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Staff Picks Audience: Adults

Maigret and the Yellow Dog by Georges Simenon []

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A wine dealer is shot and wounded via gunfire through a mail slot, traces of poison are found at the Admiral Hotel, a mysterious waitress keeps reintroducing herself as the plot thickens, the footsteps of a giant are discovered, a doctor is having a nervous breakdown behind bars, the mayor is acting rather suspicious, a customs official is shot in the leg and a large, wandering yellow dog is present at the crime scenes.  What does it all mean???

Fear not, international mystery fan.  The laconic, pipe smoking, French speaking inspector Maigret is on the case!

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Dr. John Teaches New Orleans Piano []

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I didn’t learn to play New Orleans style piano watching this DVD. You might, if you are already a competent pianist, or simply more patient than I am, but this is a rewarding movie whether you intend to become rock and roll pianist or not. Dr. John is an amazing musician; when he plays it looks easy, but just try following along at the piano!

Dr. John looks relaxed (though often worried, as if something else is on his mind). At times he hardly seems to move—but the piano keys move, quickly, and in syncopation, and the music is wonderful. He plays Frankie and Johnnie, C. C. Rider, Blueberry Hill, and others, playing each in some flavor of the New Orleans Rock and Roll, Fats Domino inspired, playing for which he is known. We are given an overhead view of the piano keyboard, as well as a more conventional angle from the side, which lets you really appreciate the fluidity with which the Doctor plays, and is invaluable if you want to try playing his licks yourself. He breaks many of the tunes down, playing the left hand or right hand parts separately, slowing down the tempo, or demonstrating alternative turn around and improvisations. He discusses what riffs are easiest when accompanying your own voice, and briefly describes the interaction between the pianist and the other members of the band.

I really enjoyed this DVD. In fact, I think I’ll probably revisit it in a few months—after I’ve practiced the piano a bit more!

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Fifty Sides of the Beach Boys by Mark Dillon []

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Mark Dillon’s book is an entertaining look at fifty Beach Boys tunes.  The selections are listed chronologically and an admirer (most often a musician) shares a personal memory attached to each song.  Some contributors were colleagues and spent time with the guys, others grew up listening to the records.  The surviving Beach Boys are also among the fifty selected.  In addition to the recollections, Dillon provides historical recording notes, songwriting origins and wonderful Beach Boys factoids.

Memorable bits for me come from the Byrd’s Roger McGuinn on “Don’t Worry Baby”, Beach Boys session player Carol Kaye “California Girls”, actress/musician Zooey Deschanel on “Wouldn’t It Be Nice”, director Cameron Crowe on “Feel Flows” and brief-Beach Boy Blondie Chaplin’s take on “Sail on Sailor”.

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The long earth by Terry Pratchett and Stephen Baxter []

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As a longtime Pratchett fan, I was looking forward to a fantasy full of humor and parody.  This isn’t it, but I’ve been drawn in and am still reading.  Stephen Baxter is known for his prolific science fiction novels.  The Long Earth posits an infinite number of other worlds just like ours, each in its own universe–except they are completely undeveloped by humans.  In the very near future, a reclusive scientist develops a way to step between worlds by building a “stepping” box so simple any teenager can make one.  Large numbers of people begin popping back and forth, creating complex consequences and changing the world(s) in ways that no one can keep up with.  I’m enjoying interesting characters such as 13-year-old Joshua, who is more comfortable in the primordial forest of other Earths than in his hometown of Madison, Wisconsin, and a computer in the shape of a vending machine named Lobsang who claims to be a reincarnated Tibetan motorcycle repairman.

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Stones for Ibarra by Harriet Doerr []

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Stones for Ibarra tells the story of Sara and Richard Everton, who have moved from California to the remote and small village of Ibarra, Mexico to reopen Richard’s grandfather’s copper mine. They have been lured there by photographs and the tales of older relatives: “They have experienced the terrible persuasion of a great-aunt’s recollections and adopted them as their own. They have not considered that memories are like corks left out of bottles. They swell. They no longer fit.” Instead of the beautiful grounds and tennis courts, they come to a house which no longer has shingles and a mine that has been flooded. They persevere, and get the mine up and running, having a large affect on the village and villagers. We learn of Sara’s experience with the villagers, although they always remain slightly apart, and her experience of her husband’s illness.
One of the most remarkable things about this book is that it was published when the author was 73 and won the National Book Award, which means I still have time to publish my own novel!

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Walk Away Renée/ Pretty Ballerina by The Left Banke []

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Fans of The Zombies, The Free Design or The Hollies will most likely enjoy the soft, baroque sounds of The Left Banke.  Though the two hits that divide up the album’s title are the obvious stand outs, the entire recording is a strong set of 1960’s magic. The arrangements throughout are harmonically sophisticated and borrow heavily from classical music.
This New York quintet sounds decidedly British and I’d liken Steve Martin Caro’s voice to The Zombies frontman, Colin Blunstone.  Both singers have a perfect, gentle tenor with unbelievable range.  Martin Caro and many members of the group share songwriting and lead vocal duties.  Michael Brown, then a teenager, is responsible for the hits on the record.  He managed to compose music that blends youthful angst and longing with haunting melodies.
Other highlights include “I’ve Got Something On My Mind” and “Shadows Breaking Over My Head”, which come close to rivaling the title tracks.

I give this Left Banke album an A+++, eighteen stars, two thumbs up and three golden tickets.

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The Artist []

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I had heard great things about Michel Hazanavicius’ award winning silent film The Artist. How could I not have? The film won five Oscars, three Golden Globes, and a host of other awards and critical praise. And yet, I was nervous about seeing the film. A silent film made in 2011? Was it just a gimmick? Just a superficial imitation of an earlier error?

There is no doubt that the film is intended as an homage to older films. The film is presented in black and white and everything from the acting, to the intertitles, the score, and even the aspect ratio of the screen is designed to resemble the films of the silent era. And yet, the film feels quite modern, in part, because of the self-awareness it brings to its imitation, but also because the film looks at Hollywood in the late twenties in a manner which could only be done in hindsight. In many ways The Artist has more in common with Singing in the Rain, another great film about Hollywood’s transition to talkies, than it does with any silent film.

And, much as with Singing in the Rain, you don’t actually have to be familiar with films of the silent era to appreciate The Artist. The film is well made, the acting is great, the period costumes are a joy. The characters are larger than life, but sympathetic and likable. They are caricatures, but this is so well done as to be an asset.

I really enjoyed The Artist. It’s funny, stylish, and clever. Recommended for film lovers or anyone looking for something a little different.

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George Harrison: Living In The Material World by Olivia Harrison []

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The gorgeous and painstakingly assembled Living in the Material World book is a companion to the Martin Scorsese documentary of the same name.  It’s a thoughtful collection photographs and essays with the subject being the late George Harrison.

Not only do we have large color and black and white photographs of George from childhood up until his last years, the book features the musician’s handwritten letters and lyrics, personal photographs and collected ephemera.  His career as a musician, childhood, family life, friendships and spiritual life are recollected.  Scorsese, Paul Theroux, Eric Clapton and Dhani Harrison are among the many contributors.  Living in the Material World works both as a engrossing read and/or a picture flipper.

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Trippin’ with Terry Southern by Gail Gerber with Tom Lisanti []

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Gail Gerber’s memoir recalls her time spent with the famous novelist and screenwriter Terry Southern (Dr. Strangelove, the Magic Christian, Blue Movie, Candy, etc.).  Despite the title, the book is not filled with madcap, drug taking adventures.  Rather, we see an intimate portrait of a couple’s life together through a thirty year period.  It also focuses on Southern’s idiosyncrasies, humor and career highs and lows.

Gerber, a stage actress and ballet dancer, also shares several of her professional and personal experiences ranging from early 60’s appearances in Beach Ball, The Loved One and a couple of Elvis Presley films to life as a casual farmer.

Trippin’ with Terry Southern is an interesting memoir and is certainly essential read for Southern fans.  In addition, those who enjoy reading about 1960’s and 70’s escapades will be really enjoy the memoir… just peak at the back index to see a list of all of the exciting characters who will pop up (there’s Dennis Hopper, Rip Torn and Stanley Kubrick just to name a few)!

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I Knew It Was You: Rediscovering John Cazale by Richard Shepard []

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Though John Cazale isn’t a household name, the five feature films he appeared in during his short life are movies that are regarded as perennial American classics.  The character actor can be found in The Godfather, The Conversation, The Godfather Part II, Dog Day Afternoon and The Deer Hunter.  To many he’s “the guy who played Fredo”, but to those who knew him and worked alongside, Cazale was an actor unlike any.
This short documentary consists of film clips, archival photos and footage and candid interviews from co-stars Meryl Streep (Streep and Cazale were also romantically involved), Al Pacino, Robert De Niro and Gene Hackman.  Directors Francis Ford Coppola and Sidney Lumet and followers Steve Buscemi, Philip Seymour Hoffman and Sam Rockwell are also featured providing analysis and admiration of Cazale’s artistry.
After watching I Knew It Was You, I feel compelled to revisit these films and look a little closer at this mysterious supporting character.

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Moonstruck []

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Norman Jewison’s Moonstruck is a film that’s been on cable television throughout much of my life, sitting on the shelves of various video stores and more recently, hanging out in the Forbes Library.  The box artwork featuring Cher with her outstretched arms has always rubbed me the wrong way, perhaps signalling some sort of a cheeseball factor.
Recently I read an interview with director Wes Anderson where he discussed his favorite New York films and to my surprise Moonstruck made the cut.  Jewison, who was a mentor to Hal Ashby, directs a delightful, modern day fairy tale filled with comedy, romance, beautiful and subtle camera work, brilliant character actor performances and just the right amount of nostalgia.  Also standing out is the pitch-perfect dialog.  John Patrick Shanley (other credits include Joe Vs. the Volcano and Doubt) creates a somewhat realistic family unit that is forever bickering with one another.
The story: Loretta (Cher), who has recently agreed to marry Johnny (Danny Aielo), is asked to track down her fiance’s estranged brother Ronny (Nicholas Cage) and invite him to their upcoming wedding.  While Johnny is in Italy tending to his ailing mother, Loretta and Ronny wind up having an intense love affair.  Chaos ensues!!!  We also have Olympia Dukakis, Vincent Gardenia and John Mahoney in memorable supporting roles.
They say you can’t judge a book by its cover… and I think I’m now learning that you also shouldn’t judge a film by it’s DVD or VHS artwork!

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The Table Comes First by Adam Gopnik []

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Here comes a mini review or what we’ll call an appetizer:  New Yorker mainstay Adam Gopnik meditates on all things food and dining in the delightful, The Table Comes First.  Gopnik, writing in a conversational style, interlaces history into personal anecdotes while sharing recipe favorites.  The origins of the restaurant, the evolution of cooking methods and the role food plays with family, are expounded upon here with great skill and humor.

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