The Union
by Elton John & Leon Russell
[Music CD]
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The Union exists as one of the finest statements of friendship that the recording industry has seen. The origins of this album began when Elton John was listening to a vintage Leon Russell recording and burst into tears. The two hadn’t spoken since they toured together in the early 1970’s when John first came to America. Russell, being an early hero of his, had also become a nearly forgotten footnote in the history of popular music.
Leon Russell, a member of Phil Spector’s infamous Wrecking Crew, the pianist and arranger for the Concert for Bangladesh and critically lauded solo artist of the 1970’s, had been releasing music with little distribution or fanfare from his website for the last couple of decades. Elton saw it as his mission to reintroduce audiences to Leon’s brilliant catalog and release him from obscurity. He approached his childhood idol to work on some material together and also selected T-Bone Burnett to handle the production.
The result is a stunning collaboration drawing influence from New Orleans jazz and blues, gospel, soul, country and the Jerry Lee Lewis brand of rock n’ roll. The two piano men trade licks like they are dueling at a honky-tonk and modestly share vocal duties as much as two legends can. Though Elton certainly hasn’t sounded this good since his classic years, it’s Leon who steals the show. Russell’s “In the Hands of Angels”, a song about dying sung in his withered drawl, is by far the standout track.
I believe the saying is “you can take the man from the Lion King, but you can’t take the Lion King from the man”. Yes, there are those moments where Elton is delivering the soaring power ballad chorus, but these occasions are few. The Union feels at home alongside Elton’s Tumbleweed Connection and Leon’s spectacular self-titled record. It’s the 70’s… just forty years later.
Reviewed by Jason
Tagged: Buddies, Pop music
Black Dynamite
by Adrian Younge
[Music CD]
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Seeing that this is most likely my last post of the year 2010, the natural thing to do would be to compile a best of scroll displaying my favorite things (much like Miss O. Winfrey) from the last three-hundred and sixty some odd time tracking units we shall call “days”. My reply to the reader’s expectation will be as follows, “why, I’m an improviser… I don’t even bring a list to the grocery store!”
And so we raise our glasses to the great compromise. In an action packed year filled with exceptional new music, I will have to award Adrian Younge’s Black Dynamite Sound Orchestra for putting on the best concert of this year. It was a small, intimate show at Ars Nova that cooked and cooked and cooked… and then cooked some more. The band, decked in matching white tuxedos, was gracious enough to corral the audience upstairs for cocktails following their first blistering set. After meeting this very friendly group of musicians, I was invited to see the evening’s second show.
Before attending the concert over the summer, I was familiar with the record pictured in this post’s left hand corner and enjoyed the funky, dirty and melodic blaxploitation soundtrack stylings. I say “blaxploitation” because the album is a soundtrack to a new film that very successfully (in the most comedic sense) rubs elbows with the likes of John Shaft, B.J. Hammer and Dolemite films. Younge, composer/multi-instrumentalist/film editor, hearkens back to the music of these 70’s classics by working with vintage equipment and recording straight onto analog tape. While retaining the spirit of something like Mayfield’s Superfly with chilling vocals by many guest artists and tapping into haunting arrangements reminiscent of Ennio Morricone, Younge somehow takes this retro sound and genre and carries us into a completely new listening experience.
And so at the curtain of 2010, it is announced that Younge and co. are finishing up a follow-up and a release date has been set. It appears we have our first candidate to help keep the pace of this wonderfully musical year.
Reviewed by Jason
Tagged: Funk, Jazz, Soundtrack
Nilsson Schmilsson
by Harry Nilsson
[Music CD]
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Though RCA records proudly proclaimed, “Harry’s Got a Rock Album” upon the release of 1971’s Nilsson Schmilsson, it’s safe to say Mr. Nilsson had dabbled in rock n’ roll previously. However, his output mostly belonged in the vaudeville and light psychedelic, Sgt. Pepper stratosphere. After his first album, the mysterious solo artist was cited as the Beatles favorite “group”. He followed with two strong lps; one includes his version of Fred Neil’s “Everybody’s Talkin’” (which wound up as the Oscar winning vocal performance for the film Midnight Cowboy). Next Nilsson jumped into an album completely of Randy Newman material (then a mostly unknown songwriter) just before releasing a story and song record that later became the animated classic The Point.
Producer Richard Perry, who had received critical acclaim for his work with Tiny Tim, assembled Klaus Voormann, Jim Price, Jim Gordon, Herbie Flowers, Jim Keltner and other notable session musicians for the London Nilsson Schmilsson sessions. The tracks proved to be heavier than what was expected from the Harry of old (see the seven minute “Jump Into the Fire”), but we still have the necessary ingredients for a classic Nilsson recording: his amazing three octave range, sense of humor and delightful arrangements. A cover of Badfinger’s “Without You”, the ridiculous one chord, beatnik jam that is “Coconut” and the dreamy “Moonbeam Song” help rank Nilsson Schmilsson as one of Harry’s most memorable.
Incidentally, the progression into rock n’ roll wasn’t Nilsson’s last metamorphosis. As the 1970’s trucked on, our hero dabbled in lush standards from the 1930’s and 40’s, steel drum music, comedy tracks and songs about… well, writing songs among other things. It was a career spent confounding critics and delighting fans. Well played.
Reviewed by Jason
Tagged: Rock music
Bauhaus 1919-1933: Workshops For Modernity
by Berry Bergdoll and Leah Dickerman
[Book]
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Bauhaus, a movement of modern art and also the name of the German school for which it originates, celebrates “total design”. Painting, sculpture, furniture construction, fabric design, architecture, woodwork, commercial design, etc. fit under this collective’s umbrella. Bauhaus 1919-1933 is filled with informational and historical text accompanied by images of wonderful pieces by Walter Gropius (the original Bauhaus artistic director), Marcel Breuer, Paul Klee, Alma Buscher and so many more.
Reviewed by Jason
Tagged: Art, Design, Non-fiction
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I have a friend who lives in Austin, TX who is constantly making me jealous. She likes to mention, with a trace of blasé, that she’s just seen some amazing rock, soul, blues, country or hip-hop artist perform just down the street from her house. Earlier this year, she recommended the Austin group Harlem (she had seen them perform live down the street!) and after listening to some songs online, I was hooked. I ordered the lp right away and suggested ordering a copy for Forbes.
Harlem plays straight, unabashed garage rock without any pretension whatsoever. Catchy melodies and the spirit of rock n’ roll dominate their debut full-length recording. I’ve deduced that this ramshackle trio loves the following: reverb, switching instruments, collaborating on songs and getting down.
Living in the Valley, we may not have the luxury to walk to Harlem’s next show, but we can certainly enjoy this recording from our living room.
Reviewed by Jason
Tagged: Music, Rock music
Ginger Geezer: The Life of Vivian Stanshall
by Lucian Randall and Chris Welch
[Book]
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“You got a light, mac? No…but I’ve got a dark brown overcoat.”
Vivian Stanshall, sousaphone player, ukulele maestro and vocalist extraordinaire, practicer of elaborate practical jokes, rubber ears sporter and snake owner, certainly lived up to the oft dubbed title as the “great British eccentric”. Oh, and he lived on a boat.
He and his colleagues from the Bonzo Dog Doo-Dah Band created the most wonderfully silly, chaotic and beautiful music know to man by melding 1930’s jazz and novelty numbers, psychedelic rock, Python-esque comedy and Beatles arrangements. To my knowledge, this group is the only group to list wah-wah rabbits as an instrument on a recording. Stanshall shared most of the lead vocal duties with Neil Innes (later found in the Rutles), but it was the former who was the expert frontman and instigator of this riffraff outfit.
Stanshall’s biography delves into the life of this complicated character before and after his run with the Bonzos. Fame, family life, alcoholism, brilliant radio projects (including “Rawlinson’s End”), madcap stunts and the slow decline of spirit helps makes Ginger Geezer paint a mighty confounding portrait. Viv wouldn’t have had it any other way.
Reviewed by Jason
Tagged: Biography, Comedy, Non-fiction, Rock music
Rise Up Singing
[Book]
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One of the first songs I learned to play on a musical instrument was “Blowin’ in the Wind” by Bob Dylan. All it took was four simple chords, my dad’s Guild acoustic guitar, a moderate amount of diligence and a copy of Rise Up Singing. This anthology is the perfect songbook for a beginner guitarist. It boasts holding words, chords and sources to 1,200 songs! Arranged thematically (though there’s an index if you’re looking for something specific), it includes traditional and more contemporary folk songs, blues music and pop tunes. Songs are displayed in the simplest manner possible reducing the musical notation to the most basic chord progressions.
Rise Up Singing also comes in handy for singsongs, parties and campfires. I keep a copy near my bed encased in glass with hammer attached via a string for unexpected musical emergencies.
Reviewed by Jason
Tagged: Folk music, Guitar, Singing, Songbook
How To Wreck A Nice Beach
by Dave Tompkins
[Book]
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The vocoder is one of the strangest devices in the music world. One only has to listen to the recent trend of “Auto-Tune” (an offspring of the vocoder) to begin the mystification process! Dave Tompkins leads us through the invention of this vocal transmission synthesizer and its initial uses. We learn that Winston Churchill and later John F. Kennedy spoke into early modules before the vocoder was even considered to be used as a musical instrument. Tompkins gives us plenty of military, political, scientific and Cold War history side by side with the then nascent hip-hop and electro movements with tales of the Jonzun Crew, Roger Troutman and Kraftwerk to name a few. What a read!
Reviewed by Jason
Tagged: Music, Non-fiction, Science, Technology
French Milk
by Lucy Knisley
[Graphic Novel]
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French Milk is a travelogue, photo journal and graphic novel rolled into one deliciously exciting book. Lucy Knisley illustrates and writes about six-week stay she and her mother had in Paris in 2007. Sightseeing, love interests, her parents and baguettes are all discussed with a great deal of candidness and humor.
Reviewed by Jason
Tagged: France, Non-fiction, Travel
Alfie
[DVD]
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Lewis Gilbert’s 1966 masterpiece drama/comedy stars Michael Caine in the title role. Alfie is a street smart character who is here only to enjoy life and often has little consideration for others. He moves quickly from partner to partner (sometimes in seedy arrangements), but is eventually forced to come to terms with his reckless behavior, lack of income and aging body. Alfie sports an interesting storytelling model: either to have a quick laugh or explain how he’s feeling at any given time, Caine often breaks the fourth wall to converse with the viewer.
With supporting characters played by Shelly Winters, Jane Asher and Denholm Elliott, clever comedic dialog, twists and turns to the tragic and a swinging jazz score by Sonny Rollins, Alfie remains one of the richest films to ever grace the screen.
Reviewed by Jason
Tagged: Comedy, Drama, Feature film, Fiction, Manhood
Chaos and Creation in the Backyard
by Paul McCartney
[Music CD]
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Upon George Martin’s suggestion, Sir Paul teamed up with producer Nigel Godrich (see his work with Beck & Radiohead) for this incredible 2005 studio album. Chaos and Creation… served as a return to form for McCartney. The album begins with “Fine Line”, a straight ahead piano driven, maraca laden rock number. He later weaves into “Jenny Wren” which recalls certain arrangement elements from the White Album’s “Black Bird”. Then, the word “peradventure” is plucked from his Charles Dickens readings on the airy “English Tea”. Essentially, what we are presented with is classic McCartney accompanied by interesting loops courtesy of the brain of Nigel Godrich: a recording both modern and vintage.
Reviewed by Jason
Tagged: Pop music
Cover Story. Volume Two
by Wax Poetics
[Book]
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Our friends at Wax Poetics Magazine have released a book which compiles the craziest album covers one can possibly imagine. After the introductory pages by David Hollander, we say goodbye to commentary and are left only with high quality images of curated wacky lp covers. This is one of those books where one can flip through endlessly. Some of the images are truly original, inspired works of art, whereas others are just plain and unbridled insanity. Colorful and psychedelic explosions sit along side grinning, mustachioed men on roller skates and “Music For Your Plants”… Better yet, the artwork for the record “Music To Massage Your Mate By” could leave just about anyone in stitches.
Thanks has to go to all of the contributors who collect these treasures at various flea markets, record shops and thrift stores. Weirdos!
Reviewed by Jason
Tagged: Art, Humor, Music, Non-fiction
