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Staff Picks Audience: Adults

Glorious by Eddie Izzard []

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I love Eddie Izzard’s stand-up. In Glorious he lopes across the stage imitating an evil giraffe, he runs in mock fright exclaiming, “I’m covered in bees!”, and he delivers a stream of unconventional witticisms, comical sound effects, and insightful observations.

Eddie’s jokes are carefully written but his delivery is casual and off the cuff. His jokes often rely on gesture and facial expressions, never more so than in his routine on “machines that lie”, during which he mimes the frustrations of making good toast and demonstrates the visual similarity between someone adjusting the tap in a shower and a safebreaker. (He ends this routine with a wonderful visual pun which I will refrain from describing—you will appreciate it better if it takes you by surprise.)

I don’t care much for stand-up, but I make an exception for Izzard’s smart, irreverent, performances. His shows are always entertaining andGlorious is one of his best.

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Return To Cookie Mountain []

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Return To Cookie Mountain (2006), by the Brooklyn-based quintet TV On The Radio, was my introduction to this group’s music and I quickly became a fan. I really enjoy the unique harmonies and vocal layerings of the two primary vocalists Tunde Adebimpe and Kyp Malone. The melodies are also exceptional and have been described as “atmospheric” and “spacious” Their music is not easy to categorize but some close approximations include: indie-rock, soul and trip-hop. Repeated listenings to this CD always reveal more pleasurable discoveries of their unique sound. Two outstanding tracks for me are “I Was A Lover” and “A Method”.

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Louis C.K. : Hilarious []

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If you are easily offended by delicate or obscene subject matter, this 2010 concert film is, clearly, blatantly, spectacularly… not for you. Come to think of it, if you are offended by ANY words, in and of themselves, regardless of context, you may want to look elsewhere. It’s not that Louis is un-necessarily mean spirited or seeks to offend (well, except that he admittedly is and does, admitting at one point herein that shocking people makes him laugh) but he will leave many people squirming in their seats, probably laughing inside, but uncomfortable, to be sure. To those that love Louis C.K. , and I count myself strongly among them, his latest hour is the pinnacle of years of discipline and work on the road . It is the first Stand-Up film ever to be accepted at Sundance and the first stand-up comedy film in decades to show in theaters.
Unlike most working comics, Louie has been creating a completely new hour of stand-up every year, abandoning all older material, testing new routines every spring and summer in clubs and theaters before filming an hour special when his new hour is fully developed. Despite the obvious shock factor in many of the bits, what makes his comedy work so well is the surprising heart and thought that go into the writing, and the natural, “I just thought of this and I’m going to share it with you” delivery . When you are watching Louis perform at his best, you see the exasperated self-loathing character he describes and believe in it fully, to the point where you forget that he performs the act night in and night out, and it can be unsettling to see the same joke performed again elsewhere. Much of the best material he has used in his last few specials have been inspired by his role as a devoted father of two daughters and the experience of his recent divorce. When he delivers lines about the ridiculous anger and exasperation many parents feel but never openly express, it is always obvious and without question how much he loves his own children. While he brilliantly and savagely mocks the stupidity and spoiled impatience of modern day America, he saves his strongest contempt for himself.
The best stand-up is often that which lays bare the desperation and pain of our brief and ridiculous moment on earth and allows us to laugh at the most fragile and childish of our own instincts. At its best this film recalls some of the finest moments of his heroes, Pryor’s ability to make us laugh at his most painful moments and Carlin’s ability to dissect the absurdity of his time and make us see and laugh at ourselves. The film, however, is 100% Louie, and is the painfully funny work of a stand-up at the height of his powers.

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Wheel of Time by Werner Herzog []

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Werner Herzog, director of Fitzcarraldo, Aguirre: the Wrath of God and Stroszek, has almost become equally as famous for his non-fiction work in recent years thanks to the success of the fabulous Grizzly Man documentary. Forbes Library is fortunate to be receiving several of Herzog’s documentaries (many of which currently hard to find, out of print titles) through our acquisition of the Pleasant St. Video collection thanks to the kind donations from our patrons.

I first saw Wheel of Time at a Werner Herzog retrospective in Austin, TX. I must confess that I didn’t know much about the film or this German auteur at the time. I would soon receive a wonderful education by purchasing a pass to attend the rest of the festival and also borrowing everything I could find by the director at the video library where I was then employed.

The film chronicles a Buddhist pilgrimage to Bodh Gaya, India. At this destination, several artists create a giant, yet intricate, sand design or “sand mandala” (which is referred to as the wheel of time). The creation of the sand mandala is carefully constructed over a lengthy period of time and the viewer is constantly worried that it will not be completed by its deadline (or at least I was feeling tense). The stunning landscape along our travelers’ journey and the vibrant colors of the dyed sand are brilliantly captured by the film’s gorgeous cinematography. There is also a personal interview Herzog conducts with the Dalai Lama.

Wheel of Time, along with many of his documentaries, is certainly as interesting and entertaining as his classic fiction films. In both mediums, we are often supplied with adventure, drama, social commentary, humor and taken to exotic locales. Whether going up in a strange flying apparatus into a rainforest canopy, living in the jungle while filming, hauling a riverboat up a mountain, eating his own shoe, working with wild bears and collaborating with Klaus Kinski (!), Werner Herzog has managed to survive and also produce great art. It wasn’t until a 2006 BBC interview when his life became (arguably) most in danger when a sniper opened fire with an air rifle. After the shooting Herzog calmly commented, “it was not a significant bullet. I am not afraid.”

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One of our Thursdays is missing by Jasper Fforde []

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Jasper Fforde’s latest offering in the Thursday Next series is a metafictional tour de farce. The original Thursday — literary police Special Operations Agent (ret.) and the star of her own series of novels-with-novels — has disappeared, and it’s up to her fictional character to find her by impersonating the real Thursday. There’s a border dispute in BookWorld between the genres of Racy Novel and Women’s Fiction, and if Thursday doesn’t show up for the peace talks, war might ensue. Fforde sprinkles his story with characters and allusions from the classics and popular fiction, and makes liberal use of puns including setting up whole subplots just for a punch line. His style is uncategorizable and nearly indescribable, at least not in a way that makes any sense, but irresistibly entertaining and uniquely inventive. This sequel refers back to things that happened (or didn’t) in previous titles in the series, and it might help to start with the first installment, The Eyre Affair.

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A Discovery of Witches by Deborah Harkness []

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Witches and vampires for grownups. A more sophisticated world of fantasy, with academia, history and a love of books thrown in for good measure are wondefully devleoped in this debut by a history professor.
Diana Bishop has spent her life denying her heritage, as the last of a powerful family of witches. While doing historical research at Oxford, she meets Matthew Clairmont, a several century old vampire. One of the manuscripts that Diana requests at the Bodleian is under intense scrutiny by the community of witches, vampires and daemons, and may hold the secrets to the evolution of these uncooperative species. Soon, Diana and Matthew find themselves alienated from both communities. Great description and attention to detail, realistic characters — as much as vampires and witches can be. This is the first in a projected trilogy, and you won’t be able to wait for the sequel when you finish this book.

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Camping with Henry and Tom by Mark St. Germain []

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This “book” is the audio to a play performed at L.A. Theatre Works in 2006 starring Alan Alda and was borrowed using Overdrive (see the reference desk for more information on how to download free books to your phone or e-reader!).
The off-broadway play is a fictional account of inspired by an actual camping trip in 1921 with friends Henry Ford, Thomas Edison and Warren Harding. The three men set off camping and their car breaks down and we hear their chatter as they are lost in the woods. It is filled with humor and historical facts as we hear how Ford aspires to be President and President Harding would rather spend time with a mistress.

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Out of the Silent Planet by C.S. Lewis []

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In this early work of science fiction (Out of the Silent Planet was first published in 1938) C.S. Lewis tells the story of a philology professor, much reminiscent of Lewis’s friend J.R.R Tolkien, who, while exploring a mysterious house in the English countryside, is kidnapped and brought to the mysterious planet of Malacandra aboard a strange space–going vehicle. The professor escapes his captors soon after they land, and he finds himself terrified in an unfamiliar world. His curiosity overcomes his fear, however, when he discovers that many of the native creatures possess the ability to speak and share a common tongue. During his time on Malacandra the professor learns much about the planet and its inhabitants, but even more about his own home, the Earth, and the place of human kind in the universe.

This is an engaging tale, characterized by a sense of wonder and enthusiasm which is too often lacking in newer works of speculative fiction. It is as much a fantasy story as it is science fiction, and with its exploration of the nature of good and evil and its Christian inspired themes it has some resemblance to Lewis’s more familiar Chronicles of Narnia, though it is a more serious, more adult book in many ways.

Out of the Silent Planet is a quick, enjoyable read, that provides much food for thought to those who want it, without weighing down those who would rather do without. It’s also the first book in a trilogy; those who enjoy it will want to continue with it’s successors Perelandra, and That Hideous Strength.

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Room by Emma Donoghue []

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Having read some reviews of this book which described the harrowing situation of the two main characters, I wasn’t sure whether I wanted to read it or not. I’m glad I did though because the characters of Ma and Jack were so well developed and held my interest so thoroughly that I read this book almost non-stop during a two day period. Emma Donoghue has written a wonderful character driven novel which is absolutely a must read. A previous staff review clearly explains the plot line (Nov.1, 2010)

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The Good Earth by Pearl Buck []

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Wang Lung, rising from humble Chinese farmer to wealthy landowner, gloried in the soil he worked. He held it above his family, even above his gods. But soon, between Wang Lung and the kindly soil that sustained him, came flood and drought, pestilence and revolution…
Through this one Chinese peasant and his children, Nobel Prize-winner Pearl S. Buck traces the whole cycle of life, its terrors, its passion, its persistent ambitions and its rewards. Her brilliant novel — beloved by millions of readers throughout the world — is a universal tale of the destiny of men.

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The Whistling Season by Ivan Doig []

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“Can’t cook but doesn’t bite.” So begins the newspaper ad offering the services of an “A-1 housekeeper, sound morals, exceptional disposition” that draws the hungry attention of widower Oliver Milliron in the fall of 1909. And so begins the unforgettable season that deposits the noncooking, nonbiting, ever-whistling Rose Llewellyn and her font-of-knowledge brother, Morris Morgan, in Marias Coulee along with a stamped of homesteaders drawn by the promise of the Big Ditch — a gargantuan irrigation project intended to make the Montana prairie bloom. When the schoolmarm runs off with an itinerant preacher, Morris is pressed into service, setting the stage for the “several kinds of education” — none of them of the textbook variety — Morris and Rose will bring to Oliver, his three sons, and the rambunctious students in the region’s one-room schoolhouse.
A paean to a vanished way of life and the eccentric individuals and idiosyncratic institutions that made it fertile, The Whistling Season is Ivan Doig at his evocative best.

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Any Day Now: David Bowie by Kevin Cann []

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Any Day Now covers Bowie’s early life and the beginning phases of his exceptional musical career. This painstakingly assembled biography/chronology lists studio session dates and concert appearances, presents press clippings and handwritten letters and also provides a complete discography for the said period in time. Most impressive is the multitude of incredible photographs of the adventurous singer; each page is filled with striking images, large and small. It’s an interesting read and account of the rapidly progressing artist in both appearance and musical style.

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