Staff Picks Category: Feature film

Submarine by Richard Ayoade [DVD]

view/request

Olivier Tate (played by young actor Craig Roberts), the protagonist in Richard Adoaye’s quiet, quirky, charming, dark and thoroughly enjoyable film Submarine is a likeable precocious Welsh boy searching for an identity and direction in the stifling climate of small town coastal Southern Wales. He tries on affectations:”I’ve tried smoking a pipe, flipping coins – listening exclusively to French crooners, I’ve even had a hat phase”. This quote is immediately followed of course, with a shot of him at the family dinner table, wearing a Blue Stetson, looking fairly ridiculous. His teenage flailing about for identity finds its focus when he discovers the dark and indifferent charms of classmate Jordana (Yasmin Paige), who lures him into more and more morally reprehensible schoolyard acts. She is outwardly resistant to his charms except when he is misbehaving, and seems most allured by his taking part in the bullying of a fellow school girl. The cast is fantastic, both Paige and Roberts inhabit their roles fully and believably, while the adult characters (Sally Hawkins and Noah Taylor as Olivier’s parents), are comically stuck in their own lazy unspoken despair, too wrapped up in their own ridiculous melodramas to offer guidance to Olivier. Paddy Considine appears as an almost incongruously broad comic foil and rival to both Olivier Tate and his father. Adoaye, most famous for his work on the UK sitcom “The IT Crowd”, who adapted the script from a novel by Joe Dunthorne, directs the film with care and fills it with beautiful shots of the beaches, woods and amusement parks of the Welsh Coast. There are aspects of the film’s plot, details and cinematic style which will appeal to fans of many other refreshingly offbeat comic films (Wes Anderson’s films in particular) but the unique characters, acting performances and Welsh character give it a charm all its own.

Winter in Wartime [Blu-ray, DVD]

view/request

This beautifully shot period film follows 13 year old Michiel, a small town boy in Nazi-occupied Holland in the Winter of 1945.  Michiel’s childhood innocence and restless desire for adventure lead him into increasingly dark and morally ambiguous territories when the realities of war,  resistance and adulthood collide and converge upon his small town life. He is apprehensive about his father’s uneasy cooperation with their German occupiers and looks up to his uncle Ben, a resistance fighter whose connections, gifts and attitude intrigue Michiel. When an allied fighter pilot crashes near the village, Michiel and his sister, a young nurse, are drawn into the search for the pilot and must debate whether to take action or remain silent, and question who they can truly trust. The film, while somewhat conventional in some of its WWII era plotlines, offers enough twists and intrigue to keep the viewer’s attention, but its real appeal is grounded heavily in the films setting. The scenes are filmed beautifully and the village, woods, snow, bicycles, knitwear and natural light combine to give the film an enchanting sense of place, and ground the viewer in Michiel’s conflicted world, caught between action and fear, occupation and resistance and childhood innocence and the risks of adult responsibilities. This film is one of several Forbes films now added in Blu-Ray and DVD (both discs are included in one case, so patrons will not mistakenly get home and find the film unplayable), and the Blu-Ray is especially recommended for its crisp picture, which captures the film’s setting wonderfully.

Kansas City by Robert Altman [DVD]

view/request

Day For Night [DVD]

view/request

The Fifty Review Club: An Unconventional Post [DVD]

view/request

Fifty Films

I was glancing at the sidebar on the Forbes Staff Picks Blog and noticed that the number fifty was next to my initials. Fifty reviews. Moments later I was ushered into a secret room in the Forbes Library (of course it was revealed by pulling a book back in the stacks!) and was presented with a spread like no other, a Swedish massage and a gold plated computer mouse. Confetti spilled from the ceiling and Philadelphia’s own Todd Rundgren (he really liked my review of A Wizard, A True Star) performed a private concert.

This celebration got me thinking; perhaps I should do something “fifty” related now that I’m a member of the Fifty Review Club. A detailed synopsis of50 First Dates ? Haven’t seen it. An overview of 50 Cent’s discography? I’m unfamiliar. Then I thought perhaps I ought to make a list. People who work at libraries love lists! I’ve come up with fifty films that mean something to me that are in our collection (just click on the titles to see the record in the catalog) and have decided to quickly free associate. I’ve limited myself to stay under ten words and type the first thing that pops into my head. See you at the 100th party. -JSM

8 1/2 -I’ve had dreams like this
24 Hour Party People -the Manchester scene as told by Tony Wilson
2001: A Space Odyssey -the effects are still unrivaled
Arthur -a drunken love story
Atlantic City -lemons
After Hours -one of those really bad nights out
Badlands – “Love is Strange”
Blue Velvet -wha!!!????
The Blues Brothers -My first favorite film
Breathless -jump cuts
California Split -Gould & Segal roll the dice
Le Cercle Rouge -reds & blues
Claire’s Knee -yup, this has got to be French
Do The Right Thing -crazy thought provoking potboiler
Don’t Look Now -I still can’t believe that ending
Down By Law –“I scream you scream, we all scream for ice cream!”
Duck Soup -comedy 101
F For Fake -magic tricks
The Fearless Vampire Killers -gory/funny
Gosford Park -Stephen Fry as Inspector Thompson in the third act
Hannah and Her Sisters -Woody at his best
A Hard Day’s Night -black & white Beatlemania
The Householder -a loving film about arranged marriage
The Jerk -“he hates cans!”
Joe Versus The Volcano -listen to this
Key Largo -Bogey & Bacall & Robinson
The Long Goodbye -the sleepy Philip Marlowe
The Lost Weekend -writer’s block anyone?
Meek’s Cutoff -remember “the Oregon Trail” video game?
Nosferatu the Vampyre -spooky Kinski
Opening Night -going off the script
Paper Moon -cute grifter’s tale
Playtime -Hulot tries to get a job
Rosemary’s Baby -“tannis anyone?”
Rushmore -a coming of age story like no other
The Rutles: All You Need is Cash -the best telling of the Beatles
The Science of Sleep -arts and crafts
A Serious Man -Jefferson Airplane
Simon of the Desert -the funniest religious film
Small Change -one of the few realistic portrayals of children
Smiles of a Summer Night -wait, Bergman’s funny??
The Squid and the Whale -Pink Floyd plagiarism
Straw Dogs -a violent film that strongly advocates nonviolence
Sullivan’s Travels -Sturges makes a road movie
They All Laughed -an ingredient in the Wes Anderson formula
The Thin Man -my favorite detective couple
Time Bandits -a must see for all young adults
The Two of Us -here come the waterworks
Vertigo -the old switcheroo
Walkabout -Roeg in the outback

An American in Paris [DVD]

view/request

An American in Paris has long been one of my favorite films. Gene Kelly stars as Jerry, a charming if somewhat overly persistent American artist living in Paris. Oscar Levant plays another American, Jerry’s grouchy but endearing pianist friend Adam, and Georges Guetary plays the part of Henri, a French musical star who is friends with the two Americans. Adam and Jerry are perpetually broke, Jerry because he can’t sell his paintings and Adam because he hasn’t worked in years (he describes himself as the world’s oldest child prodigy). Many of the most charming scenes in the film take place in around the little cafe above which Adam and Jerry both live and which Henri frequently visits.

Early in the film Jerry meets the rich Milo Roberts (Nina Foch), whose professional interest in his work is a thin disguise for her hopes for romance. Jerry reluctantly accepts her patronage, but romantically he is more interested in Lise (Leslie Caron in her first film role), a young woman who, with time, becomes equally drawn to him but who is, though Jerry doesn’t know it, already engaged to Henri.

While the plot of the film is driven by these romances, the spirit of the film is driven by the music of George Gershwin. Gershwin’s music is used throughout the film: all of the songs are by George and Ira, the music for the sixteen minute ballet is an arrangement of Gershwin’s An American in Paris, and the remainder of the score draws heavily on these and other Gershwin compositions. We hear strains of Rhapsody in Blue and during a memorable dream sequence we are treated to a performance of the Concerto in F for Piano and Orchestra in which Adam performs not just on the piano, but on all the other instruments as well.

—And, of course, the dancing. The dancing in this film is incredible. The performances, the choreography, the costumes—there is no aspect of these dances that fails to impress. Gene Kelly and Leslie Caron are a perfect match; it is hard to imagine any other two dancers pulling off the required athletic grace or the perfectly balanced blend of ballet and popular dance styles showcased so well in this film. From the good spirited cheer of I’ve Got Rhythm and By Strauss to the sarcastic mocking of This Time It’s Really Love, and the earnest romance Our Love Is Here to Stay, to the passionate and diverse American in Paris ballet, these are dances you will remember and want to see again.

The Illusionist by Sylvain Chomet [DVD]

view/request

The Triplets of Belleville animator/director takes on an unrealized script of the late French comedian, writer and director Jacques Tati in the Illusionist. This remarkable, melancholic film features an animated Tati in the role of the magician named Tatcischeff (Tati’s actual last name) at a time when vaudeville performances are beginning to become a passé form of entertainment.

On a trip to Scotland for an appearance, Tatcischeff meets a young girl who winds up following him to London. The magician takes her under his care and winds up going broke funding her desire for expensive clothing. The two also come into contact with several eccentric and delightful characters surrounding the changing 1960’s entertainment industry.

What we have in the Illusionist is a funny, elegant and moving film which marries the essence of Jacques Tati’s brilliance and the stylish animation of Sylvain Chomet.

The Triplets of Belleville [DVD]

view/request

Sylvain Chomet’s feature-length animated film is like nothing you’ve ever seen. It’s weird, funny, sad, serious, lighthearted, suspenseful, perverse, sweet, surreal, retro, postmodern, and fantastic (in both senses of the word). There is virtually no dialogue, but there is music, adventure and character aplenty. The animation is hand-drawn and loaded with sophisticated detail. There are homages to Fred Astaire, Josephine Baker, Jacques Tati, the Andrews Sisters, and Django Reinhardt. The plot is quite satisfying, yet the style is the overwhelming story here. Despite the near-total absence of language, it could only be French. I have seen it three times so far and haven’t begun to get tired of it.

The story of Vernon and Irene Castle [DVD]

view/request

Based upon the true story of the celebrated husband and wife dancing team who popularized ballroom dance, this film is the most realistic, the most tragic, and the most touching of the Astaire-Rogers films. The film takes place in the years between 1911 and 1918, and the costumes and music are largely appropriate to that era. Most of the dance sequences emulate the Castle’s distinctive style—Astaire tap dances in only one number and Rogers not at all—and the musical numbers are fewer and more tightly integrated into the plot than in other Astaire films. Of course, the film still delivers what you expect from an Astaire-Rogers collaboration: Astaire is charming, the music is great, the dancing better, and the two stars may have better on-screen chemistry in this film than in any other.

The Purple Rose of Cairo [DVD]

view/request

“You make love without fading out?” – Tom Baxter

The Purple Rose of Cairo is possibly my favorite Woody Allen film of all time… or perhaps tied with a couple other of his classics. In it we have some of his sharpest comedic screenwriting and a few concepts that will keep philosophy 101 students in discussion for decades to come.

It stars Mia Farrow as Cecilia, a woman struggling to support herself and her abusive, gambling and out of work husband (played by Danny Aiello) during the great depression. Her only escape from this drudgery is regular visits to the local cinema. When the lights dim, she gets whisked away in stories of adventure, romance and carefree living.

She particularly is enamored with the film the Purple Rose of Cairo (the film within our film!). Cecilia makes repeated trips to catch the Purple Rose and watches the story of bubbly society folk on an Egyptian expedition. After several viewings, she starts to notice slight inconsistencies with one of the character’s performance. Tom Baxter, played by Jeff Daniels, seems to be losing his timing and is possibly looking off into the audience. Eventually, he breaks character and talks to Cecilia from the screen. She nervously replies and Baxter walks out of the film and materializes in the theater.

The two dash off in a heap of commotion and the ex-film character appears to be the ideal romantic partner despite naïveté in real world dealings. His knowledge base consists of what was written for his character. For example, when dining, the couple are embarrassed to discover that Baxter’s cash supply is simply prop money.

Eventually, a surreal love triangle… or better yet, love square forms. When Gil Shepherd (also played by Jeff Daniels), the actor who portrayed Baxter, discovers that his character has left the film, he heads to New Jersey to convince his creation to re-enter The Purple Rose of Cairo. Whilst attempting to salvage his reputation and make everything go back to normal, Shepherd then falls for our leading lady. Does Cecilia leave her husband? Does she run off with the brave and compassionate, but fictional Tom Baxter? Or does she chose Gil Shepherd, the dashing and vain movie star?

The Red Shoes [DVD]

view/request

The Red Shoes is a visually stunning dramatic work about a ballet company led by the ruthless and contentious, but often charming director Boris Lermontov. Lermontov discovers dancer Vicky Page (portrayed by famed English ballet star Moira Shearer) at a society party and realizes her unparalleled potential. Before signing her to his company she must decide what role dancing plays in her life. Is it a passion she pursues or shall it consume her entirely? Can an artist love anything or anyone more than their craft? These conflicts becomes the underlying theme of the picture.

The Hans Christian Andersen story of The Red Shoes is the source in which the main ballet within the film is based. Instead of just viewing the performance from the theater audience’s perspective, Powell and Pressburger take the camera’s inside the action for a breathtaking, 17-minute sequence. We follow Page closely via dolly shots through various enormous, painted set pieces, close-ups of dancers movements and expressions and rich colored lights. The co-directors also chose to allow fantasy to be a part of the stage presentation as well with tasteful in camera visual effects.

The Red Shoes, which melodrama and beauty reach unbelievable heights, is a remarkable achievement in cinema.

Head by Bob Rafelson [DVD]

view/request

Although, in 1968 the film proved to be an immense commercial failure, Head has become a cult classic and an excellent artifact in the colored history of the Monkees. Rafelson continued his maverick approach to cinema and is now considered one of the most revered directors and producers of the “New Hollywood” generation.