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Staff Picks

The Story of English in 100 Words by David Crystal []

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The Story of English in 100 Words, by Welsh linguistics professor David Crystal, is a refreshing word book. With short easy to read chapters, it is a quick read, especially once you have caught Professor Crystal’s contagious enthusiasm.

I say The Story of English in 100 Words is refreshing in part because it is an easy enjoyable read, but also because it is different from other word books. Too many word books are based on anecdote and folk etymologies. You won’t many of those in The Story of English. Instead, you will find the stories of words and revealed by known facts. When did a word first appear? How was it spelled? How was it used at the time? How did its meaning change? What words were used similarly? There may be some guessing involved, but the answers to these questions are based on research, and we learn much about the English language in answering them.

Does this approach sound overly academic? Don’t worry. The examples are surprising and amusing, and the text is never bogged down in details. Most of the chapters are just a couple of pages, and include many illustrative examples. The examples are drawn from throughout the history of the language, from Old English, to new Internet coinages. This is a book about the history of English, and therefore a book about how English grows and changes. A very fun read!

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Map Of Ireland by Stephanie Grant []

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Recently we had a display of books by Massachusetts writers and this particular book caught my attention. Set in the South Boston busing crisis of 1974, it is the story of Ann Ahern, a high school junior and her growing awareness of her surroundings as well as her personal coming out as a lesbian. Through her growing infatuation with her beautiful substitute French teacher Mademoiselle Eugenie who hails from Paris and is of African descent, she is drawn into the conflict of her times – both personal and political. An overall impressive view of a young woman caught in the struggle of identification as a Southie as well as her initial exposure to the world beyond her limited family and neighborhood.

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Stay Hungry by Bob Rafelson []

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There’s just something about the “New Hollywood” films of the 1970’s…  The budgets were smaller, but the films seem to resonate so much more than your typical, bloated Hollywood picture.  With less resources, the directors of these movies focused on telling stories.
Bob Rafelson’s Stay Hungry tells the story of a recently orphaned grown, southern man named Craig Blake (Jeff Bridges).   The opening shot is of the beautiful Blake estate and the narration of a letter read by Craig’s uncle advising his nephew to continue the family tradition and get into steel business.  The younger Blake ignores his relative’s advice and teams up with a group of shady real estate sharks to buy out the businesses in a downtown building to may way for an office high-rise.
His colleagues are quickly successful in securing the property and they impatiently await Blake’s seizure of the last independent establishment, a local gym.  Here Blake meets a cast of interesting characters including the beautiful, small town receptionist Mary Tate Farnsworth (Sally Field) and the zen body builder/fiddle player Joe Santo (Arnold Schwarzenegger).  After visiting on several occasions trying to get the nerve to make an offer from the manic gym’s owner, Blake, a man who recently lost those close to him, finds a surrogate family with the regular gym rats and also eventually falls for Mary Tate.
The struggle to seize the gym, a conflict between the various classes of wealth depicted, an upcoming Mr. Universe pageant, the sometimes troubled romance of Craig and Mary Tate and an exceptionally strange and lengthy fight sequence, make Stay Hungry a wonderful comedy/drama piece.  The principle actors all give some of the best performances of their careers and the film is full of unforgettable featured players.

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The Rook by Daniel O’Malley []

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The body you are wearing used to be mine.
So begins the letter Myfanwy Thomas is holding when she awakes in a London park surrounded by bodies all wearing latex gloves. With no recollection of who she is, Myfanwy must follow the instructions her former self left behind to discover her identity and track down the agents who want to destroy her.  Set in an alternate London, Myfanwy discovers that her former self was/is a high-ranking officer of the secret organization, the Chequy, which battles supernatural forces in Britain. She quickly scrambles to (re)learn her job, while trying to figure out who in the organization wants to kill her. The character of Myfanwy is wonderful, and she handles her unusual situation with a wry wit.

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Sita’s Ramayana [, ]

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Moyna Chitrakar is an artist from the Patua scroll painting tradition. The paintings in this book have been adapted fit the page, but they are rendered in a style that wasn’t meant to be confined to such a small space—Patua scrolls are large and complex. Significantly, the Patua artist traditionally tells the story through song while unrolling the scroll and gesturing to images. Keep this in mind as you read Sita’s Ramayana. The images sometimes feel cramped on the page, and the juxtaposition between text and image is often awkward, but remembering the traditional manner of presenting these paintings will help you see past these small annoyances to appreciate the elgeance of Chitrakar’s art.

Sita’s Ramayana presents the Hindu epic the Ramayana from the perspective of Rama’s wife, Sita. In this version Rama’s noble character is taken as a given—even when Sita suffers as a result of Rama’s actions her love for him does not falter. Samhita Arni’s Sita does not tell us why she loves Rama. Instead she tells what happened, and how she felt about it. She tells us about her doubts and fears, and about the suffering she saw on both sides as Rama’s army made war on Lanka.

Sita’s Ramayana‘s is a quick retelling of the Ramayana, and differs from the classic version in ways that may make you eager to explore this famous story’s many variations. Moyna Chitrakar’s art is beautiful, and while more care might have been taken in the page design, lovers of traditional art and myth will find something to appreciate in this book.

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Tabloid by Errol Morris []

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This documentary feature recalls the strange adventures Joyce McKinney, a former Wyoming beauty queen.  Using interviews with the woman herself, a pilot, an ex-Mormon, a British tabloid reporter, a photographer and a scientist in the field of cloning, we learn learn the bizarre history of McKinney.  While mostly relying on these talking head interviews in front of a greyish background with archival footage and cut and paste animation, Morris creates a riveting, suspenseful film.
It recalls a period in the late 1970’s when Joyce McKinney became a British tabloid star after flying to the U.K. with a small crew to “rescue” her estranged Mormon missionary boyfriend.  She claims he was brainwashed by members of the church and so she took him to an inn for three days to deprogram his brain.  His story differs.  Kirk Anderson (who did not wish to be interviewed for the documentary) had claimed that he was kidnapped at gunpoint, tied up and then raped by McKinney.  After the news broke, tabloid papers looked into the beauty queen’s history and produced several scandalous pieces.
While viewing Tabloid, a particular scene from the film Head seemed rather poignant.  The Swami tells Monkee Peter Tork, “all belief possibly could be said to be the result of some conditioning. Thus, the study of history is simply the study of one system of beliefs deposing another, and so on and so on and so on…”  How will the story of Joyce McKinney’s life ultimately be documented?

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The Sandman [, ]

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Ten years ago a friend lent me The Sandman: Brief Lives. I had not read many comics, but I was hooked, and I quickly read each of the ten trade paperbacks that make up The Sandman. (Brief Lives is actually the seventh volume in the series, but it was a good place to start, as it better reflects the character of the series as a whole than does the dark and brooding Preludes and Nocturnes. If you know you are going to read the whole series, start at the beginning, but if you are unsure, starting with Brief Lives is not a bad idea.)

Although nominally set in the universe of DC Comics, no past comic reading experience is required. More important is a knowledge of myth and literature, and an appreciation for story and fantasy. The Sandman is a collection of stories which together tell the story of Dream. Dream, in The Sandman, is both a character, and a fundamental, inescapable force of the universe in which he resides. He is one of the Endless, and like Destiny, Death, Destruction, Despair, Desire and Delirium, he has always been, and will always be. Despite this, Dream is moody, stubborn, and often remarkably human.

The Sandman had its roots in horror, a genre I have never had much inclination to explore, but while it has fantastical and grotesque elements, it is too optimistic, too affirming, too delightful to be anything of the kind. The characters of Death and Delirium are particularly delightful—while both have their obvious dark sides they are depicted as being kind and caring; Death in particular is shown to be particularly wise. Most of all we delight in the world of stories and dreams. “The Dreaming”, where Dream makes his home, also provides its own delights, including a cast of often comic characters and a library containing every book and every story.

Many different artists worked with Neil Gaiman on The Sandman, and the art is always competent, and often very good indeed, especially in the later volumes. I’m particularly fond of some of P. Craig Russell and Jill Thompson’s illustrations, and Dave McKean’s covers are fantastic.

The Sandman is a haunting story with great characters set in a complex, detailed world. It is made up of many stories of many different types, and its variety is part of its appeal. This is a great graphic novel, and worth trying even if you aren’t normally a fan of comics.

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The Trip by Michael Winterbottom []

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This feature mockumentary, edited down from a BBC television series, stars Steve Coogan and Rob Brydon as exaggerations of themselves in the entertaining fictional road movie, The Trip.  The two colleagues continue their antagonistic relationship that began on the screen with Winterbottom’s A Cock and Bull Story.  Coogan initially asks Mischa, his American girlfriend, to accompany him on an assignment where he’ll be writing a magazine piece covering restaurants and quaint inns in the northern English countryside.  We soon learn the actor’s relationship is in trouble and he reluctantly calls on comedian Rob Brydon to join him.
What follows is a one upmanship contest of mythic proportions.  The two bicker over their careers, public perception, height and general approach toward life.  In the car and at various breakfast, brunch, lunch and dinner tables they battle it out with celebrity impersonations, vocal range and improvisational wars.  The comedic competition is never ending, but never ceases to be funny.  Contrasting the humor is Coogan’s desperation in private moments.  Cell phone conversations (with a weak signal) to Mischa, his ex-wife, son and agent reveal the actor’s lonelier side and his frustration dealing with aging.

The uncredited supporting role of this film are the beautiful hills and mountains and the elaborate dishes Rob and Steve are served.  Most importantly however, the friendship seen on screen, though obscured by Coogan’s condescension and bitterness, is rather touching at times.  Despite his best efforts to isolate himself, this is possibly a story about meaningful human relationships.

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The Pickwick Papers by Charles Dickens []

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This was the first novel by Charles Dickens and really a pleasure to read. It tells the story of Mr. Pickwick and his fellow Pickwick Club members as they travel the English countryside and describes their adventures in a very humorous manner but also with a keen eye into the social and political landscape of the time. It was a great re-introduction to Dickens for me and I am looking forward to reading many of his other works.

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There Is No Dog by Meg Rosoff []

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I confess: I borrowed this book because the title reminded me of my favorite bumper sticker: DOG IS MY CO-PILOT. Also, that cloud poodle was kind of cute. You just can’t go wrong judging a book by its cover.
Anyway, this young adult novel gives the most convincing explanation yet of why the world is plagued with war, famine, bad weather, and carnivores that eat each other. In short, God is a self-absorbed teenage boy who is not paying attention. He can’t even pick up his clothes off the floor, let alone answer the mail from his billions of creations. When he’s moody, the earth erupts in natural disasters, and when he falls in love with a human, all hell breaks loose. This is my first acquaintance with the witty and irreverent Meg Rosoff and I’ll be looking forward to reading more, for the laughs, the originality and the covers.

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Small Gods : a novel of Discworld by Terry Pratchett []

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I’ve read many of Terry Pratchett’s Discworld novels. They are great fun. The Discworld is an imaginary planet in an imaginary universe and everything, even the Discworld’s fundamental physical laws, is written so as to parody or satire our own world. Pratchett isn’t content to leave it at that however, he also parodies literature of all sorts, but especially fantasy novels; he affectionately sabotages these by taking their best known cliches and stereotypes and acting as if they made sense. The results are hilarious.

Small Gods is probably my favorite of the Discworld novels. I have returned to it again and again, and I enjoy it every time. Perhaps it is because libraries and books play such an important part in the book, but I think it is mostly because of the book’s two unlikely heros: the great god Om, stuck in the form of a tortoise and incapable of performing even the smallest miracles, and a lowly novice monk, Brutha, the only living creature who still believes in the great god Om. Om is arrogant and ill-tempered, but endearing in his impotence and confusion as he struggles with his new fondness for lettuce and fear of eagles. Brutha is slow, illiterate, and quite accustomed to be looked down upon, but he has an amazing memory, faith in his god, and an absolute determination to do the right thing.

Things, of course, get complicated. They always do in the Discworld. There is a war and an inquisition, gods and philosophers, a labyrinth and a steam engine. Brutha plods through it all. Om, on the other hand, is carried most of the way. And they are both changed by their experiences. They have to be, because that’s how these kind of stories work, but that doesn’t stop the transformation from being satisfying, and even a little surprising.

Small Gods stands well on its own. You don’t need to read any other Discworld books to appreciate it, and, indeed, it would be a good choice for your first Discworld book.

Nilsson Sings Newman by Harry Nilsson []

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1970’s Nilsson Sings Newman is an example of the potential for beauty in popular music.  Randy Newman, not then a household name, was approached by tenor extraordinaire Harry Nilsson about making an album.  Nilsson was a fan of Newman’s effortless melodies, thoughtful chord structures and clever lyrical ability.
Nilsson Sings Newman features only the two artists in question.  Newman composes the songs and handles the piano playing duties; Nilsson sings.  The simplicity of this set up lends itself to display dynamics and emotive arrangements which do not seem to exist in most contemporary recordings.
Nilsson took great care in recording his vocals on the album.  It is rumored that on some songs, pieces of 100 or so takes were spliced together (and remember this was using multitrack tape).  He also layered his voice to produce heavenly, Beach Boys-esque harmonies in appropriate places.  The refrain of the opener “Vine St.” or the sublime “Caroline” perfectly exemplify the richness of his harmony singing.
The album is full of story songs that in some places are nostalgic for the past.  Lyrically, Nilsson Sings Newman feels like a truly American experience.  Songs about cowboys, the Midwest and leaving home fill the record.  As expected from Randy Newman, humor plays a large part as well.  Nilsson, always a fan of silliness and inside jokes, contributes to the humor by insisting that certain off mic instructions by Newman be left on the final version.
Nilsson Sings Newman is an album that is graceful, funny and technologically impressive.  It’s great on headphones and it’s one of those albums that I’ll never tire of listening.

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