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Staff Picks Format: Book

Farm by Elisha Cooper []

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There is so much to look at and learn about on a farm – animals, tractors, crops, and barns. And children feeding animals for morning chores! With lyrical writing and beautiful illustrations that capture the rhythms of the changing seasons, Elisha Cooper brings the farm to life.

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Two Crafty Criminals! and How They Were Captured by the Daring Detectives of the New Cut Gang by Philip Pullman []

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Master storyteller Philip Pullman’s rollicking and humorous tale of Benny Kaminsky, Thunderbolt Dobney, and their gang—out to solve crime.

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Show Me the Magic by Paul Mazursky []

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riter/director/producer/actor Paul Mazursky’s autobiography is an anecdotal collection of Hollywood tales, international adventures and reflections on growing up in Brooklyn. A real page turner, too! I ignored those around me and read this cover to cover in two evenings. Mazursky, who directed classics such as Bob and Carol and Ted and Alice, Blume in Love, Tempest, Moscow on the Hudson and An Unmarried Woman, has plenty of interesting tales to share.

The author recalls showbiz run-ins with Stanley Kubrick (Mazursky’s first major acting role was in Kubrick’s Fear and Desire), Orson Welles, Peter Sellers, George Segal, John Cassavetes, Gena Rowlands, Warren Beatty and Natalie Wood among others. What’s possibly the most fascinating is his relationship with Federico Fellini. It’s a touching friendship and their meeting is something of legend. In addition, Mazursky includes several letters from the great Italian film director in his book.

The title “Show Me the Magic” comes from one of the most exciting pieces of cinema history; a piece of dialog from Mazursky’s adaptation of Shakespeare’s The Tempest. Forever imprinted in my mind is the scene where John Cassavetes conjures up a small miracle… in a film that plays it straight up until that point. An unpredictable moment on screen and perfectly fitting coming the mind of a man who lived an exciting and unpredictable life.

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What is Visible by Kimberly Elkins []

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Kimberly Elkins’ What Is Visible is one of the best books I have read in a long while. I wept through its final chapters, and yet, upon finishing it I find myself already sorry that I had reached the end so soon. A work of historical fiction, What Is Visible tells the story of a number of celebrated figures at the Perkins School for the Blind in the mid-nineteenth century, including Samuel Gridley Howe and Julia Ward Howe, but most of all, the remarkable Laura Bridgman, who, at the age of two, lost her senses of sight, hearing, taste, and smell. Although she relied almost completely on her sense of touch to perceive the world, Laura would learn English, and could read, so long as the print was raised so that she could feel the shape of the letters, could write, and conversed with others using a manual alphabet in which the two conversationalists would write or sign letters into each other’s hands.
A world without sight, sound, smell or taste is difficult for most of us to imagine, but, as this book shows, none of these senses are essential, and it serves us well to spend some time imagining a life without them. Each chapter of the novel is written from the perspective of a different character. Most are written from Laura’s perspective, but many are written from the perspective of Julia Ward Howe, the suffragist and poet, or from that of Laura’s teachers, including her most famous teacher, the abolitionist, educator, and phrenology devotee, Samuel Gridley Howe (who was also Julia’s husband). Elkins writes a compelling and moving portrait of each of these characters, and the story they tell together is both Laura’s story and a fascinating glimpse at a small portion of 19th century America life. The stories told here are full of hardship and melancholy, but also of hope and perseverance and occasionally even joy. They are the stories of remarkable people with remarkable ideas, and of how they did, and did not get along.
I loved this story and the way it was told, and I can say with confidence that this is a book I will want to reread. I don’t feel that way often.

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In One Person by John Irving []

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I’m glad I read John Irving’s In One Person, though I almost gave up on it in the first few pages. The rambling conversational tone took some getting used to, and the sexually explicit language did not yet seem justified. Something in the quirky characterization of the protagonist, Billy, kept me reading and as the conversational tone became familiar and Irving’s wonderful story telling took over, I soon found it difficult to put the book down.

What began as a strangely narrated story of a quirky child soon becomes an engaging coming-of-age story, then a touching examination of the life of a bisexual man in a world that is deeply uncomfortable with his bisexuality and the gender bending behavior of those he loves, and eventually a stark look at the AIDS epidemic in the 1980s.

Over the course of the novel John Irving illustrates the changing attitudes towards cross-dressers and transwoman in American society from the 1940s until the turn of the millennium. While his portraits are certainly not representative they are believable and always sympathetic.

There is nothing titillating about In One Person despite its sexually explicit language and themes. This is a story about friendships, crushes, prejudice and acceptance.

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The Hangman’s Daughter by Oliver Pötzsch []

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Whenever I go to New York City I make a pilgrimage to the Strand bookstore.18 miles of books, how could I not?! During my last visit I became overwhelmed, and after 45 minutes of wandering, snatched The Hangman’s Daughter from the “books everyone loves table.” To my surprise, the book was a lot of fun.

Originally written in German, this mystery novel set in 17th century Bavaria has both an interesting plot and a plethora of historical detail. When the body of a local child turns up in a river with suspicious markings, the townspeople assume dark magic is afoot. Despite the lack of tangible evidence, the town midwife is accused of witchcraft. Jakob Kuisl is an unlikely detective (oh, and the town hangman) who stands out as the voice of reason in a world that is ready to accept witch hunts and gruesome medieval medical practices. Can the hangman prove that the midwife is innocent before it’s too late?! You’ll have to read the book to find out.

Those critical of language and authenticity may find the translation too modern but I found it approachable. An engaging whodunit!

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Starstruck: Photographs From a Fan by Gary Lee Boas []

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I’ve spent a considerable amount of time with the square amateur photo book that is know as Starstruck. I first discovered it in the little library of my friend’s basement/record studio. Often when someone is trying to get the tambourine part just right or the bass amplifier needs adjusting, I pick up a good book to browse… with pictures.

Starstruck is a collection of candid celebrity photos by Gary Lee Boas. The time frame ranges from 1966 (when the photographer was 15) until 1980. Boas was essentially an obsessed fan who would wait around Manhattan to catch stars going in and out of theaters, restaurants, clubs, etc. Although some shots are fairly washed out or rather out of focus, they’re all completely fascinating. There’s a charm to these shots and one can’t help but admire Boas’s obsession. Well, maybe “admire” isn’t the right word!

Even with images of massive celebrities like Katherine Hepburn, Michael Jackson, Jimmy Stewart or Jack Nicholson, the real star of this book is New York City. Accidentally, Gary Lee Boas gives us an excellent overall snapshot of the world’s greatest city at an electric time.

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Nilsson: The Life of a Singer-Songwriter by Alyn Shipton []

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John Lennon once stated “Nilsson’s my favorite group.”

Harry Nilsson, the tenor with the golden, three and a half octave  vocal range/the brilliant songwriter/the ultimate interpreter of songs/the boozer/the raconteur/the sometimes screenwriter, lived the most of his 52 years. His life was a colorful one that began with much sadness. Despite his setbacks and despair, Nilsson managed to keep his spirits high and he chose the path of adventure. He sang the theme song to Midnight Cowboy, released a brilliant run of albums from 1966-1980 (with music ranging from ballads to Beatlesy pop to country send-ups to wild rockers to standards from the Great American Songbook to Calypso to rude comedy numbers), conceived the animated children’s classic The Point!, collected a couple Grammy’s, raised hell with Ringo Starr and other music royalty, started a film production company and eventually settled as a family man.

Using a myriad of resources, interviews and quotes from Nilsson’s unfinished autobiography, Alyn Shipton writes a loving biography without sensationalizing the life of this sensational artist.

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Hombre []

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In this hardboiled Western, Elmore Leonard writes a short, gritty tale where a group travels via stagecoach through the Arizona desert. Our trusty narrator, who is conversational with the reader and serves as a moral compass, is under the employ of the stagecoach/horses owner. Bickering begins at the outset and when the stagecoach comes under attack by a group of outlaws, these early differences of opinion result in chaos. A mysterious Apache, John Russell, is their only hope in making it out of the desert alive.

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The Golem and the Jinni []

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Mythical creatures from Jewish and Arab folklore come alive in 19th century New York City when a Golem (a clay creature made only to serve another) and a Jinni (a fiercely independent being made of fire) trapped in human form find themselves living in adjacent neighborhoods.

The book begins with two separate plot lines… The Golem, though a fully formed woman, comes to life in the hull of a ship headed towards America and soon finds herself masterless in a world that she doesn’t understand. The Jinni on the other hand, awakes on the floor of a tinsmith shop in little Syria after a thousand years trapped in a bottle. As the novel continues the stories of the characters become entwined and, in a beautiful example of storytelling, all of the pieces of Wecker’s mythical world fall into place, leaving the reader satisfied yet sad to reach the end.

This genre bending novel has elements of historical fiction and fantasy. Wecker has clearly done a lot of research and paints a vivid picture of New York’s little Syria and Bowery neighborhoods during the turn of the century. Lovers of Jonathan Strange and Mr Norrell and The Night Circus will enjoy the rich detail and intricate plot line.

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