films that mean something to me that are in our collection (just click on the titles to see the record in the catalog) and have decided to quickly free associate. I’ve limited myself to stay under ten words and type the first thing that pops into my head. See you at the 100th party. -JSM

8 1/2 -I’ve had dreams like this
24 Hour Party People -the Manchester scene as told by Tony Wilson
2001: A Space Odyssey -the effects are still unrivaled
Arthur -a drunken love story
Atlantic City -lemons
After Hours -one of those really bad nights out
Badlands – “Love is Strange”
Blue Velvet -wha!!!????
The Blues Brothers -My first favorite film
Breathless -jump cuts
California Split -Gould & Segal roll the dice
Le Cercle Rouge -reds & blues
Claire’s Knee -yup, this has got to be French
Do The Right Thing -crazy thought provoking potboiler
Don’t Look Now -I still can’t believe that ending
Down By Law –“I scream you scream, we all scream for ice cream!”
Duck Soup -comedy 101
F For Fake -magic tricks
The Fearless Vampire Killers -gory/funny
Gosford Park -Stephen Fry as Inspector Thompson in the third act
Hannah and Her Sisters -Woody at his best
A Hard Day’s Night -black & white Beatlemania
The Householder -a loving film about arranged marriage
The Jerk -“he hates cans!”
Joe Versus The Volcano -listen to this
Key Largo -Bogey & Bacall & Robinson
The Long Goodbye -the sleepy Philip Marlowe
The Lost Weekend -writer’s block anyone?
Meek’s Cutoff -remember “the Oregon Trail” video game?
Nosferatu the Vampyre -spooky Kinski
Opening Night -going off the script
Paper Moon -cute grifter’s tale
Playtime -Hulot tries to get a job
Rosemary’s Baby -“tannis anyone?”
Rushmore -a coming of age story like no other
The Rutles: All You Need is Cash -the best telling of the Beatles
The Science of Sleep -arts and crafts
A Serious Man -Jefferson Airplane
Simon of the Desert -the funniest religious film
Small Change -one of the few realistic portrayals of children
Smiles of a Summer Night -wait, Bergman’s funny??
The Squid and the Whale -Pink Floyd plagiarism
Straw Dogs -a violent film that strongly advocates nonviolence
Sullivan’s Travels -Sturges makes a road movie
They All Laughed -an ingredient in the Wes Anderson formula
The Thin Man -my favorite detective couple
Time Bandits -a must see for all young adults
The Two of Us -here come the waterworks
Vertigo -the old switcheroo
Walkabout -Roeg in the outback

Twentieth Century by Howard Hawks [DVD]

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John Barrymore and Carole Lombard star in, what some site as the first screwball comedy, Twentieth Century. The film’s director, Howard Hawks, who delivered several box office smashes in the form of the more macho features (his credits include the original Scarface, Rio Bravo,the Big Sleep), was also adept to orchestrate the gut busting comedy piece. He later went on to direct other classics in this genre such asBringing Up Baby and His Girl Friday.

Sort of a silly version of the Red Shoes (though the film we’re discussing predates it), Twentieth Century presents a didactic relationship in the entertainment business. Oscar Jaffe, a Broadway producer played by Barrymore, casts an unknown to actress to play the lead in his newest production. This actress (brilliantly performed by Lombard) is put through the ringer and subjected to plenty of condescending exercises and verbal tirades by this larger than life figure. Despite his questionable methods and erratic behavior, Jaffe manages to mold this unknown into a household name. He also dictates that her household name shall be “Lily Garland”.

Once Garland has attained fame and fortune, she no longer needs the temperamental Oscar Jaffe in her life. As a result, the producer soon falls on hard times. Not only does he realize that he needs Garland back in his life for professional reasons, he discovers that he’s madly in love with the starlet! His crusade, at times devious, to win back her favor knows no bounds.

Barrymore’s portrayal of Jaffe, which is grandiose in one instant and hilariously pathetic the next, propels the story at a breakneck pace. Filled with slapstick gags and wild monologues, the actor gives one of the most memorable comedic performances committed to film.

Glorious by Eddie Izzard [DVD]

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I love Eddie Izzard’s stand-up. In Glorious he lopes across the stage imitating an evil giraffe, he runs in mock fright exclaiming, “I’m covered in bees!”, and he delivers a stream of unconventional witticisms, comical sound effects, and insightful observations.

Eddie’s jokes are carefully written but his delivery is casual and off the cuff. His jokes often rely on gesture and facial expressions, never more so than in his routine on “machines that lie”, during which he mimes the frustrations of making good toast and demonstrates the visual similarity between someone adjusting the tap in a shower and a safebreaker. (He ends this routine with a wonderful visual pun which I will refrain from describing—you will appreciate it better if it takes you by surprise.)

I don’t care much for stand-up, but I make an exception for Izzard’s smart, irreverent, performances. His shows are always entertaining andGlorious is one of his best.

Louis C.K. : Hilarious [DVD]

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The Illusionist by Sylvain Chomet [DVD]

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The Triplets of Belleville animator/director takes on an unrealized script of the late French comedian, writer and director Jacques Tati in the Illusionist. This remarkable, melancholic film features an animated Tati in the role of the magician named Tatcischeff (Tati’s actual last name) at a time when vaudeville performances are beginning to become a passé form of entertainment.

On a trip to Scotland for an appearance, Tatcischeff meets a young girl who winds up following him to London. The magician takes her under his care and winds up going broke funding her desire for expensive clothing. The two also come into contact with several eccentric and delightful characters surrounding the changing 1960’s entertainment industry.

What we have in the Illusionist is a funny, elegant and moving film which marries the essence of Jacques Tati’s brilliance and the stylish animation of Sylvain Chomet.

Black Books [DVD]

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Irish comedian Dylan Moran stars in the BBC television series Black Books. The show was written and created by Moran and the folks who brought us Father Ted.

Bernard Black, a cranky and boozy book shop owner, wants absolutely nothing to do with his customers and does very little to aid his decaying store. He’s joined by his friend and neighboring shop employee, Fran and Manny, his hapless, but loveable (possibly unpaid) employee. We join these three on many madcap adventures and exercises in generally poor customer service. While a fair amount the gags fall under the customer/employee dynamic or displays of tremendous laziness, we also get a fair amount of surreal humor.

Bossypants by Tina Fey [Book]

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SNL and 30 Rock star, writer and producer Tina Fey is as smart and irreverent as she is funny. This memoir gives an inside look at the improv comedy incubator Second City, developing material for Saturday Night Live, and how Fey and her contemporaries broke through the glass ceiling of comedy.*
Here in a quick engaging read is an honest tongue-in-cheek and witty look at success, motherhood, TV, sexism, and lots of famous people you may have been wondering about. A few classic scripts are included, notably the Sarah Palin/Hillary Clinton sketch that Fey and Amy Poehler did in the 2008 campaign season.

* “Women just aren’t funny.”–every male producer/director from the beginning of time.

The story of Vernon and Irene Castle [DVD]

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Based upon the true story of the celebrated husband and wife dancing team who popularized ballroom dance, this film is the most realistic, the most tragic, and the most touching of the Astaire-Rogers films. The film takes place in the years between 1911 and 1918, and the costumes and music are largely appropriate to that era. Most of the dance sequences emulate the Castle’s distinctive style—Astaire tap dances in only one number and Rogers not at all—and the musical numbers are fewer and more tightly integrated into the plot than in other Astaire films. Of course, the film still delivers what you expect from an Astaire-Rogers collaboration: Astaire is charming, the music is great, the dancing better, and the two stars may have better on-screen chemistry in this film than in any other.