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Staff Picks Audience: Adults

Virtually Perfect by Paige Roberts []

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Following her fifteen minutes of fame as a celebrity chef (complete with TV show, cookbook deal, magazine column, and adoring fans), Lizzie Glass is reduced to working as a food truck shill and still can’t make her rent. She gives up her apartment and moves home to New Jersey where she takes a job as private chef to a wealthy family, literally catering to their comically extreme individual dietary restrictions and those of their frequent guests. Among the guests are the daughter of the house Zoe, who runs a popular website and app dedicated to clean living, and their black sheep son Nate, a professor at American University in Washington, D.C. When Lizzie discovers Zoe has been posting her recipes and photographs of her work without permission, she has to decide between compromising her values and unemployment.

Roberts’ debut is a sound entry in the young-women-finding-themselves genre, and is a good pick for fans of Meg Cabot, Sophie Kinsella, cooking shows, and reality television.

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Winter Solstice by Elin Hilderbrand []

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In this somber coda to the Winter Street trilogy–Winter Street (2014), Winter Stroll (2015), and Winter Storms (2016)–Hilderbrand revisits the lives, loves, and challenges of the Quinn family at the Winter Street Inn. Set during the last three months of the year and peppered with cameo appearances from earlier books in the series, Winter Solstice gives equal weight to threads of hope and despair. Patriarch Kelley is ailing, and his wife Mitzi is trying to keep everything together. Kelley’s grown children Kevin, Patrick, and Ava are living their own lives while maintaining their connection to the Inn, and Kelley and Mitzi’s son, returned prisoner of war Bart, struggles with PTSD. Gathering for a party on Halloween, celebrating the traditional family Thanksgiving, and returning once more on the titular winter solstice, the Quinns come together to support each other in grief and envision a hopeful future.

Fans of Elin Hilderbrand will enjoy the return to Nantucket and Winter Street, newcomers will feel right at home, and readers who appreciate a strong sense of place and interesting characters will be well satisfied.

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The Café by the Sea by Jenny Colgan []

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Flora MacKenzie abandoned her father and brothers to the farm where she was raised immediately following her mother’s funeral, escaping to an appealingly anonymous city life where she works, drinks wine, and nurses a crush on her boss. She reluctantly returns to the remote Scottish island when required by a work assignment from her fancy London law firm. Left to her own devices by scheduling delays, she cleans up her childhood home, finds her mother’s handwritten recipe book, and begins to cook meals and treats that bring her mother’s memory back and her family together. She even finds herself attracted to a lovely man from a neighboring island. Without expecting or wanting it, she finds home, love, work, and herself, all while coordinating the successful community integration of a wealthy developer and his hotel project. Multiple fully developed gay characters break up the relentless heteronormativity often found in the genre.

A great pick for fans of Sophie Kinsella, Marian Keyes, and Louise Miller’s The City Baker’s Guide to Country Living.

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The Fortune Teller by Gwendolyn Womack []

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Sent to Switzerland to catalog a manuscript collection for her auction house employer, Semele Padnow nearly overlooks its greatest treasure, a volume written by Ionna, the daughter of a librarian at the Library of Alexandria. Womack (The Memory Painter) weaves the stories of these two women together as Semele translates the ancient text. Upon her return to Manhattan, Semele’s employer inexplicably removes her from the project, but by then she’s already become attached and continues to work from her unauthorized digital copy. What began as memoir becomes prophecy, and Semele is amazed to realize that Ionna accurately foresaw events occurring generations after her death. When the original client reaches out, Semele begins to piece together the events that connect past to present.

Beginning as a clever mystery based on an ancient manuscript and evolving into a family epic spanning centuries, international thrills, and predestined romance, The Fortune Teller has something for everyone, particularly fans of A.S.Byatt’s Possession and Lauren Willig’s Pink Carnation series.

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The Book of Summer by Michelle Gable []

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Bess returns to Cliff House, her family summer home for four generations, to extract her mother before it slips off its Nantucket bluff into the north Atlantic, victim to the passage of time and ravages of weather and erosion. The Cliff House guest book, filled with letter style narratives rather than simple names and dates, illuminates the near century of lives it has sheltered. As Bess tries to protect her mother and save her family’s memories and heirlooms, she also grapples with the end of her four-year marriage. Coming home is a comfort and a distraction, as are the denizens of Nantucket, including Bess’s high school love. Told through contemporary narrative interspersed with transcribed entries from The Book of Summer and local news stories, the story of a family and its triumphs, tragedies, and secrets unfolds, drawing the reader into Cliff House from the 1920s through 2013. A sure bet for fans of Elin Hilderbrand, Nantucket, families who brushed shoulders with the Kennedys, and the female side of the story.

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South Pole Station by Ashley Shelby []

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Cooper Gosling has passed the rigorous physical and psychological tests required to spend a year in Antarctica in the National Science Foundation’s Artists and Writers program. A talented painter who, at 30, has not yet realized her potential, Cooper is recovering from a family tragedy and looking for escape. She finds herself integrating with a community that includes scientists, artists, builders, and support staff with wildly different personalities, all seeking or fleeing something. Drawn to Sal, a physicist intent on disproving the big bang theory, and assisting a climate change denier with his research, Cooper finds herself at the center of an incident with long range implications for the station and its inhabitants.

Journalist Ashley Shelby’s debut novel eschews easy choices and treats interpersonal relations, grief, science, art, and political controversy with the same deft, humorous hand. Readers will find characters to love, suspect, and identify with among Cooper’s fellow Polies, and won’t forget them easily.

A good match for readers whose interest in Antarctica was sparked by Where’d You Go, Bernadette?, those who enjoy stories about quirky individuals and made families, and extreme armchair travelers.

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First Person Singular by Haruki Murakami []

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This small collection of eight short stories by Haruki Murakami has everything I love about Murakami’s writing: the subtle oddness, the evocative descriptions of ordinary things, his expansive awareness of culture and great enthusiasm for favored subjects from baseball to jazz. Each story here is written in the first person, from the perspective a man, usually a middle-aged writer, examining some past experience. Many of the stories are completely realistic, with a few leaving you wondering whether they might be autobiographical. In one the narrator is even an author named Haruki Murakami! In others, the stories are subtly fantastic: the narrator reflects on the time he met a talking monkey at a hot spring; the narrator finds himself in another man’s body, perhaps. And, in typical Murakami fashion, even some of the most realistic stories leave you perplexed, like the narrator, wondering just what might have been going on.

My favorite story in the collection is, without a doubt, “The Yakult Swallows Poetry Collection”—the story with a narrator named Haruki Murakami that reads so much like memoir. In it the narrator tells us of his love of baseball, how he came to become a Yakult Swallows fan, and how, early in his career, he self-published a chapbook of poems about baseball. The story includes a number of delightful poems about baseball (you need not be a baseball fan to appreciate them) and is told in a pleasantly conversational tone. There is no strangeness in this story, except for the mundane strangeness that lies at its very heart—why would a man be a fan of such a losing team?

This is a great volume for fans of short stories. It is sure to delight established Murakami fans, and would be a great introduction to his work for anyone not yet familiar with his writing.

Translated from the Japanese by longtime Murakami translator Philip Gabriel.

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By Any Name by Cynthia Voigt []

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Voigt, a revered writer of teen fiction (Homecoming, Dicey’s Song), presents her first novel for adults. By Any Name is the story of a woman’s life told primarily through the eyes of her youngest daughter, Beth, with remembered interjections from her other three daughters, Meg, Jo, and Amy. Rida was an orphan who, by virtue of the heightened emotion and reduced social barriers of World War II, finds herself married to Spencer Howland, scion of a large and wealthy New England family. Consistently described as unconventional, Rida resists assimilation into Boston and Cape Cod society, supporting her professor husband in a comfortable lifestyle through strategic investment and management of his trust fund. She fiercely advocates for her daughters, rousting a lecherous teacher and disrupting a debutante ball as a protective parent. A compelling woman equally admired, loved, and resented by her girls, she allows them to grow into themselves, strong and uncompromising and ultimately happy. The story will appeal to now-grown Voigt fans, as well as teens interested in tales of large and complicated families.

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Today Will Be Different by Maria Semple []

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Semple returns to ground she covered in Where’d You Go, Bernadette? (2012) with an artistic antiheroine fumbling through her life of privilege as a NYC transplant to Seattle. Married to a celebrity hand doctor and ten years separated from her career as a groundbreaking animator, Eleanor Flood spends her days studying poetry with an untenured professor and thinking acerbic thoughts about the other moms at her precocious son’s private school. Having lunch with a former minion breaks something free in Eleanor’s past, and her life falls apart over the course of an afternoon. The reader learns details of her backstory and sympathizes, despite the seemingly trivial nature of her troubles (Sticking her foot in her mouth with her poetry teacher! Estrangement from her sister! Her husband’s absence from his practice! Her son’s enjoyment of makeup!).

Hilarious and touching, this will satisfy Semple’s numerous fans and gain her new ones. Great for readers of women’s fiction, Seattle denizens and aspiring residents, and people reviewing their lives and choices.

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The Forever Summer by Jamie Brenner []

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Over the course of a summer, seven women gather in a sprawling bed and breakfast in Provincetown to reconcile their complicated family relationships. Marin Bishop’s perfect life has fallen apart all at once with the appearance of a surprise half sister, Rachel, and the loss of her prestigious job. She and Rachel leave Manhattan to meet their grandmother Amelia on Cape Cod, stay for a few days at her inn, and forge connections neither knew they needed. As they gradually extend their stay week by week to the entire summer, Marin’s parents, boyfriend, aunt, Amelia and her wife Kelly, and seemingly all the other residents of Provincetown variously participate in their journey. Kelly teaches Marin the family craft of mosaic construction, and Marin’s completion of a long-planned gift wraps up her visit and sets her on her course, while great changes also come to the lives of Marin’s mother, Amelia, and Rachel. An engaging and emotional read with characters who stay with you.

This is a good fit for fans of Elin Hilderbrand, beaches, summer, and women’s stories.

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Lilac Girls by Martha Hall Kelly []

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Spanning more than twenty years in the lives of three women, and based on real people and events, Kelly’s debut brings historical facts to startling life. As the narrative begins in 1939, Caroline Ferraday is a former Broadway actress and New York socialite who works with the French consulate, Herta Oberheuser is an ambitious young German doctor, and Kasia Kuzmerick is a fifteen-year old Polish girl just getting involved with the resistance. As World War II progresses and Hitler’s army proceeds through Europe, circumstances draw these women together. Caroline’s relief work becomes more necessary. Herta secures a position as camp doctor at Ravensbrück, and Kasia is transported there with her mother and sister after her courier activities are reported. When the war ends, and the camp is liberated, the story continues. Caroline pursues reparations and justice for the displaced, Herta is tried and convicted of war crimes, and Kasia attempts to return to a normal existence in now-Communist Poland, marrying and having a baby. Details of fundraising efforts, immigration issues, Reich politics, camp life, and interpersonal relationships render a gripping read that lingers well after the book ends.

This is for World War II aficionados, biography fans, and book clubs, as well as teens looking for more after The Diary of a Young Girl.

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The Man Who Lived Underground by Richard Wright []

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In 1940, Richard Wright had a best seller with his first published novel Native Son. Soon after he began work on another novel, The Man Who Lived Underground, of which he wrote “I have never written anything in my life that stemmed more from sheer inspiration”. This novel, which combines elements of realism, surrealism, and allegory (or at least something allegory adjacent), tells the story of a black man falsely accused of a murdering a white couple. He is violently interrogated by a trio of brutish police detectives, forced to sign a confession, and flees through the sewers and becomes “the man who lived underground”, an experience which changes him profoundly.

The Man Who Lived Underground would not be published as a novel in Wright’s lifetime—a much abbreviated version was published as a short story in 1942—but this year, in cooperation with Wright’s estate, Library of America has published the novel in its entirety, and it is well worth reading.

The novel is published together with an essay by the author, “Memories of My Grandmother”, in which he explains his writing process, inspiration, and intent in the novel. It’s fascinating and completely changed how I perceived the text. There’s also a short afterword by Malcolm Wright, the author’s grandson, which provides further context.

Highly recommend for anyone interested in Wright, African-American literature, or race and racism in the United States.

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