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Staff Picks Format: Book

The Table Comes First by Adam Gopnik []

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Here comes a mini review or what we’ll call an appetizer:  New Yorker mainstay Adam Gopnik meditates on all things food and dining in the delightful, The Table Comes First.  Gopnik, writing in a conversational style, interlaces history into personal anecdotes while sharing recipe favorites.  The origins of the restaurant, the evolution of cooking methods and the role food plays with family, are expounded upon here with great skill and humor.

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Mark Twain’s Autobiography, 1910-2010 by Michael Kupperman [, ]

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Writer/illustrator Michael Kupperman drums up a thrilling, hilarious tale of what happened after Mark Twain had staged his death in 1910. Mark Twain is immortal. Wait, you didn’t know that?
Illustrations and short accompanying text highlight a century of the famed author’s mischief making. Kupperman obviously takes several liberties and also writes Twain a little crankier and crass than we’re used to reading, but he still manages to effectively live within the author’s witty voice. Twain’s stint as a shock jock radio host, experiments with psychedelics, space travel, advice to Charles Shultz, a psychic altercation with a doughnut shop employee (see below) and general shenanigans with his buddy Albert Einstein are just some of the episodes of this adventure.

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Amy and Isabelle by Elizabeth Strout []

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In the stifling hot summer of 1971, Amy has a summer job working in the same office as her mother, Isabelle, in the small town of Shirley Falls. We quickly learn that  something has come between them to drastically change their relationship, but what exactly that is takes longer to discover with story enfolding from the differing perspectives of both Amy and Isabelle. The troubles facing the people of this town are almost too realistically drawn; under almost every ideal roof something darker lurks. Great character development and lyrical writing. This is Strout’s first novel; she later won the Pulitzer Prize for Olive Kitteridge.

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Patternmaster by Octavia E. Butler []

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Folks have been recommending that I read Octavia E. Butler for some time. I’ve received recommendations from friends that know I like Ursula Le Guin and have told me that I would therefore like Butler’s writing as well, and I’ve also received recommendations from friends who have said, “Oh, you like science fiction. I don’t read much science fiction, but I just read this book by Octavia E. Butler…”.

I picked up my first novel by Octavia E. Butler, Patternmaster, last Thursday, and I finished reading it over the weekend. Needless to say, I enjoyed it! In this short novel, Butler introduces us to a post-apocalyptic world in which humans are divided into a complex system of social castes and warring factions based upon the powerful mental powers of some, and the disease induced mutations of others. The story, of a student who leaves school to find himself in conflict with his own power hungry brother, is relatively simple, but the detailed world in which it takes place makes it feel like part of something much bigger.

Reader’s of Ursula Le Guin’s fiction will recognize themes of class, gender, and sexuality in Butler’s writing, as well as a similar approach to speculative fiction that is based on rigorous world building and avoids the stereotypes of the genre. The struggles depicted in Patternmaster are, however, more violent, and the cast more power hungry, than in Le Guin’s writings. If you like Ursula Le Guin and don’t mind the a story with some loose ends and some violent passages, you should give Patternmaster a try.

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The Might Have Been by Joseph M. Schuster []

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Edward Everett Yates had his dream come true, he had been called up to the majors. After a decade playing in the minor leagues—years after most of his peers have given up—he’s still patiently waiting for his chance at the majors. Then one day he gets called up to the St. Louis Cardinals, and finally the future he wanted unfolds before him. During an away game in Canada, Yates is having the game of his life, until he sustains a devastating knee injury, which destroys his professional career. Yates continues to hang on to baseball, and we witness the next thirty years of his life. Although this novel has baseball has a common thread throughout the story, it is really more about the choices that we make (or are made for us) as we go through life, and what different pathways that can create for us. This is about the life that we have, and the one that might have been.

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The Story of English in 100 Words by David Crystal []

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The Story of English in 100 Words, by Welsh linguistics professor David Crystal, is a refreshing word book. With short easy to read chapters, it is a quick read, especially once you have caught Professor Crystal’s contagious enthusiasm.

I say The Story of English in 100 Words is refreshing in part because it is an easy enjoyable read, but also because it is different from other word books. Too many word books are based on anecdote and folk etymologies. You won’t many of those in The Story of English. Instead, you will find the stories of words and revealed by known facts. When did a word first appear? How was it spelled? How was it used at the time? How did its meaning change? What words were used similarly? There may be some guessing involved, but the answers to these questions are based on research, and we learn much about the English language in answering them.

Does this approach sound overly academic? Don’t worry. The examples are surprising and amusing, and the text is never bogged down in details. Most of the chapters are just a couple of pages, and include many illustrative examples. The examples are drawn from throughout the history of the language, from Old English, to new Internet coinages. This is a book about the history of English, and therefore a book about how English grows and changes. A very fun read!

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Map Of Ireland by Stephanie Grant []

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Recently we had a display of books by Massachusetts writers and this particular book caught my attention. Set in the South Boston busing crisis of 1974, it is the story of Ann Ahern, a high school junior and her growing awareness of her surroundings as well as her personal coming out as a lesbian. Through her growing infatuation with her beautiful substitute French teacher Mademoiselle Eugenie who hails from Paris and is of African descent, she is drawn into the conflict of her times – both personal and political. An overall impressive view of a young woman caught in the struggle of identification as a Southie as well as her initial exposure to the world beyond her limited family and neighborhood.

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The Rook by Daniel O’Malley []

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The body you are wearing used to be mine.
So begins the letter Myfanwy Thomas is holding when she awakes in a London park surrounded by bodies all wearing latex gloves. With no recollection of who she is, Myfanwy must follow the instructions her former self left behind to discover her identity and track down the agents who want to destroy her.  Set in an alternate London, Myfanwy discovers that her former self was/is a high-ranking officer of the secret organization, the Chequy, which battles supernatural forces in Britain. She quickly scrambles to (re)learn her job, while trying to figure out who in the organization wants to kill her. The character of Myfanwy is wonderful, and she handles her unusual situation with a wry wit.

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Sita’s Ramayana [, ]

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Moyna Chitrakar is an artist from the Patua scroll painting tradition. The paintings in this book have been adapted fit the page, but they are rendered in a style that wasn’t meant to be confined to such a small space—Patua scrolls are large and complex. Significantly, the Patua artist traditionally tells the story through song while unrolling the scroll and gesturing to images. Keep this in mind as you read Sita’s Ramayana. The images sometimes feel cramped on the page, and the juxtaposition between text and image is often awkward, but remembering the traditional manner of presenting these paintings will help you see past these small annoyances to appreciate the elgeance of Chitrakar’s art.

Sita’s Ramayana presents the Hindu epic the Ramayana from the perspective of Rama’s wife, Sita. In this version Rama’s noble character is taken as a given—even when Sita suffers as a result of Rama’s actions her love for him does not falter. Samhita Arni’s Sita does not tell us why she loves Rama. Instead she tells what happened, and how she felt about it. She tells us about her doubts and fears, and about the suffering she saw on both sides as Rama’s army made war on Lanka.

Sita’s Ramayana‘s is a quick retelling of the Ramayana, and differs from the classic version in ways that may make you eager to explore this famous story’s many variations. Moyna Chitrakar’s art is beautiful, and while more care might have been taken in the page design, lovers of traditional art and myth will find something to appreciate in this book.

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The Sandman [, ]

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Ten years ago a friend lent me The Sandman: Brief Lives. I had not read many comics, but I was hooked, and I quickly read each of the ten trade paperbacks that make up The Sandman. (Brief Lives is actually the seventh volume in the series, but it was a good place to start, as it better reflects the character of the series as a whole than does the dark and brooding Preludes and Nocturnes. If you know you are going to read the whole series, start at the beginning, but if you are unsure, starting with Brief Lives is not a bad idea.)

Although nominally set in the universe of DC Comics, no past comic reading experience is required. More important is a knowledge of myth and literature, and an appreciation for story and fantasy. The Sandman is a collection of stories which together tell the story of Dream. Dream, in The Sandman, is both a character, and a fundamental, inescapable force of the universe in which he resides. He is one of the Endless, and like Destiny, Death, Destruction, Despair, Desire and Delirium, he has always been, and will always be. Despite this, Dream is moody, stubborn, and often remarkably human.

The Sandman had its roots in horror, a genre I have never had much inclination to explore, but while it has fantastical and grotesque elements, it is too optimistic, too affirming, too delightful to be anything of the kind. The characters of Death and Delirium are particularly delightful—while both have their obvious dark sides they are depicted as being kind and caring; Death in particular is shown to be particularly wise. Most of all we delight in the world of stories and dreams. “The Dreaming”, where Dream makes his home, also provides its own delights, including a cast of often comic characters and a library containing every book and every story.

Many different artists worked with Neil Gaiman on The Sandman, and the art is always competent, and often very good indeed, especially in the later volumes. I’m particularly fond of some of P. Craig Russell and Jill Thompson’s illustrations, and Dave McKean’s covers are fantastic.

The Sandman is a haunting story with great characters set in a complex, detailed world. It is made up of many stories of many different types, and its variety is part of its appeal. This is a great graphic novel, and worth trying even if you aren’t normally a fan of comics.

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The Pickwick Papers by Charles Dickens []

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This was the first novel by Charles Dickens and really a pleasure to read. It tells the story of Mr. Pickwick and his fellow Pickwick Club members as they travel the English countryside and describes their adventures in a very humorous manner but also with a keen eye into the social and political landscape of the time. It was a great re-introduction to Dickens for me and I am looking forward to reading many of his other works.

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There Is No Dog by Meg Rosoff []

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I confess: I borrowed this book because the title reminded me of my favorite bumper sticker: DOG IS MY CO-PILOT. Also, that cloud poodle was kind of cute. You just can’t go wrong judging a book by its cover.
Anyway, this young adult novel gives the most convincing explanation yet of why the world is plagued with war, famine, bad weather, and carnivores that eat each other. In short, God is a self-absorbed teenage boy who is not paying attention. He can’t even pick up his clothes off the floor, let alone answer the mail from his billions of creations. When he’s moody, the earth erupts in natural disasters, and when he falls in love with a human, all hell breaks loose. This is my first acquaintance with the witty and irreverent Meg Rosoff and I’ll be looking forward to reading more, for the laughs, the originality and the covers.

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