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The Star-Bellied Sneetches have bellies with Stars, but the Plain-Bellied Sneetches have none upon thars! Rivalries rocket when Sylvester McMonkey McBean steps in to prey on their prejudices, but in the end we realize that prejudice is nothing more than a ridiculous waste of time.
Tagged: Dr. Seuss, Fiction, Picture books
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The original Boxcar Children tells the story of the four Alden children: Henry, Jessie, Violet, and Benny, who are orphans. One night, they take shelter in a bakery after buying some bread with the little cash they have. In exchange for allowing them to spend the night, they agree to help around the bakery. However, when they overhear the baker’s plans to keep the older three siblings but to take Benny to an orphanage because he is too young, they flee.
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There is so much to look at and learn about on a farm – animals, tractors, crops, and barns. And children feeding animals for morning chores! With lyrical writing and beautiful illustrations that capture the rhythms of the changing seasons, Elisha Cooper brings the farm to life.
Tagged: Animals, Farms, Fiction, Picture books, Tractors
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Peter, because he’s the oldest, must deal with Fudgie’s disgusting cuteness, his constant meddling with Peter’s stuff, and other grave offenses, one of which is almost too much to bear. All these incidents are presented with the unfailing ear and big-hearted humor of the masterful Judy Blume.
Tagged: Fiction, Fourth grade, Siblings
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Enter Anne Nesbet’s world and follow Maya on her magical journey, a story fantasy fans will love.
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Master storyteller Philip Pullman’s rollicking and humorous tale of Benny Kaminsky, Thunderbolt Dobney, and their gang—out to solve crime.
Tagged: Detectives, Fiction, London, Mystery
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The Giver is a 1993 American young adult novel by Lois Lowry. It is set in a society which is at first presented as a utopian society but gradually appears more and more dystopian.
Tagged: Dystopia, Fiction, Futuristic
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I tend to be someone who knows what he’s looking for in the stacks and will often go in with a list. We can’t always be a slave to structure though. Judex is a film I checked out based solely on the intriguing box cover. It also is a part of the Criterion Collection… so, I knew I was in for something interesting.
This 1963 French movie is an homage to a 1916 silent film of the same name. Set at the time of the original, Judex hits the ground running with a mysterious blackmail letter, a murder, strange sci-fi/occult touches and a stoic, caped man. Countless twists and turns, masks, hidden identities, a circus, knives and a lovable detective color this suspenseful caper. Furthermore, Judex is photographed in the most brilliant black and white with stylish camera angles that would make any film nerd’s heart have serious palpitations.
It pays to sometimes take chances with movies; going in blindly. However, I’ve done the work for you already on this one. So, go ahead and enjoy George Franju’s Judex!
Tagged: Feature film, Mystery
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Ron McLarty narrates this bizarre and wonderfully entertaining crime novel by Thomas Pynchon. Infusing the perfect hippie bravado to our central character Doc Sportello, McLarty transports us to this far out time.
Filled with film and music references, original music (sung a capella by McLarty on the audiobook), hilarious dialog and a gritty tone, Pynchon creates a unique take on the detective novel. Doc, who is a long haired, stoner private-eye in Los Angeles at the close of the 1960’s, is on the case to find a missing ex-girlfriend. Along the way, he has run ins with colorful characters in this backdrop of groovy pads, surf music and drug culture.
Flower power is over and something darker is on the horizon.
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riter/director/producer/actor Paul Mazursky’s autobiography is an anecdotal collection of Hollywood tales, international adventures and reflections on growing up in Brooklyn. A real page turner, too! I ignored those around me and read this cover to cover in two evenings. Mazursky, who directed classics such as Bob and Carol and Ted and Alice, Blume in Love, Tempest, Moscow on the Hudson and An Unmarried Woman, has plenty of interesting tales to share.
The author recalls showbiz run-ins with Stanley Kubrick (Mazursky’s first major acting role was in Kubrick’s Fear and Desire), Orson Welles, Peter Sellers, George Segal, John Cassavetes, Gena Rowlands, Warren Beatty and Natalie Wood among others. What’s possibly the most fascinating is his relationship with Federico Fellini. It’s a touching friendship and their meeting is something of legend. In addition, Mazursky includes several letters from the great Italian film director in his book.
The title “Show Me the Magic” comes from one of the most exciting pieces of cinema history; a piece of dialog from Mazursky’s adaptation of Shakespeare’s The Tempest. Forever imprinted in my mind is the scene where John Cassavetes conjures up a small miracle… in a film that plays it straight up until that point. An unpredictable moment on screen and perfectly fitting coming the mind of a man who lived an exciting and unpredictable life.
Tagged: Film, Memoir, Non-fiction
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I first heard the Who’s Tommy as a teen or pre-teen after borrowing a copy from the Russell Library in Middletown, CT. That’s really the age to delve into both the angst and sensitivity of the Who… in fact, it’s the best time to explore music in general as that feeling of the world opening up to you begins. What followed this library trip was a huge Who obsession and, after the realization that Pete Townshend and I share a birthday, I was convinced there was some sort of connection between myself and the music. I’m sure I wasn’t the only teenager who felt this way.
Martin R. Smith’s documentary doesn’t focus on the stellar musicianship of the band (that coverage can be found anywhere… I mean, listen to a Who album!); rather, it leads the viewer through Tommy‘s high concepts and tells the story of a band in a state of transition. It is evident we have a “pre” & “post”-Tommy Who for the history books. Tommy, an album many consider as the first “rock opera”, legitimized Pete Townshend as a true composer, gave Roger Daltry the confidence to stand out front as the powerful lead singer (often in fringe), took the Who to opera houses around the world and turned the band into a stadium rock monster.
The film features interviews with Pete Townshend, Roger Daltry, John Entwhistle (archival), Keith Moon (archival), former Who manager Chris Stamp, Tommy album artist Mike McInnerney, Who biographers and a couple Rolling Stone Magazine nerds. It also has audio recordings of Townshend demos and several live performance clips.
Tagged: Documentary, Rock music
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The Art of the Steal is a documentary that addresses the issue of public ownership of artwork. Don Argott’s film focuses on a much heated conflict in the state of Pennsylvania concerning the Barnes Collection and Foundation. Albert Barnes, a wealthy chemist turned art collector, acquired one of the most stunning Impressionist and Post-Impressionist collections in the world. He housed this uniquely curated collection along with a school as the Barnes Foundation in Lower Merion, PA. After his death in 1951, it was made clear by his will that the collection would not move nor would any of the work be sold under any circumstances.
Here’s where it gets interesting… Barnes’s wishes were not shared with many of the powerful Philadelphia politicians and society members. As management changed hands, the film highlights political nonsense and a long spiral of undermining of the collection’s owner over a sixty plus year period. Many issues arise in the dealings with the collection of art (now worth an estimated twenty-five billion dollars) and we really don’t have a clear cut understanding of whose interests are actually being served.
The Art of the Steal is a fascinating look into both the political and art worlds.
Tagged: Art, Documentary