Staff Picks Reviewer: Faith

Earth Day 2020 (the Pandemic version) by Scott Slapin, violist [Online Resource]

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In this 10-minute video, violist Scott Slapin presents 400 years of music history in his basement (“The Pandemic Auditorium”) where the water pipes and exposed wiring make an acoustically and visually innovative backdrop to his formal concert attire. Excerpts of Bach, Paganini, Hindemith and Slapin’s own composition are interspersed with engaging commentary while a counterpoint of hilarious subtitles scrolls by. If you appreciate first-class musicianship combined with dry wit, plus you have a short attention span, this is the video for you!

Decline and Fall [Online Resource]

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This hilarious BBC adaptation of Evelyn Waugh’s 1928 novel stars Jack Whitehall, David Suchet, and Eva Longoria. It’s on Acorn TV, which might still have a 30-day free trial–if not, it always has 7 days free, so you can watch the 3 episodes of this witty miniseries. It follows the misadventures of Paul Pennyfeather, an Oxford theology student who falls into one awkward (to put it mildly) situation after another by some fateful twisted logic and his naive trust in a series of dubious characters he meets. It’s wonderfully escapist and makes fun of everything it touches.

Sunshine Sketches of a Little Town by Stephen Leacock (selections read live in Burnaby, BC) [Online Resource]

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Stephen Leacock (1869 – 1944) was an internationally popular Canadian humorist, teacher, lecturer, and author of more than 30 books of lighthearted sketches and essays. His wit is laugh-out-loud funny as it pokes fun at small-town life and characters of the early 20th century. I found these stories reminiscent of Mark Twain and Garrison Keillor, with a uniquely Canadian point of view.

These two stories were performed by librarians from Burnaby Public Library on Sunday June 16th 2013 at Burnaby Village, a living history museum near Vancouver. It’s directed for maximum dramatic and humorous effect (think Selected Shorts) with interludes of ragtime piano. Links follow.

Introduction with historical photos: https://www.youtube.com/watch?v=Fn_SGEpF1lk
Audio of the stories:
– The Hostelry of Mr. Smith
– The Marine Excursion of the Knights of Pythias

Bach’s Chaconne on nyckelharpa by performed by Torbjörn Näsbom [Online Resource]

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In these times of isolation and anxiety, here’s something gorgeous and sublime to help you reconnect with joy and remind everybody why the arts matter. Torbjörn Näsbom connects two of my favorite musical obsessions: the nyckelharpa and J.S. Bach. The nyckelharpa is a traditional Swedish instrument that has been played, in one form or another as it evolved, for more than 600 years. It’s used mostly for Swedish folk music, which I could do a dozen staff picks on, but many musicians are playing other repertoire on it. Listen and enjoy 13 minutes of 16-string deliciousness.

There’s more Bach and traditional Swedish nyckelharpa tunes on Torbjörn’s YouTube channel. It’s a delight from beginning to end (and I hope it never ends).

For information in English about the nyckelharpa and its musical traditions, visit The American Nyckelharpa Association.

99% Invisible by Roman Mars [Online Resource]

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99% Invisible is a podcast that explores the effects of design on our lives and society in ways we generally don’t notice. The episodes delve into aspects of everyday life, history, and architecture, and detail the fascinating stories behind some truly amazing things that have profound effects on how we live and experience the world. Its about “all the thought that goes into the things we don’t think about”. The show’s name is inspired by a quote by Buckminster Fuller: “Ninety-nine percent of who you are is invisible and untouchable.”

Airbow by Maria Kalaniemi & Sven Ahlbäck [Music CD]

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What is Finnish button accordion music, anyway? If you like Sharon Shannon, you’ll love Maria Kalaniemi.

She’s virtuosic, soulful and versatile. On this album she teams up with Swedish fiddler and scholar of folk music Sven Ahlbäck for a selection of traditional Scandinavian tunes and original compositions. They are both technically brilliant and have a wonderful synergy together. Johan Hedin joins them on nyckelharpa (Swedish keyed fiddle) and Swedish singer Susanne Rosenberg is featured on a few tunes. The music is spare, gorgeous, with a haunting energy that’s both ancient and contemporary. This is great listening for fans of Nordic or Celtic folk, fiddle tunes, or the undeservedly-maligned accordion.

The Road to Little Dribbling by Bill Bryson [Book]

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Bill Bryson is at his sincerely sardonic best as he roams his adopted country in search of what he loves best: quaint villages, good hiking, exquisite views, mysterious ancient sites, and odd people to make fun of–including himself. It’s just as unputdownable as all his other travel memoirs.

The Table of Less Valued Knights by Marie Phillips [Book]

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Marie Phillips, author of the delicious satire Gods Behaving Badly, now turns her gift for parody on the legends of King Arthur and his knights of Camelot. It’s a bit of Terry Pratchett meets Jane Austen meets The Princess Bride. The underdogs at Camelot are the heroes of this comic novel: Sir Humphrey of the Table of Less Valued Knights (the rectangular one in the draftiest corner, where they only get leftovers and watered-down wine) takes up a quest to find a damsel’s missing fiancé. Meanwhile in the neighboring kingdom, the freshly-minted and unwilling Queen Martha runs away from her destiny while another knight is tasked with bringing her back to the exceptionally unpleasant Prince-Consort-who-wants-to-be-King Edwin. Nobody is quite what they appear, except perhaps the elephant Jemima. Even the Lady of the Lake is a substitute, annoyed with having to hold on to the magic sword while the original Lady has run off with Merlin. Full of wit, surprises and off-the-wall characters, this contemporary re-visioning of medieval myths is a lot of fun.

Stuffology 101 by Brenda Avadian, MA, and Eric Riddle [Book]

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I was going to have a photo taken of me reading this in front of a pile of boxes we haven’t unpacked since the last move, but I couldn’t find the camera.
Stuffology is a refreshing contrast to The life-changing magic of tidying up even though it promises similar benefits to getting rid of excess stuff. They’re serious about their subject but light-hearted in their approach. Get rid of the accumulated objects that are weighing your life down and you’ll be better able to focus, function and live fully in the present. Plus they coined the acronyms CHAOS (Can’t Have Anybody Over Syndrome) and POOP (Piles Of Overwhelming Paperwork).

Gods Behaving Badly by Marie Phillips [Book]

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The immortal Greek gods are in reduced circumstances in the 21st century, living in a dilapidated house in London and pretty tired of each other’s company by now. Their relationships among themselves and their interactions with the modern world are perfectly in character, smart and very funny. Now that the gods have had to get day jobs, Aphrodite does phone sex, Artemis is a dog walker, and Apollo is still chasing mortal women. It’s an ingenious concept and Phillips carries it through cleverly, unpredictably and hilariously. This is Phillips’s debut novel and I can’t wait for the next.

Mermaids in Paradise [Book]

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It looks light (and it is hilarious in places), but the absurdity and the quick dialogue are thinly laid over some very serious questions about belief, cynicism, and the fate of the earth. Yes there really are mermaids, and it’s a quick-flowing, entertaining story. Millet’s language is eloquent and poetic, witty, incisive: a joy to read.

Bach Unaccompanied Cello Suites by J.S. Bach; performed on double bass by Edgar Meyer [Music CD]

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This is one of the most amazing CDs I have ever heard.  Edgar Meyer is a musician’s musician who is in high demand in the classical, folk and bluegrass worlds.  He has partnered with the likes of Yo-Yo Ma, Joshua Bell,  Bela Fleck and Mark O’Connor, and he composed a violin concerto for Hilary Hahn.  Here he partners with Johann Sebastian Bach in a new interpretation of the suites for solo cello with a much deeper voice.  He solves the technical problems of the bass — larger reach and slower-speaking strings, for example — with a technical mastery that is just mind-boggling. But this is not just virtuosic fireworks.  The bass sings under his fingers.  And you can hear the 30 years of practice and love for the repertoire in this recording.  Meyer is right up there with Casals on my shelf.