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Staff Picks Category: Feature film

Fish Tank []

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This Cannes Jury Prize award winning indie film from British Director Andrea Arnold captures an English ‘Coming-of-Age’ tale far from the stereotypical pastoral village green. Set in a bleak Essex council estate, the films energy and success is derived mainly from the talented young lead, Katie Jarvis. Jarvis was discovered yelling at her boyfriend across platforms at a local train station by the casting director after numerous unsuccessful auditions for the role by better known and established actresses. The film centers on the adolescent conflicts of her character (Mia) and her discovery of dance as an escape and outlet from fights with her family and peers. Unlike so many dance related films, Arnold wisely avoids the typical clichés of the genre, with no dance-offs, miraculous improvements in skill overnight or extended montages showing a sudden rise to fame. Instead Mia’s dancing is shown for what it is, a creative outlet and escape rather than a possible career choice. Without laboring the point, the film contrasts Mia’s love of and desire to learn the basic skills of ‘break-dancing’ with the hyper-sexualized dance moves of her peers, who are plainly mimicking popular music videos. The introduction of her mother’s new Irish boyfriend (played by rising heart throb Michael Fassbender) expands and ultimately threatens Mia’s fragile world . His influence on Mia and her selfish and neglectful mother and charming and foul mouthed little sister is, by turns, both inspiring and disturbing. Arnold, who won an Oscar in 2003 for her short film Wasp, directs the film with a skilled hand, anchoring it in social realism without wallowing in cliché or misery. It is decidedly not a light hearted family film but also not without hope or joy.

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Exit through the Gift Shop []

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What starts off somewhat conventionally as a documentary on street art culture and its biggest legend and mystery Banksy, is flipped into an scathing satire of the art world. The film, ostensibly created by and starring Banksy, Shepard Fairey and the ‘amateur documentarian’ Thierry Guetta , is a priceless document/depiction of street art’s journey indoors and its eventual corruption at the hands of those who seek to document, celebrate and endorse it. The films ability to keep the viewer questioning the authenticity and the reliability of the films guide/narrator/director, Thierry, cleverly parallels the art world’s desperate quest to identify Banksy and to own and define his work. In capturing both the rush and excitement of the creation of ‘street art’ and the vacuous dullness of those who seek to commodify and blandly reproduce it, Banksy has created an enthralling portrait of what happens when the lines between art and commerce, public spaces and private property, and documentary and mockumentary are blurred. Highly recommended along with the wonderful and more straightforward “B Movie” which documents much of Banksy’s legendary work.

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The Pirates of Penzance by W.S. Gilbert and Arthur Sullivan []

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The movie adaptation of Joseph Papp’s Broadway production has everything: swordfights, love affairs, comedy, and the original brilliant lyrics and music. In updating Gilbert & Sullivan’s operetta for a modern (i.e. 1983) audience, Papp cast the multitalented Linda Ronstadt and Kevin Kline in the leading roles. Ronstadt’s soprano is more than equal to Mabel’s vocal fireworks, and Kline embodies the over-the-top macho swashbuckler with panache. The sets are stylistically reminiscent of the stage rather than attempting realism, preserving the sense of watching a musical in the theater. The incomparable Angela Lansbury is featured as Frederic’s old nursemaid Ruth, and the rest of the cast isn’t too shabby either. A perfect introduction to G & S.

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Cold Comfort Farm []

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This witty satire is based on Stella Gibbons’s 1932 comic novel. It’s clever, charming, hilarious, and delightfully twisted in that inimitable British way. A large extended family of eccentric (not to say depraved) characters is brilliantly cast, featuring, among others, Kate Beckinsale, Stephen Fry, and Joanna Lumley. It milks every drop of humor out of its simple premise: a young woman, recently orphaned, goes to live with her relatives in the country and attempts to create order out of generations of chaos. The movie is remarkably faithful to the novel of the same name, which is hilarious too.

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Celestial navigations : Short Films of Al Jarnow []

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The first DVD release from Numero Group, known for archiving and resurrecting forgotten folk, pop and soul classics and private press musical gems on CD and LP. Beautifully restored 16mm short films and stop motion animation pieces from the brilliant mind of Al Jarnow will evoke memories of mornings and afternoons spent watching 3-2-1 Contact, Zoom, the Electric Company and Sesame Street for any child who grew up in the 70s and 80s. The fact that so many of these shorts, whose geometric shapes, imaginative leaps, and whimsical illustrations of letters, numbers, animals and the world around us were the work of one man is astounding and inspiring. Includes 45 of his award winning shorts and experimental films, including pieces now in the collection of the Museum of Modern Art, and a 30-minute documentary with Al explaining his creative process. Highly recommended for young and once-young audiences alike.

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Alfie []

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Lewis Gilbert’s 1966 masterpiece drama/comedy stars Michael Caine in the title role. Alfie is a street smart character who is here only to enjoy life and often has little consideration for others. He moves quickly from partner to partner (sometimes in seedy arrangements), but is eventually forced to come to terms with his reckless behavior, lack of income and aging body. Alfie sports an interesting storytelling model: either to have a quick laugh or explain how he’s feeling at any given time, Caine often breaks the fourth wall to converse with the viewer.

With supporting characters played by Shelly Winters, Jane Asher and Denholm Elliott, clever comedic dialog, twists and turns to the tragic and a swinging jazz score by Sonny Rollins, Alfie remains one of the richest films to ever grace the screen.

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La gran final = The great match []

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Soccer fever has reached the remote corners of the globe. Follow the adventures of a family of Mongolian nomads, a camel caravan of Tuareg in the Sahara, and a group of Indios in the Amazon as they stop at nothing to watch the World Cup on television. I was laughing hysterically through the whole movie. In Kazajo dialect (Mongolia), Tamashek (Niger) and Tupi (Brazil), with optional English subtitles.

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Arranged []

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Two young women, an Orthodox Jewish and a Muslim, meet as first year teachers a public school in Brooklyn. They become friends as they share their troubles in finding suitable matches for arranged marriages. Arranged is a satisfying, warm, and at times, amusing independent film.

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Summer Hours []

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Three siblings’ memories of the past and aspirations for the future collide when confronted with their shared inheritance of an exceptional 19th century art collection and the family’s country house in Oliver Assayas’ 2008 feature film. Left to negotiate the future of the collection and the country house in which it has been kept, Adrienne (Juliette Binoche), a successful New York designer, Frédéric (Charles Berling), an economist and university professor in Paris, and Jérémie (Jérémie Renier), a dynamic businessman in China, confront the end of childhood, their shared memories and backgrounds, and unique visions of the future. The film is a complex spin on the traditional pastoral country house film and poses questions about the power of objects and their connection to the sentimental allure of the past in an age of globalization. One of two feature films that developed out of a proposed series of shorts that would have been produced to celebrate the Musée D’Orsay’s twentieth anniversary (the other film, The Flight of the Red Balloon, also starred Binoche). Despite these heady themes and what sounds like a relatively mundane plot, the film remains focused and often riveting due to its great casting and exceptional cinematography. French Language, with subtitles.

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Little Miss Sunshine []

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This movie shows that life is an adventure. An imperfect, slightly dysfunctional family of six sets out on a road trip, and all their quirky personalities are crowded together in one bright yellow van that cannot hope to contain them. As they encounter ever more emotional and mechanical breakdowns the characters learn how to handle imperfection and failure. They encounter situations which are sometimes dark, yet still hilarious. With lots of situational irony and dry humor, Little Miss Sunshine is a story which will make life’s difficulties feel like just little bumps in the road.

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La Vie en Rose []

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This biographical film tells the story of Edith Piaf’s life with striking cinematography, music, and a spectacular performance by Marion Cotillard as Piaf. It is an emotional portrayal of poverty, family, fame, love, and music within the framework of one woman’s true experiences.

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Jules and Jim []

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Jules et Jim, François Truffaut’s third feature, is arguably his masterpiece. The film is based on a novel by Henri-Pierre Roché which drops us into a delicate love triangle that lasts for twenty-five years. A marriage, a child, romantic affairs and a World War (with the closest of friends on opposing sides) are seen through the lives of Jules, Jim and Catherine. Despite being a tragic piece, this 1962 film maintains a certain lightness and a sense of humor throughout many of its scenes. In addition, a beautiful score composed by Georges Delerue accompanies the equally impressive cinematography by Raoul Coutard.

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