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Staff Picks Audience: Adults

How To Wrap Five Eggs by Hideyuki Oka, photographs by Michikazu Sakai []

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This is a beautiful book containing handsome black and white photographs of simple products packaged in simple materials: rice straw, bamboo, ceramics, paper, and even leaves. The boxes, wrappers, and casks depicted in this volume are all hand-made and most of them are quite wonderfully elegant, from the humble eggs of the title, to utilitarian jars of miso, and expensive casks of sake meant as souvenirs and gifts.

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Black Books []

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Irish comedian Dylan Moran stars in the BBC television series Black Books. The show was written and created by Moran and the folks who brought us Father Ted.

Bernard Black, a cranky and boozy book shop owner, wants absolutely nothing to do with his customers and does very little to aid his decaying store. He’s joined by his friend and neighboring shop employee, Fran and Manny, his hapless, but loveable (possibly unpaid) employee. We join these three on many madcap adventures and exercises in generally poor customer service. While a fair amount the gags fall under the customer/employee dynamic or displays of tremendous laziness, we also get a fair amount of surreal humor.

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The Areas of My Expertise by John Hodgman []

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The sometimes actor, television presenter/personality, unlicensed internet judge and humorist, John Hodgman, has a brilliant collection of nonsense in the universe called The Areas of My Expertise. Fear not, his writings do not simply float in the nebulous; it’s all compiled in a BOOK!

In it we find delightful and ridiculous made up facts and anecdotes concerning hobos (he provides 700 hobo names), werewolves and various bizarre historical factoids. It’s also filled with entertaining lists (“Nine Presidents Who Had Hooks For Hands”) and dubious advice (see the amusing section on effective attack ads or “How To Win a Fight” ). This book is excess at its best.

ps- If you enjoy this volume, there’s more.

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The Triplets of Belleville []

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Sylvain Chomet’s feature-length animated film is like nothing you’ve ever seen. It’s weird, funny, sad, serious, lighthearted, suspenseful, perverse, sweet, surreal, retro, postmodern, and fantastic (in both senses of the word). There is virtually no dialogue, but there is music, adventure and character aplenty. The animation is hand-drawn and loaded with sophisticated detail. There are homages to Fred Astaire, Josephine Baker, Jacques Tati, the Andrews Sisters, and Django Reinhardt. The plot is quite satisfying, yet the style is the overwhelming story here. Despite the near-total absence of language, it could only be French. I have seen it three times so far and haven’t begun to get tired of it.

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Bossypants by Tina Fey []

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SNL and 30 Rock star, writer and producer Tina Fey is as smart and irreverent as she is funny. This memoir gives an inside look at the improv comedy incubator Second City, developing material for Saturday Night Live, and how Fey and her contemporaries broke through the glass ceiling of comedy.*
Here in a quick engaging read is an honest tongue-in-cheek and witty look at success, motherhood, TV, sexism, and lots of famous people you may have been wondering about. A few classic scripts are included, notably the Sarah Palin/Hillary Clinton sketch that Fey and Amy Poehler did in the 2008 campaign season.

* “Women just aren’t funny.”–every male producer/director from the beginning of time.

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The story of Vernon and Irene Castle []

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Based upon the true story of the celebrated husband and wife dancing team who popularized ballroom dance, this film is the most realistic, the most tragic, and the most touching of the Astaire-Rogers films. The film takes place in the years between 1911 and 1918, and the costumes and music are largely appropriate to that era. Most of the dance sequences emulate the Castle’s distinctive style—Astaire tap dances in only one number and Rogers not at all—and the musical numbers are fewer and more tightly integrated into the plot than in other Astaire films. Of course, the film still delivers what you expect from an Astaire-Rogers collaboration: Astaire is charming, the music is great, the dancing better, and the two stars may have better on-screen chemistry in this film than in any other.

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Guilt by Association by Marcia Clark []

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I was not expecting to like this book. I thought that this was a person taking advantage of name recognition to put out a book. Whether or not that is the case, I found myself genuinely engaged by the characters in this legal thriller. Los Angeles D.A. Rachel Knight is stunned at the death of her colleague, Jake Pahlmeyer, who is found shot to death in a sleazy motel along with a 17-year-old boy, raising ugly suspicions that Rachel doesn’t want to acknowledge. Rachel is warned off investigating further, but risks her career to clear her friend’s name. Quick-paced with plot turns and authenticity — the author does know her stuff, prosecutorily. Recommended and looking forward to the next in the series.

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The Sharper Your Knife, The Less You Cry by Kathleen Flinn []

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Flinn is an American journalist and computer executive in London and gets let go from a high power high stress job and decides to go to cooking school at the Cordon Bleu in Paris. When enrolling in cooking school, she set out to write a book about her experiences so this chronicles her year of self-discovery and finding love. It is full of humor, recipes and her adventures in a new country and language.

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The Purple Rose of Cairo []

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“You make love without fading out?” – Tom Baxter

The Purple Rose of Cairo is possibly my favorite Woody Allen film of all time… or perhaps tied with a couple other of his classics. In it we have some of his sharpest comedic screenwriting and a few concepts that will keep philosophy 101 students in discussion for decades to come.

It stars Mia Farrow as Cecilia, a woman struggling to support herself and her abusive, gambling and out of work husband (played by Danny Aiello) during the great depression. Her only escape from this drudgery is regular visits to the local cinema. When the lights dim, she gets whisked away in stories of adventure, romance and carefree living.

She particularly is enamored with the film the Purple Rose of Cairo (the film within our film!). Cecilia makes repeated trips to catch the Purple Rose and watches the story of bubbly society folk on an Egyptian expedition. After several viewings, she starts to notice slight inconsistencies with one of the character’s performance. Tom Baxter, played by Jeff Daniels, seems to be losing his timing and is possibly looking off into the audience. Eventually, he breaks character and talks to Cecilia from the screen. She nervously replies and Baxter walks out of the film and materializes in the theater.

The two dash off in a heap of commotion and the ex-film character appears to be the ideal romantic partner despite naïveté in real world dealings. His knowledge base consists of what was written for his character. For example, when dining, the couple are embarrassed to discover that Baxter’s cash supply is simply prop money.

Eventually, a surreal love triangle… or better yet, love square forms. When Gil Shepherd (also played by Jeff Daniels), the actor who portrayed Baxter, discovers that his character has left the film, he heads to New Jersey to convince his creation to re-enter The Purple Rose of Cairo. Whilst attempting to salvage his reputation and make everything go back to normal, Shepherd then falls for our leading lady. Does Cecilia leave her husband? Does she run off with the brave and compassionate, but fictional Tom Baxter? Or does she chose Gil Shepherd, the dashing and vain movie star?

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Histoire de Melody Nelson by Serge Gainsbourg []

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The master melodist and provocateur, Serge Gainsbourg introduced a revolutionary recording with 1971’s Histoire de Melody Nelson. The French pop star abandoned an archetypal singing style in place of a soft and nearly spoken word delivery. This was achieved by the singer’s smokey, baritone voice captured by close microphone placement. The music behind this voice is expressive and experimental with shades of psychedelia. Groovy (and yes, there’s really no other way of putting it) electric bass lines, freak out fuzz guitar and busy drums supply the basic tracks that are augmented by a choral and haunting string score by Jean-Claude Vannier.

Jane Birkin, Gainsbourg’s then wife, appears on the front cover and also provides the voice of Melody Nelson. You see, this is a concept record. It tells a Lolita-esque tale of a middle-aged man out driving who accidentally hits a bicycling British girl. The man falls in love with his victim and a love affair follows. Melody soon decides to fly home and the man, now devastated, performs an African Cargo Cult ritual to make his love return. His desperation proves to be tragic as he discovers that this act of mysticism caused an airplane crash.

The songs of Serge Gainsbourg, and the Melody Nelson album in particular, have inspired many musicians including Air, Jarvis Cocker, Beck, Portishead, Sean Lennon and the Divine Comedy. Rarely has the marriage of lyrical ingenuity and musical arrangement been achieved in popular music.

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The Saturday Big Tent Wedding Party by Alexander McCall Smith []

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In the latest installment of the popular No. 1 Ladies Detective Agency series, Mma Grace Makutsi gets married, Mma Precious Ramotswe deals with a complicated case of attacks on a farmer’s cattle, and the tiny white van takes on a metaphysical dimension. McCall Smith’s characters handle the large and small dilemmas of life with a realistic mix of (mostly) good intentions and human vulnerability. His prose is charming and the loving portrait of Botswana, always in the background, makes you want to go there.

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The Sign of Four by Sir Arthur Conan Doyle []

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I.N.J Culbard illustrates Ian Edginton’s adaption of Sir Arthur Conan Doyle’s The Sign of Four. This graphic novel takes on the second Sherlock Holmes story in which the famed detective and Doctor Watson must locate a mysterious stolen treasure. Holmes applies his trademark acute deductive reasoning skills while sprinkling in impatient and acerbic comments to all those within an earshot.

Being a longtime admirer of Doyle’s Sherlock Holmes stories, seeing the tale presented as a graphic novel is a quite a treat.

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