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Staff Picks

Walk Away Renée/ Pretty Ballerina by The Left Banke []

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Fans of The Zombies, The Free Design or The Hollies will most likely enjoy the soft, baroque sounds of The Left Banke.  Though the two hits that divide up the album’s title are the obvious stand outs, the entire recording is a strong set of 1960’s magic. The arrangements throughout are harmonically sophisticated and borrow heavily from classical music.
This New York quintet sounds decidedly British and I’d liken Steve Martin Caro’s voice to The Zombies frontman, Colin Blunstone.  Both singers have a perfect, gentle tenor with unbelievable range.  Martin Caro and many members of the group share songwriting and lead vocal duties.  Michael Brown, then a teenager, is responsible for the hits on the record.  He managed to compose music that blends youthful angst and longing with haunting melodies.
Other highlights include “I’ve Got Something On My Mind” and “Shadows Breaking Over My Head”, which come close to rivaling the title tracks.

I give this Left Banke album an A+++, eighteen stars, two thumbs up and three golden tickets.

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The Artist []

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I had heard great things about Michel Hazanavicius’ award winning silent film The Artist. How could I not have? The film won five Oscars, three Golden Globes, and a host of other awards and critical praise. And yet, I was nervous about seeing the film. A silent film made in 2011? Was it just a gimmick? Just a superficial imitation of an earlier error?

There is no doubt that the film is intended as an homage to older films. The film is presented in black and white and everything from the acting, to the intertitles, the score, and even the aspect ratio of the screen is designed to resemble the films of the silent era. And yet, the film feels quite modern, in part, because of the self-awareness it brings to its imitation, but also because the film looks at Hollywood in the late twenties in a manner which could only be done in hindsight. In many ways The Artist has more in common with Singing in the Rain, another great film about Hollywood’s transition to talkies, than it does with any silent film.

And, much as with Singing in the Rain, you don’t actually have to be familiar with films of the silent era to appreciate The Artist. The film is well made, the acting is great, the period costumes are a joy. The characters are larger than life, but sympathetic and likable. They are caricatures, but this is so well done as to be an asset.

I really enjoyed The Artist. It’s funny, stylish, and clever. Recommended for film lovers or anyone looking for something a little different.

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George Harrison: Living In The Material World by Olivia Harrison []

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The gorgeous and painstakingly assembled Living in the Material World book is a companion to the Martin Scorsese documentary of the same name.  It’s a thoughtful collection photographs and essays with the subject being the late George Harrison.

Not only do we have large color and black and white photographs of George from childhood up until his last years, the book features the musician’s handwritten letters and lyrics, personal photographs and collected ephemera.  His career as a musician, childhood, family life, friendships and spiritual life are recollected.  Scorsese, Paul Theroux, Eric Clapton and Dhani Harrison are among the many contributors.  Living in the Material World works both as a engrossing read and/or a picture flipper.

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Trippin’ with Terry Southern by Gail Gerber with Tom Lisanti []

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Gail Gerber’s memoir recalls her time spent with the famous novelist and screenwriter Terry Southern (Dr. Strangelove, the Magic Christian, Blue Movie, Candy, etc.).  Despite the title, the book is not filled with madcap, drug taking adventures.  Rather, we see an intimate portrait of a couple’s life together through a thirty year period.  It also focuses on Southern’s idiosyncrasies, humor and career highs and lows.

Gerber, a stage actress and ballet dancer, also shares several of her professional and personal experiences ranging from early 60’s appearances in Beach Ball, The Loved One and a couple of Elvis Presley films to life as a casual farmer.

Trippin’ with Terry Southern is an interesting memoir and is certainly essential read for Southern fans.  In addition, those who enjoy reading about 1960’s and 70’s escapades will be really enjoy the memoir… just peak at the back index to see a list of all of the exciting characters who will pop up (there’s Dennis Hopper, Rip Torn and Stanley Kubrick just to name a few)!

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I Knew It Was You: Rediscovering John Cazale by Richard Shepard []

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Though John Cazale isn’t a household name, the five feature films he appeared in during his short life are movies that are regarded as perennial American classics.  The character actor can be found in The Godfather, The Conversation, The Godfather Part II, Dog Day Afternoon and The Deer Hunter.  To many he’s “the guy who played Fredo”, but to those who knew him and worked alongside, Cazale was an actor unlike any.
This short documentary consists of film clips, archival photos and footage and candid interviews from co-stars Meryl Streep (Streep and Cazale were also romantically involved), Al Pacino, Robert De Niro and Gene Hackman.  Directors Francis Ford Coppola and Sidney Lumet and followers Steve Buscemi, Philip Seymour Hoffman and Sam Rockwell are also featured providing analysis and admiration of Cazale’s artistry.
After watching I Knew It Was You, I feel compelled to revisit these films and look a little closer at this mysterious supporting character.

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Moonstruck []

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Norman Jewison’s Moonstruck is a film that’s been on cable television throughout much of my life, sitting on the shelves of various video stores and more recently, hanging out in the Forbes Library.  The box artwork featuring Cher with her outstretched arms has always rubbed me the wrong way, perhaps signalling some sort of a cheeseball factor.
Recently I read an interview with director Wes Anderson where he discussed his favorite New York films and to my surprise Moonstruck made the cut.  Jewison, who was a mentor to Hal Ashby, directs a delightful, modern day fairy tale filled with comedy, romance, beautiful and subtle camera work, brilliant character actor performances and just the right amount of nostalgia.  Also standing out is the pitch-perfect dialog.  John Patrick Shanley (other credits include Joe Vs. the Volcano and Doubt) creates a somewhat realistic family unit that is forever bickering with one another.
The story: Loretta (Cher), who has recently agreed to marry Johnny (Danny Aielo), is asked to track down her fiance’s estranged brother Ronny (Nicholas Cage) and invite him to their upcoming wedding.  While Johnny is in Italy tending to his ailing mother, Loretta and Ronny wind up having an intense love affair.  Chaos ensues!!!  We also have Olympia Dukakis, Vincent Gardenia and John Mahoney in memorable supporting roles.
They say you can’t judge a book by its cover… and I think I’m now learning that you also shouldn’t judge a film by it’s DVD or VHS artwork!

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The Table Comes First by Adam Gopnik []

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Here comes a mini review or what we’ll call an appetizer:  New Yorker mainstay Adam Gopnik meditates on all things food and dining in the delightful, The Table Comes First.  Gopnik, writing in a conversational style, interlaces history into personal anecdotes while sharing recipe favorites.  The origins of the restaurant, the evolution of cooking methods and the role food plays with family, are expounded upon here with great skill and humor.

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Mark Twain’s Autobiography, 1910-2010 by Michael Kupperman [, ]

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Writer/illustrator Michael Kupperman drums up a thrilling, hilarious tale of what happened after Mark Twain had staged his death in 1910. Mark Twain is immortal. Wait, you didn’t know that?
Illustrations and short accompanying text highlight a century of the famed author’s mischief making. Kupperman obviously takes several liberties and also writes Twain a little crankier and crass than we’re used to reading, but he still manages to effectively live within the author’s witty voice. Twain’s stint as a shock jock radio host, experiments with psychedelics, space travel, advice to Charles Shultz, a psychic altercation with a doughnut shop employee (see below) and general shenanigans with his buddy Albert Einstein are just some of the episodes of this adventure.

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Amy and Isabelle by Elizabeth Strout []

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In the stifling hot summer of 1971, Amy has a summer job working in the same office as her mother, Isabelle, in the small town of Shirley Falls. We quickly learn that  something has come between them to drastically change their relationship, but what exactly that is takes longer to discover with story enfolding from the differing perspectives of both Amy and Isabelle. The troubles facing the people of this town are almost too realistically drawn; under almost every ideal roof something darker lurks. Great character development and lyrical writing. This is Strout’s first novel; she later won the Pulitzer Prize for Olive Kitteridge.

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Patternmaster by Octavia E. Butler []

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Folks have been recommending that I read Octavia E. Butler for some time. I’ve received recommendations from friends that know I like Ursula Le Guin and have told me that I would therefore like Butler’s writing as well, and I’ve also received recommendations from friends who have said, “Oh, you like science fiction. I don’t read much science fiction, but I just read this book by Octavia E. Butler…”.

I picked up my first novel by Octavia E. Butler, Patternmaster, last Thursday, and I finished reading it over the weekend. Needless to say, I enjoyed it! In this short novel, Butler introduces us to a post-apocalyptic world in which humans are divided into a complex system of social castes and warring factions based upon the powerful mental powers of some, and the disease induced mutations of others. The story, of a student who leaves school to find himself in conflict with his own power hungry brother, is relatively simple, but the detailed world in which it takes place makes it feel like part of something much bigger.

Reader’s of Ursula Le Guin’s fiction will recognize themes of class, gender, and sexuality in Butler’s writing, as well as a similar approach to speculative fiction that is based on rigorous world building and avoids the stereotypes of the genre. The struggles depicted in Patternmaster are, however, more violent, and the cast more power hungry, than in Le Guin’s writings. If you like Ursula Le Guin and don’t mind the a story with some loose ends and some violent passages, you should give Patternmaster a try.

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Snockgrass by Michael Hurley []

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Fact: Michael Hurley (a.k.a. “Snock”) is a drastically, under-appreciated American folk singer.  With a voice reminiscent of Hank Williams and a songwriting style rooted in country & western, bluegrass and the blues, Hurley has been issuing stellar material since the early 1960’s.  Recent years have seen a new appreciation for the musician.  Artists such as Vetiver, Lucinda Williams, Cat Power and Matloaf have cited Hurley as an influence.

1980’s Snockgrass (album not pictured here due to singer’s risque cover painting) is classic Michael Hurley.  There’s plenty of swinging numbers, reflective waltzes, weirdo lyrics and country-fried boogies with the mood volleying from serious to sardonic to silly.  “The Midnight Rounder”, “O My Stars” and “Watchin’ the Show” are excellent starting places for someone just beginning their Snock obsession.

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The Might Have Been by Joseph M. Schuster []

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Edward Everett Yates had his dream come true, he had been called up to the majors. After a decade playing in the minor leagues—years after most of his peers have given up—he’s still patiently waiting for his chance at the majors. Then one day he gets called up to the St. Louis Cardinals, and finally the future he wanted unfolds before him. During an away game in Canada, Yates is having the game of his life, until he sustains a devastating knee injury, which destroys his professional career. Yates continues to hang on to baseball, and we witness the next thirty years of his life. Although this novel has baseball has a common thread throughout the story, it is really more about the choices that we make (or are made for us) as we go through life, and what different pathways that can create for us. This is about the life that we have, and the one that might have been.

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